Feminist TheoryPub Date : 2024-01-01Epub Date: 2022-08-04DOI: 10.1177/14647001221114611
Candace Johnson
{"title":"Drafting injustice: overturning <i>Roe v. Wade</i>, spillover effects and reproductive rights in context.","authors":"Candace Johnson","doi":"10.1177/14647001221114611","DOIUrl":"10.1177/14647001221114611","url":null,"abstract":"","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"1 1","pages":"122-127"},"PeriodicalIF":1.9,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10700056/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42845491","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-12-17DOI: 10.1177/14647001231209873
Myka Tucker-Abramson
{"title":"Countertopographies of copper: Martha Rosler, Chris Kraus and the Great Arizona Copper Strike of 1983–1986","authors":"Myka Tucker-Abramson","doi":"10.1177/14647001231209873","DOIUrl":"https://doi.org/10.1177/14647001231209873","url":null,"abstract":"Chris Kraus is often read as a chronicler of women artists’ experience: their frustrated desires, stifled creativity and stolen labour. But while these are the struggles that her protagonists face, the novel sets such struggles within the pressing context of American Empire's expansion and reorganisation in the post-Vietnam era. The juxtaposition between these levels is what generates the drama of Kraus’ work. Foregrounding these juxtapositions, this article situates Kraus’ novels within a longer tradition of feminist conceptual artists like Martha Rosler who took the labour and domination of predominantly white middle-class housewives as a standpoint from which to attempt to understand the expansion of US-backed global capitalism. Specifically, the article draws on the concept of ‘countertopographies’ developed by feminist geographer Cindi Katz to argue that Rosler and Kraus’ work offers a form of ‘countertopographic aesthetics’. That is, they both turn to the sphere of the reproductive as a site from which to map the uneven effects of global capitalism, while also foregrounding their own uneasy relationship with the imperialist project of mapping itself, by drawing attention to the ideological practices and limits of their very mappings. To illustrate this claim, the article concludes by turning to a partially buried event in Kraus’ Summer of Hate (2012): the 1983 Clifton-Morenci Copper Strike, a crucial but often overlooked flashpoint in the roll-out of neoliberalism. This eighteen-month strike was fought by a largely Mexican-American workforce, and the Women's Auxiliary, who joined a long history of working-class housewives like the Housewives’ Committee of Siglo X in Bolivia in becoming strike leaders. I argue that the strike is both crucial to the conjecture that Kraus’ narrative traces, and also illuminating of the limit point of the protagonists’ politics and the form of mapping that is possible from such a perspective.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"24 47","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138965715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-12-01DOI: 10.1177/14647001221075538
Nitza Berkovitch, S. Manor
{"title":"Between familism and neoliberalism: the case of Jewish Israeli grandmothers","authors":"Nitza Berkovitch, S. Manor","doi":"10.1177/14647001221075538","DOIUrl":"https://doi.org/10.1177/14647001221075538","url":null,"abstract":"In this article, we employ grandmothers’ childcare as a lens to explore the changing relations between familism, individualism and neoliberalism. More generally, we examine the connections between the political economy and the intimate moral economy of childcare work performed by grandmothers. Based on semi-structured in-depth interviews with twenty retired women in Israel, we examine how they negotiate, comply and resist the expectations that they will help ‘fill in’ the ‘care deficit’ resulting from neoliberal policies and labour market practices. We show how grandmothers navigate between family ideologies and individualistic cultural imperatives, constituting themselves as agentive subjects who can determine the conditions in which they meet their families’ care expectations while challenging the invisibility of their work. Thus, using Israel as a case study, we argue that familism and individualism, working against each other as well as together, create tensions while mediating the political economy and the intimate moral economy based on the love, commitment and ideology of the ‘good mother’. More broadly, we assert that neoliberalism strengthens family and familism and, at the same time, familism facilitates the neoliberal labour market and economy while also freeing the state from having to support families with children.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":" 2","pages":"597 - 617"},"PeriodicalIF":2.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138614656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-11-26DOI: 10.1177/14647001231209902
Daniella Sánchez-Russo
{"title":"Domestic service and Chilean literature: fictional experiments in narrating the household","authors":"Daniella Sánchez-Russo","doi":"10.1177/14647001231209902","DOIUrl":"https://doi.org/10.1177/14647001231209902","url":null,"abstract":"This article shines light on the interconnectedness of reproductive labour and Latin American literature through two Chilean novels that explore the relationship between peripheral capitalism and domestic servitude: José Donoso's The Obscene Bird of Night and Diamela Eltit's Mano de Obra. The study of these texts allows for a periodisation of the reproductive sphere under different phases of capitalist accumulation, and exposes an association between the literary treatment of domestic service and the achievement of highly experimental narratives in Latin America. My reading of Obscene goes beyond viewing this novel as postmodernist fiction, by showing how its nightmarish poetics are a consequence of the transformation of the oligarchic household vis-a-vis the collapse of systems of bonded labour in the 1960s. Whereas the prose of Obscene provides a harrowing descent into the intimate connections between master and servant at the moment of their decline, Mano de Obra unveils a surgical prose capable of expressing the new impersonality of social reproduction in the subsequent neoliberal period. Of special interest to this analysis is how Eltit suggests that even the proletariat household can recreate exploitative patterns of domestic servitude to guard against complete immiseration. Three main conclusions result from this reading. First, Latin American fiction is an important literary archive from which capitalism's exploitation of the reproductive sphere can be excavated. Second, Latin American literature shows formal uniqueness when representing domestic service in the periphery. Lastly, fictional representations of domestic service help us understand the institution not as remnant of previous modes of production, but as capitalist strategy for the reproduction of social forces that underpay the cost of life-making processes.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"358 1","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139235291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-11-16DOI: 10.1177/14647001231209901
S. Deckard
{"title":"Social reproduction, struggle and the ecology of ‘women's work’ in world-literature","authors":"S. Deckard","doi":"10.1177/14647001231209901","DOIUrl":"https://doi.org/10.1177/14647001231209901","url":null,"abstract":"Building on the insights of feminist scholars such as Maria Mies, Wilma Dunaway and Harriet Friedmann that ‘women's work’ in the realm of social reproduction, particularly in the (semi-)peripheries of the world-ecology, often draws heavily upon natural resources and is thus preponderantly affected by forms of resource depletion and environmental crisis including water scarcity, land degradation, pollution and toxification, this article argues for an approach to world-literary criticism that incorporates the insights of social reproduction feminism in order to interpret how literature of the capitalist world-ecology mediates social reproduction. I contend that world-literary criticism can help illuminate the socio-ecology of gendered forms of labour, by analysing how bodily dispositions, subjectivities and habituses corresponding to gendered divisions at household and systemic scales are mediated in specific literary aesthetics, and recuperating the utopian prospects of how texts imagine forms of struggle as arising from the contradictions immanent to capital's dependence on the unpaid work of both nature and social reproduction. In particular, reading novels by Kamala Markandaya, Ousmane Sembène and Latife Tekin, I explore three different world-literary depictions of types of environment-making labour that have been gendered as ‘women's work’ – foodgetting, water-carrying and waste-picking – in order to examine how novels imagine the terrain of social reproduction both as a site of appropriation, violence and crisis, and as the potential ground for organised resistance.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"67 1","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139268144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-11-14DOI: 10.1177/14647001231209900
Treasa De Loughry
{"title":"Unruly magic: Global resource extraction, witchcraft and resistance in Yaba Badoe's The Witches of Gambaga (2011) and Wolf Light (2019)","authors":"Treasa De Loughry","doi":"10.1177/14647001231209900","DOIUrl":"https://doi.org/10.1177/14647001231209900","url":null,"abstract":"Following Giovanna Di Chiro's argument for a ‘coalitional’ approach to social reproduction as environmental issue, this article examines representations of magic and witchcraft in Yaba Badoe's young adult novel Wolf Light as registering the impact of neoliberal ‘extractivist heteropatriarchal capitalism’. Accusations of witchcraft were, and still are, associated with grabs for resources, wealth and class positions occupied by women. To this we could add the notion of the environment as a further realm under threat by increasingly toxic strategies of extraction and disposal. This article extends these conceptual frameworks to consider how Yaba Badoe's speculative text, set in Ghana, Cornwall and Mongolia, depicts feminised magic and transformative supernatural powers as ways of combatting global extractivism. Significantly, ecological destruction has yet to be adequately theorised in relation to social reproduction theory. So too its cultural registration in fictions from peripheral areas long associated with extraction. Through focusing on Wolf Light, this article will theorise how the book's formal mode, alongside its figuration of witches as eco-utopian earth defenders and transformative shape-shifters, offers forms of cultural resistance. Critically, the novel builds consciously on global histories of women's oppression – including the resurgence of witchcraft accusations in Ghana, as discussed in Badoe's research for her film The Witches of Gambaga, and early modern British witch hunts. These narratives are reinvested with a focus on local struggle and resistance as imagined through the text's three main protagonists, whose shape-shifting abilities and trans-border magical connections provide a way of protesting neoliberalism's compound crises of reproduction.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"40 2","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139277698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-11-09DOI: 10.1177/14647001231209904
Kate Houlden
{"title":"Tracking the monstrous gendered precarity of neoliberalisation through novels and films of 1980s England and contemporary Ireland","authors":"Kate Houlden","doi":"10.1177/14647001231209904","DOIUrl":"https://doi.org/10.1177/14647001231209904","url":null,"abstract":"This article compares cultural production about 1980s working-class industrial England with that of contemporary, middle-class rural Ireland in order to identify aesthetic through lines in the portrayal of social reproductive violence across both early- and later-stage neoliberalism. It argues that, despite their differences in setting and demographic, novels by Pat Barker and Mike McCormack use peripheral political experience to show the bodies of women bearing the brunt of late capitalism's horrors. Barker's Union Street (1982) serves as an early warning of the neoliberal consensus-to-come, bringing to life the geographic peripheralisation that would accompany deindustrialisation. It portrays the conflicted dynamic between childhood and capital, also anticipating the ways in which care work would increasingly be externalised onto women in the latter half of the twentieth century and beyond. This overlaps with the 1987 film Rita, Sue and Bob Too's portrayal of childhood sexual vulnerability, as well as Letter to Brezhnev (1985) and its rendering of capitalism's consumption of women. Instead of the realism for which these films are known, Union Street uses gothic modes and the motif of vomiting in ‘irrealist’ fashion. So too, Mike McCormack's Mayo-set 2016 novel Solar Bones employs spectrality, as well as ideas of contamination, to evoke the damage wrought by a now-entrenched neoliberalism as it imperils the middle classes. The novel's recognition of female social reproductive labour is more oblique, but women are again shown to be at the coalface of neoliberal violence, their very bodies marshalled to detect and, crucially, resist gendered precarity. In this, I draw parallel with the Dundalk-set film Kissing Candice (2017) , which uses gothic tropes to show rural dispossession writ large through the body of a teenage girl.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":" 28","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135291965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-11-07DOI: 10.1177/14647001231209890
Christine Okoth
{"title":"Narrative reproduction: plotting land in Yvonne Owuor's <i>Dust</i>","authors":"Christine Okoth","doi":"10.1177/14647001231209890","DOIUrl":"https://doi.org/10.1177/14647001231209890","url":null,"abstract":"This article argues that the postcolonial African novel identifies land as the centre of social reproduction. Beginning with an analysis of Silvia Federici's Nigerian writing and a further investigation into social reproduction theory from and about Africa, this article develops a reading method which traces the novel form's use of land as the generator of plot. Yvonne Owuor's Dust exemplifies how the novel as a colonial form falls into crisis around an attempt to reach for the narratively reproductive potential of disavowed, arid lands at the borders of the postcolonial nation-state. As the readings in this article demonstrate, Owuor's novel both chimes with the interventions of those theorists who depict social reproduction in Africa as a general theory of feminisation – of people and land alike – and offers an answer to how social reproduction might be rendered in literary formal terms. This article is therefore an investigation into the ‘where’ of social reproduction in the contemporary African novel.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"79 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135539977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Feminist TheoryPub Date : 2023-10-26DOI: 10.1177/14647001231206026
Sarah Cefai
{"title":"Consent-deception: a feminist cultural media theory of commonsense consent","authors":"Sarah Cefai","doi":"10.1177/14647001231206026","DOIUrl":"https://doi.org/10.1177/14647001231206026","url":null,"abstract":"This article draws on feminist cultural studies, media and cultural theory, and engages with feminist law and criminology, to argue for a newly invigorated conceptualisation of consent in feminist theory. Rather than advance a particular feminist theory of consent, the article argues for a feminist cultural media theory of commonsense consent that is both sensory and representational. This theory acknowledges that there is no concept of consent reserved for sexual encounters. Rather, a more universal, commonsense theory, shaped as much by twentieth-century media as eighteenth-century political philosophy, informs how consent shows up to social experience. The article offers a revision of feminist discussions about consent in law, political philosophy and cultural studies, proposing that accounts such as Laura Kipnis’ Unwanted Advances: Sexual Paranoia Comes to Campus can be read as descriptions of consent's affective structure. Feminist accounts have underestimated the implications of the involvement of media, from early cinema through to contemporary social media, in co-locating consent with deception. This article shows how the media concept of consent-deception plays a role in suspicion and betrayal, both of which act as consent's structures of feeling. To further probe an enquiry into how personalised media are transforming commonsense consent, the article discusses the TV programme The Tinder Swindler. Various production techniques encourage a view of social media as a complete encapsulation of the social life and affectivity of consent-deception, suggesting a number of implications for a feminist cultural media theory of commonsense consent. In particular, the programme asks us to problematise the evidentiary status of informational social media linked to the changing perceptibility of consent-deception.","PeriodicalId":47281,"journal":{"name":"Feminist Theory","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135018354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}