Critical Studies in Media Communication最新文献_第5页

Cosmic underground: a grimoire of black speculative discontent Cosmic underground: a grimoire of black speculative discontent , edited by Reynaldo Anderson and John Jennings, United States, Cedar Grove P, 2020, 241 pages, $26.96Paperback, 978-1941958780. 《地下宇宙:黑人投机不满的魔法书》，雷纳尔多·安德森和约翰·詹宁斯主编，美国雪松林出版社，2020年版，241页，26.96美元平装版，978-1941958780。

2区文学

Critical Studies in Media Communication Pub Date : 2023-10-31 DOI: 10.1080/15295036.2023.2271034

Jeremy R. Laughery

引用次数: 0

The digital is kid stuff: making creative laborers for a precarious economy The digital is kid stuff: making creative laborers for a precarious economy , by Josef Nguyen, Minneapolis, University of Minnesota Press, 2021, 304 pp., $27 USDPaperback, ISBN 978-1-5179-1114-0 数字是孩子的东西:为不稳定的经济创造创造性的劳动者，约瑟夫·阮，明尼阿波利斯，明尼苏达大学出版社，2021,304页，27美元平装，ISBN 978-1-5179-1114-0

2区文学

Critical Studies in Media Communication Pub Date : 2023-10-25 DOI: 10.1080/15295036.2023.2268161

Aiden James Kosciesza

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Stonewall forever: queer monumentality in the age of augmented reality 永远的石墙:增强现实时代的酷儿纪念性

2区文学

Critical Studies in Media Communication Pub Date : 2023-10-24 DOI: 10.1080/15295036.2023.2268698

Joe Edward Hatfield

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引用次数: 0

Post-racial politics and the mandate to desire: interracial love as liberation in Bridgerton 后种族政治与欲望的授权:布里杰顿的跨种族之爱作为解放

2区文学

Critical Studies in Media Communication Pub Date : 2023-10-05 DOI: 10.1080/15295036.2023.2251544

William Joseph Sipe

{"title":"Post-racial politics and the mandate to desire: interracial love as liberation in <i>Bridgerton</i>","authors":"William Joseph Sipe","doi":"10.1080/15295036.2023.2251544","DOIUrl":"https://doi.org/10.1080/15295036.2023.2251544","url":null,"abstract":"ABSTRACTShonda Rhimes’ latest televisual sensation updates her post-racial and post-feminist fantasies for a post-Trump world. Discarding her trademark colorblind casting, Bridgerton confronts racial tensions and gender disparities within a fanciful reimagining of the aristocracy of colonial Britain. Yet, in a move familiar to longtime viewers of Shondaland, the means of resistance to such injustice is gratuitous displays of interracial relationships. Bridgerton constructs a historical fantasy that centers authentic love and desire as the exclusive mechanism for constructing a post-racial and post-feminist society. Through love, the English aristocracy is transformed into a permissive, racially inclusive matriarchy wherein one’s duty is to live and love authentically. While previous scholarship has contextualized Rhimes’ work within neoliberalism, I argue that the racial and gendered politics of Bridgerton are more adeptly understood through Fisher’s theory of capitalist realism, which describes contemporary capitalism’s investment in mystifying authority and equating authentic consumption with identity construction.KEYWORDS: Post-racial politicspost-feminist politicscapitalist realismtelevisionpopular culture Disclosure statementNo potential conflict of interest was reported by the author(s).","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134947093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Neo-Ottoman cool west: the drama of Turkish drama in the Bulgarian public sphere 新奥斯曼酷西:保加利亚公共领域的土耳其戏剧

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-09-01 DOI: 10.1080/15295036.2023.2249079

Yasemin Y. Celikkol, Marwan M. Kraidy

引用次数: 0

And Just Like That … misogyny reigns supreme: disciplining womanhood in the critical framings of Sex and the City’s new chapter 就像这样，厌女症占据了至高无上的地位:在《欲望都市》新篇章的关键框架中，女性受到了约束

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-08-30 DOI: 10.1080/15295036.2023.2249541

Michael Brewer

引用次数: 0

Containing visions of justice: on the assimilation, alienization, and disappearance of Black Lives Matter in Scandal’s “The Lawn Chair” 蕴含着正义的视野:论《草坪椅》中黑人生命的同化、异化与消失

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-08-30 DOI: 10.1080/15295036.2023.2249077

Abigail N. Burns

引用次数: 0

Platforming inclusion at U.S. media industry events: confronting Hollywood’s lack of representational diversity 美国媒体行业活动的平台包容性:面对好莱坞代表性多样性的缺乏

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-08-08 DOI: 10.1080/15295036.2023.2245440

Brad Limov

{"title":"Platforming inclusion at U.S. media industry events: confronting Hollywood’s lack of representational diversity","authors":"Brad Limov","doi":"10.1080/15295036.2023.2245440","DOIUrl":"https://doi.org/10.1080/15295036.2023.2245440","url":null,"abstract":"ABSTRACT Incremental structural adjustments define attempts to advance representational diversity in Hollywood. This essay considers U.S. media industry events as catalysts for change. Using the 2020 Austin Film Festival and Writers Conference as a case study, I examine how attendees platformed the topic of inclusion after summer protests reignited calls for equity throughout media industries. Participant observation across the festival's virtual spaces locates my critical deconstruction of four panels wherein representation of historically underrepresented groups, including Black, Indigenous, and other people of color (BIPOC), was a focal point. Although the festival did not overtly engage with the political moment, it platformed people who did. Conversations on craft fed into a ubiquitous conference concern with “truth” in storytelling, foregrounding sociohistorical contexts and individual specificities when representing diverse experiences, and highlighting positionality when empowering writers to tell their stories. Despite the constraints of dominant production norms, events enable underrepresented groups and their allies to shape industry discourses.","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74303352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fan-Based citizenship in “Mary Poppins Quits”: fannish affect, public affect, and the potential for solidarity 《玛丽·波平斯辞职》中的粉丝公民权:粉丝效应、公众效应和团结的潜力

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-08-08 DOI: 10.1080/15295036.2023.2249082

Ashley Hinck

{"title":"Fan-Based citizenship in “Mary Poppins Quits”: fannish affect, public affect, and the potential for solidarity","authors":"Ashley Hinck","doi":"10.1080/15295036.2023.2249082","DOIUrl":"https://doi.org/10.1080/15295036.2023.2249082","url":null,"abstract":"ABSTRACT On July 23, 2014, the fiftieth anniversary of Disney’s Mary Poppins, Funny or Die released a video titled, “Mary Poppins Quits with Kristen Bell,” earning more than 4 million views. In the video, Mary Poppins sings to the tune of “A Spoonful of Sugar” while calling for an increase to the federal minimum wage. Understanding fan-based citizenship performances like “Mary Poppins Quits” requires understanding how affect moves between popular culture, fans, and citizens. I argue that Mary Poppins functions as a figure that conducts affect across and between fan-citizens, calling on fans to treat minimum wage workers through the same affective orientation with which they treat Mary Poppins. To make this argument, I draw on work in fan studies and rhetorical studies to define fannish affect and public affect. Turning to my analysis of the “Mary Poppins Quits” video, I argue the video conducts affect through celebrity personae, destabilizes the “worthiness” discourse that often frames minimum wage workers as unworthy of a higher wage, and demands new orientations to one’s fellow citizens. Ultimately, I argue that moving affect from popular culture objects to the public sphere opens up new opportunities for solidarity but carries limitations as well.","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81034351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Queer failure in Freddy’s Revenge and Scream, Queen! A documentary’s recuperation of Elm Street’s queer memory 《弗雷迪的复仇》和《尖叫吧，女王!》一部关于榆树街怪诞记忆的纪录片

IF 1 2区文学

Critical Studies in Media Communication Pub Date : 2023-08-08 DOI: 10.1080/15295036.2023.2245437

Ragan Fox

引用次数: 0