{"title":"Editors’ note for “lifting as we climb: elevating mediated epistemologies by and about black women”","authors":"Kimberly R. Moffitt, Rachel Alicia Griffin","doi":"10.1080/15295036.2024.2387776","DOIUrl":"https://doi.org/10.1080/15295036.2024.2387776","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"34 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“What makes you think I’m African American?”: identity performance, code switching and the Strong Black Woman on Love Is Blind","authors":"Helen Rosenboom, Ralina L. Joseph","doi":"10.1080/15295036.2024.2385459","DOIUrl":"https://doi.org/10.1080/15295036.2024.2385459","url":null,"abstract":"Reality TV show, Love is Blind, has captured the hearts, minds, and attention of audiences nationwide, igniting fervent and passionate discussions about romance. This show boasts that they provide ...","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"49 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The content of our caricature: African American comic art and political belonging","authors":"Jasmine Hope Jackson","doi":"10.1080/15295036.2024.2372022","DOIUrl":"https://doi.org/10.1080/15295036.2024.2372022","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"4 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"African girl, African woman: how agile, empowered and tech-savvy females will transform the continent … for good","authors":"Ivy M. Fofie","doi":"10.1080/15295036.2024.2372011","DOIUrl":"https://doi.org/10.1080/15295036.2024.2372011","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"3 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Misogynoir transformed: Black women’s digital resistance","authors":"Desiree Sterling, M.A.","doi":"10.1080/15295036.2024.2387125","DOIUrl":"https://doi.org/10.1080/15295036.2024.2387125","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"25 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Breaking bridges to the Pied Piper: how Black feminists digitally wreck the legacy of R. Kelly on Ebony.com","authors":"Alisa Hardy","doi":"10.1080/15295036.2024.2383180","DOIUrl":"https://doi.org/10.1080/15295036.2024.2383180","url":null,"abstract":"While existing scholarship on R. Kelly primarily focuses on hashtag activism via #MuteRKelly, #FastTailedGirls, and #SurvivingRKelly, this essay considers the role of investigative journalism in do...","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"139 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141947060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“It’s hard to be something you can’t see!”: representing Black transgender women on “The Breakfast Club” morning show","authors":"Victoria E. Thomas","doi":"10.1080/15295036.2024.2383185","DOIUrl":"https://doi.org/10.1080/15295036.2024.2383185","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"374 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141946988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Race, romance, and Hollywood: Black women filmmakers and the cultural production of Black love","authors":"Brandale Mills Cox, Jasmin M. Goodman","doi":"10.1080/15295036.2024.2383181","DOIUrl":"https://doi.org/10.1080/15295036.2024.2383181","url":null,"abstract":"Hollywood has been instrumental in the construction of Blackness on screen, often perpetuating myths, stereotypes, and negative images about the Black experience, showcasing Black people as aggress...","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"77 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141947061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cracking up: Black feminist comedy in the twentieth & twenty-first century United States","authors":"Keya Saxena","doi":"10.1080/15295036.2024.2371127","DOIUrl":"https://doi.org/10.1080/15295036.2024.2371127","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"59 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142212661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Legal spectatorship: slavery and the visual culture of domestic violence","authors":"Sezgi Basak Kavakli","doi":"10.1080/15295036.2024.2372007","DOIUrl":"https://doi.org/10.1080/15295036.2024.2372007","url":null,"abstract":"Published in Critical Studies in Media Communication (Ahead of Print, 2024)","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"28 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141740776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}