DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM最新文献

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From a Laughable Anachronism to a Civilizing Mission: French Colonization, 1830–71 从可笑的时代错误到文明使命:1830-71年的法国殖民
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-07-08 DOI: 10.1353/dia.2020.0011
Dan Benson
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引用次数: 0
Critical Anthropomorphism after #MeToo: Reading The Friend #MeToo之后的批判拟人化:阅读朋友
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0001
S. Guyer
{"title":"Critical Anthropomorphism after #MeToo: Reading The Friend","authors":"S. Guyer","doi":"10.1353/dia.2020.0001","DOIUrl":"https://doi.org/10.1353/dia.2020.0001","url":null,"abstract":"Abstract:Sigrid Nunez’s 2018 novel The Friend reveals the tension between anthropomorphism defined as naïve or arrogant projection and anthropomorphism as a critical intervention with stakes for intimacy, mourning, and anti-violence. Through close readings of The Friend and Coetzee’s Disgrace, which Nunez’s novel evokes, this essay argues for a critical anthropomorphism and shows, with Nunez, how it can become a means of relating non-violently to others in their differences, including the dead, animals, and women.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48541214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Anarchival Dislocations: Modes of Reading (in) Black Studies 无政府的错位:黑人研究的阅读模式
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0000
M. Scully
{"title":"Anarchival Dislocations: Modes of Reading (in) Black Studies","authors":"M. Scully","doi":"10.1353/dia.2020.0000","DOIUrl":"https://doi.org/10.1353/dia.2020.0000","url":null,"abstract":"Abstract:This essay reviews Stephen Best’s None Like Us: Blackness, Belonging, Aesthetic Life in relation to the ongoing reading debates in literary studies and the methodological practices of black studies. Best’s work, I argue, expands upon the practice of surface reading he and Sharon Marcus introduced to reveal how an attention to surfaces, which I recharacterize as “topological reading,” disrupts misleading seductions of interpretation that remain grounded in allegory. In doing so, Best further reveals the value of surface reading for black studies in particular, which, with its focus on recovery in the archive, is particularly susceptible to “deep” reading practices that aim to construct utopian communitarian notions of black being and belonging. I conclude the review by explicating a brief allusion Best makes to Afropessimism in order to detail the political implications of Best’s insistence on negativity and the “anti-communitarian undertone” he locates in black studies.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47521191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mechanical Brains: Autism and Artificial Intelligence 机械大脑:自闭症与人工智能
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0002
D. Squires
{"title":"Mechanical Brains: Autism and Artificial Intelligence","authors":"D. Squires","doi":"10.1353/dia.2020.0002","DOIUrl":"https://doi.org/10.1353/dia.2020.0002","url":null,"abstract":"Abstract:This essay shows how popular and technical discourses of autism treat the condition as a form of artificial intelligence. Offering a genealogy of so-called mechanical brains, it argues that attempts to rehabilitate liberal subjectivity in an age of information overload created the conceptual and cultural conditions necessary for computational theories of mind, which inform the most prominent studies of autism. As distinctions between biological and machinic intelligence gave way to distinctions between authentic and artificial intelligence, autism emerged as an intermediary for consolidating divergent understandings of cognitive difference. Since the mid-twentieth century, autism has come to signal the superhuman potential of artificial intelligence and, at the same time, mark the threshold computers must surpass to achieve authentic intelligence. Autism contains anxieties about automation while also sustaining fantasies of maximized brainpower. It indicates both deficit and surfeit, strength and weakness. This essay leverages those oppositions to suggest how theories of disability and posthumanism might productively trouble one another: first to track constructions of intelligent personhood alongside information technologies, then to read an alternative construction of autistic intelligence that points toward new cognitive subjectivities.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49320311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Labor, Thought, and the Work of Authorship: Virginia Woolf and Hannah Arendt 《劳动、思想和作者工作:弗吉尼亚·伍尔夫和汉娜·阿伦特》
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0003
V. Baena
{"title":"Labor, Thought, and the Work of Authorship: Virginia Woolf and Hannah Arendt","authors":"V. Baena","doi":"10.1353/dia.2020.0003","DOIUrl":"https://doi.org/10.1353/dia.2020.0003","url":null,"abstract":"Abstract:This essay begins by examining Hannah Arendt’s meditations on labor, work, and thought in The Human Condition (1958) and The Life of the Mind (1978), in order to probe the relationship between representations of work and the work of literary composition in Virginia Woolf’s first novel, The Voyage Out (1915). I argue that these two female intellectuals exhibited a shared concern for exploring the nature of the peculiar “work” of the imagination as analogous to, and importantly distinct from, other kinds of labor. Turning to The Voyage Out, I show how the novel dramatizes this relationship between labor, work, and authorship within the context of the contradictions inherent in its fictionalized imperial setting. Examining The Voyage Out in light of the later Arendt’s thought thus offers an opportunity to uncover the ambivalence at the heart of an early modernist experiment regarding the extent to which labor—particularly domestic and feminized labor—is or should be equatable to the work of literary production. I conclude by suggesting that reading Woolf together with Arendt illuminates the development of modernist critiques of mechanized and alienated labor, their relationship to modernist aesthetics, and an ambivalence at the core of such literature and theory about the activity of intellectual life.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47192471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Moral Support 精神支持
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0005
S. Rhodes, K. Sutherland
{"title":"Moral Support","authors":"S. Rhodes, K. Sutherland","doi":"10.1353/dia.2020.0005","DOIUrl":"https://doi.org/10.1353/dia.2020.0005","url":null,"abstract":"Abstract:This short essay was written in response to an invitation to speak at a symposium at the Royal College of Art in London in November 2018. The poem presented here, “Starting from low the light ascends in a single slow movement,” was, at the time when this essay was written, one section of a lyric in seven parts, all of it in roughly accentual heptameter tercets. The poem had the title “Moral Support,” or anyhow, I thought so; but the verses ended up taking a different turn, out of that poem and into another, and they now belong elsewhere. The poem “Moral Support” never made it into the world. Some of it was let go, but the bulk of it was redistributed, either intact or in pieces, into the first three poems of my book Scherzos Benjyosos. The eight tercets presented here can be found in scherzo number 3—twice, almost. A number of revisions were made, of a more or less emendatory or even explicitly redemptive character. The poem presented in this essay, the one that was stuck into Stephen G. Rhodes’s room full of the detritus of a violated childhood, ended up being a hoarded text, withheld from circulation—until now. This essay, conceived at the time as a space of reflection and reminiscence in which the poem would momentarily repose, or a space that it would visit before making its way in the world as a completed poetic work, has instead turned out to be the ironic reliquary of a poem that never got out.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47109756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Broken Light on the Ground of Home: Non-Being and Diasporic Trauma in the Parmenidean Poem 家地上的破碎之光:帕门尼诗歌中的非存在与孢子创伤
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2021-02-26 DOI: 10.1353/dia.2020.0004
D. M. Spitzer
{"title":"Broken Light on the Ground of Home: Non-Being and Diasporic Trauma in the Parmenidean Poem","authors":"D. M. Spitzer","doi":"10.1353/dia.2020.0004","DOIUrl":"https://doi.org/10.1353/dia.2020.0004","url":null,"abstract":"Abstract:Beginning from the Herodotean narration of the evacuation of the Ionian city Phokaia and the subsequent diaspora and foundation of Hyele (Elea), “Broken Light on the Ground of Home” traces some movements of that traumatic history within the Parmenidean Song of Being. Xenophanean poetry opens a view onto trauma rendered by displacement under bellicose conditions and forms a link to the Parmenidean poem on the ground of Hyele. Two themes in the poem outline the diasporic movements and traumas of the Phokaian-Hyelean population: first, the dynamics of similarity and difference; second, the turnings between memory and forgetting. The interplay of memory and forgetting animates much of the poem and can be read as one way diasporic trauma tremors in the Parmenidean Song of Being.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2020.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49479341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sonic Turn 声波转向
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2020-12-03 DOI: 10.1353/dia.2019.0035
T. McEnaney
{"title":"The Sonic Turn","authors":"T. McEnaney","doi":"10.1353/dia.2019.0035","DOIUrl":"https://doi.org/10.1353/dia.2019.0035","url":null,"abstract":"Abstract:This article approaches the sonic turn as a coherent set of methodological approaches across a variety of disciplines that begin with the publication of Emily Thompson’s The Soundscape of Modernity (2002) and Jonathan Sterne’s The Audible Past (2003), and provide an alternative to the Saussurean edict to ignore the semiotic qualities of material sound. These texts and those published in their wake proceed with an emphasis on the detail of sound as an isolated object of study, but also sound as a more general principle of selection beyond “music” or “speech”; a reorientation to denaturalize hearing and reconceive listening practices as historically contingent, material, and social techniques; the need for a media archaeology that links technology and technique without falling into “impact histories” or “media determinism.” While the sonic turn can be capacious, the polemical approach taken in this essay opposes an uncritical affective “vibrational ontology” and a poststructuralist understanding of sound as supplement. Instead, the essay highlights the importance of scholarship that situates Black, Latin American, and disability studies as central to research into how audile techniques bring together the material and the symbolic to hear how historical cultures have constructed ontologies by separating sound from language in order to create and sustain hierarchies of power between the human and the nonhuman, the abled and the disabled, the lettered and the listeners.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2019.0035","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42898728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Turning Ears; Or, Ec(h)otechnics 转动耳朵;或者,Ec(h)技术
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2020-12-03 DOI: 10.1353/dia.2019.0036
Naomi Waltham-Smith
{"title":"Turning Ears; Or, Ec(h)otechnics","authors":"Naomi Waltham-Smith","doi":"10.1353/dia.2019.0036","DOIUrl":"https://doi.org/10.1353/dia.2019.0036","url":null,"abstract":"Abstract:The vestigial auricular muscles are a trace of an earlier evolutionary capacity to turn the ears. While they are still functional in other mammal species, they are scarcely responsive in humans, who compensate by turning the head instead. This transformation was part of adaptations in the cervical spine that made possible the becoming-technological of the upright stance and humanity’s front-facing posture. Unable to sense what comes from behind, human ears are oriented toward what lies ahead within the field of vision—toward the foreseeable—and yet in listening, as in walking, the human is thereby compelled to turn back. From this angle, the sonic turn—often figured as a return to sound—instead names multiple moments of turning back: an originary nonhuman turning of the ears, humanity’s turning its back on this turn, and the unavoidable detours from this precipitous path. This essay argues not only for an originary technicity and prostheticity of aurality, but also that the nonhuman turn takes place via a sonorous detour. Analyzing the metaphoricity and tropological of language, it compares two figures—apostrophe and interjection—to show how the sonic and nonhuman turns continually address and animate one another.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2019.0036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48733585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The “Turn” Turn “转弯”
IF 0.1 4区 文学
DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM Pub Date : 2020-12-03 DOI: 10.1353/dia.2019.0031
C. Rojas
{"title":"The “Turn” Turn","authors":"C. Rojas","doi":"10.1353/dia.2019.0031","DOIUrl":"https://doi.org/10.1353/dia.2019.0031","url":null,"abstract":"Excerpt:In this special issue, we focus on academic equivalents of the Wuhan lockdown and the George Floyd protests. That is to say, we examine moments when multiple intersecting factors have generated a crucial inflection point within scholarly discourse, resulting in a series of methodological and conceptual shifts capable of impacting work across a variety of different disciplines. These sorts of shifts are often referred to as “turns,” with the word turn being a trope (which, of course, literally means “turn”) that carries two sets of mutually opposed connotations—suggesting both a discrete shift within an existing trajectory as well as a fundamental redirection, such as a U-turn. In fact, both sets of connotations apply to the phenomenon of the scholarly turn. Just as the Wuhan lockdown and the George Floyd protests were each the result of a gradual accumulation of earlier developments that eventually came to pose a more fundamental challenge to the existing status quo, scholarly turns are similarly the product of a long series of incremental intellectual and sociocultural developments but ultimately come to be regarded as fundamental paradigm shifts and methodological realignments.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2019.0031","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49628017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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