ART BULLETIN最新文献

{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043079.2022.2031766","DOIUrl":"https://doi.org/10.1080/00043079.2022.2031766","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"2 - 2"},"PeriodicalIF":0.7,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43721023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The policy landscape","authors":"Susan L. Siegfried","doi":"10.1787/d5895157-en","DOIUrl":"https://doi.org/10.1787/d5895157-en","url":null,"abstract":"Part of a symposium on how digital technologies affect the practices of art and art history. The rapid expansion of information technology (IT) is having an impact on the ways that information about cultural subjects is created, organized, used, and stored, which in turn directly affect museums, the art market, arts organizations, government agencies, universities, and, increasingly, academics, artists, curators, and dealers. The IT revolution has generated a dynamic between, on the one hand, extreme fragmentation and multiplication of efforts, and, on the other, a need to define policies that will help chart a path through the chaos and rush. The writer studies the effectiveness of five groups—the European Union, the G7, Protecting Cultural Objects in the Global Information Society, the National Initiative for a Networked Cultural Heritage, and the Arts and Humanities Data Service—specifically formed to make policy in this area.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"42 1","pages":"209-213"},"PeriodicalIF":0.7,"publicationDate":"2022-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74920770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Untimely Images, Fallen Figures: Sarah Charlesworth at the End of Modern History","authors":"A. Bigman","doi":"10.1080/00043079.2021.1964826","DOIUrl":"https://doi.org/10.1080/00043079.2021.1964826","url":null,"abstract":"Abstract Sarah Charlesworth’s Stills (1980), a series of monumentally enlarged newspaper photographs depicting people plummeting from buildings, is commonly framed as a self-reflexive inquiry into the experience of time and mortality occasioned by photography. Based on archival research into Charlesworth’s journalistic source material for Stills and its antecedent, Modern History, this article advances an alternative reading of the works and their memorial-like format in terms of more collective experiences of temporality and history. These concerns, I argue, link Charlesworth’s project to a longer Pop art tradition, complicating established art historical accounts of the so-called Pictures Generation and its political imagination.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"146 - 171"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44832688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Figurines in Hellenistic Babylonia: Miniaturization and Cultural Hybridity, by Stephanie M. Langin-Hooper","authors":"S. J. Scott","doi":"10.1080/00043079.2022.1991756","DOIUrl":"https://doi.org/10.1080/00043079.2022.1991756","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"172 - 175"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49333781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Decolonizing Art and Empire","authors":"C. Black, T. Barringer","doi":"10.1080/00043079.2021.1970479","DOIUrl":"https://doi.org/10.1080/00043079.2021.1970479","url":null,"abstract":"Tis special feature brings into conversation two specialists, one in the art of the early modern Spanish Empire, the other in that of the British Empire of the eighteenth to twentieth centuries. At a moment when art history seeks to identify and disavow colonial legacies, we propose a renewed, theoretically informed, and critical engagement with the historical imbrication of art and empire. Empire has been a presence in virtually all historical periods and all regions. We recognize that a broader discussion is needed, involving scholars representing the full chronological and geographical range of art historical study. But empire also remains with us now, in every aspect of social life, and imperial thinking, in plain sight, still conditions the practice of art history. Te institutions of our discipline are the products of empire and allow its ideologies extended life, ordering our museum collections, library shelves, and course catalogs. We write during a global pandemic, at a time punctuated by the toppling of racist monuments and urgent calls for justice. We bear witness to the disastrous legacies of empire, from political instability and demographic catastrophe to devastating climate change. We propose that at this febrile juncture, as art history moves beyond the European canon to tell a richer, more vibrant, transregional, decolonized, and intercultural history of the visual arts and material culture, there are timely new possibilities for the analysis of art and empire. How, though, can we write about art and empire without replicating imperial ideologies and hierarchies, naturalizing the historical subjugation of colonized peoples, or reinscribing empire’s own organizing principle of center and periphery? Allow us to open with a land acknowledgment, naming the direct and salient links between histories of empire and our present locations—a necessary act of self-refexivity. One of us writes from the University of California, Los Angeles, which stands on unceded Gabrielino/Tongva land, in a city named in 1781 by the soldier-governor Felipe de Neve (1724–1784) as part of the Spanish Empire, el Pueblo de los Ángeles. To echo the UCLA Chancellor’s Ofce’s acknowledgment of August 22, 2019: “UCLA acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (the Los Angeles basin and Southern Channel Islands). As a land grant institution, we pay our respects to the Honuukvetam (ancestors), ‘Ahiihirom (elders) and ‘Eyoohiinkem (our relatives/relations) past, present, and emerging.”1 Te recent toppling of statues of Father Junípero Serra (1713–1784), founder of nine of California’s twenty-one Spanish-Indian missions, drew public attention to the state’s history as a crossroads of empire (Fig. 1). Sited on Tongva lands that were seized to become the Rancho de San José de Buenos Aires, UCLA was founded with fnancial support from UC Berkeley, one of the universities created after the seizure of Indigenous land through the","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"6 - 20"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42752259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Turned Earth: The Chinese Plowing Ritual in the Age of Enlightenment","authors":"Ryan Whyte","doi":"10.1080/00043079.2021.1964836","DOIUrl":"https://doi.org/10.1080/00043079.2021.1964836","url":null,"abstract":"Abstract This paper addresses the appropriation in Old Regime France, the First French Republic, and the nascent United States of the ritual wherein at the start of the agricultural season the Chinese Emperor ceremonially drove the plow. It argues that this cultural transfer insinuated Chinese ideals of political sovereignty into the highest political levels in Europe and the United States, even as it effaced references to China. Overturning traditional art historical definitions of chinoiserie, it posits instead dynamic, dialectical processes of cultural exchange whose scope of cultural transfer is not restricted to what can be identified through comparisons of style and iconography.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"78 - 97"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45246624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Byzantine Intersectionality: Sexuality, Gender and Race in the Middle Ages, by Roland Betancourt","authors":"Armin Bergmeier","doi":"10.1080/00043079.2022.1991757","DOIUrl":"https://doi.org/10.1080/00043079.2022.1991757","url":null,"abstract":"disciplines, namely that Byzantium was the medieval Roman Empire, viewed as such by the subjects of the Roman emperors and by their neighbors alike.2 Byzantine Roman identity—as most other prenationalistic identities—was not parsed along the lines of language, ethnicity, skin color, and territory. It was a fluid construct based on shared values and traditions. Ethnicity, culture, and territory were not welded together as our modern post-Enlightenment notions would have us believe.3 Other scholars, mostly historians and","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"175 - 178"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41908882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks","authors":"W. Thebele","doi":"10.1080/00043079.2022.1991765","DOIUrl":"https://doi.org/10.1080/00043079.2022.1991765","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"185 - 188"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45607339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The King’s Horseman: Portraits of Authority in Southwestern Nigeria","authors":"W. Rea","doi":"10.1080/00043079.2021.1964840","DOIUrl":"https://doi.org/10.1080/00043079.2021.1964840","url":null,"abstract":"This paper documents the visual culture of Nigeria at the beginning of the twentieth century. It offers a discussion of a single piece of woodcarving and places this in relation to workshop carvings in the Yoruba town of Abeokuta. More precisely, it places that work into the context of a colonial history, suggesting the carving is a portrait and record of a particular event. The paper looks to other examples of Yoruba woodcarving, placing them into relationship with historical events before moving to a wider consideration of Yoruba visual culture and its representations of Yoruba cultural agency in relation to the British colonial regime.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"118 - 145"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49584080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe, by Stephen H. Whiteman","authors":"Lihong Liu","doi":"10.1080/00043079.2022.1991763","DOIUrl":"https://doi.org/10.1080/00043079.2022.1991763","url":null,"abstract":"","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"178 - 182"},"PeriodicalIF":0.7,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44091762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}