Crime Media Culture最新文献_第7页

Book Review: Austin Sarat, Gruesome Spectacles: Botched Executions and America’s Death Penalty 书评:奥斯汀·萨拉，《可怕的景象:拙劣的处决和美国的死刑》

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-03-27 DOI: 10.1177/17416590221087776

Claire Corsten

引用次数: 0

Sensing the border(s): Sound and carceral intimacies in and beyond indefinite detention 感知边界:在无限期拘留期间和之后的声音和身体亲密关系

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-03-09 DOI: 10.1177/17416590221081165

Poppy de Souza, E. Russell

{"title":"Sensing the border(s): Sound and carceral intimacies in and beyond indefinite detention","authors":"Poppy de Souza, E. Russell","doi":"10.1177/17416590221081165","DOIUrl":"https://doi.org/10.1177/17416590221081165","url":null,"abstract":"This article examines a sound-based digital project co-created with refugees and asylum seekers held in indefinite detention in Australia and Papua New Guinea to advance understandings of the sensory violence of borders – and resistance to borders – and their reordering of intimate realms. In where are you today (2020), refugees/asylum seekers catalogued their carceral environments in 10-minute sonic vignettes which were distributed to listeners daily via text message, for 30 consecutive days. Drawing on sensory methodologies and feminist orientations towards the intimate, the article considers how this sound project alerts us to an alternative sensory politics attuned to the quiet, quotidian and exhausting labour of resisting Australia’s racialised border regime. Through a close listening to selected recordings, we argue the intimacies shared through where are you today produce knowledge about embodied practices of care, breath, touch and waiting in indefinite detention. Networked, transborder sound projects can unsettle both incarcerated and non-incarcerated subjects’ relationships to their environments, opening affiliative possibilities for coming into relation with the border(s) in new ways. We conclude that the project’s creators forge and sustain carceral intimacies within and despite the border’s affective violence, and that sound is a particularly affective and evocative means of conveying and creating these intimacies, in and beyond indefinite detention.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"19 1","pages":"20 - 39"},"PeriodicalIF":1.8,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45450078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Criminal anthroposcenes 2.0: Race, racism, and breath-taking violence in the time of COVID 犯罪人类场景2.0：新冠疫情时期的种族、种族主义和令人叹为观止的暴力

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-03-02 DOI: 10.1177/17416590221081162

Anita Lam

引用次数: 0

Book Review: Marc Schuilenburg, Hysteria: Crime, Media and Politics 书评:马克·舒伦伯格，《歇斯底里:犯罪、媒体与政治》

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-03-01 DOI: 10.1177/17416590221080798

Lisa Flower

引用次数: 0

Book Review: Jamie Bennett and Victoria Knight, Prisoners on Prison Films 书评:杰米·贝内特和维多利亚·奈特，监狱电影中的囚犯

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-03-01 DOI: 10.1177/17416590211009327

Holly Dempsey

{"title":"Book Review: Jamie Bennett and Victoria Knight, Prisoners on Prison Films","authors":"Holly Dempsey","doi":"10.1177/17416590211009327","DOIUrl":"https://doi.org/10.1177/17416590211009327","url":null,"abstract":"practices of the working class” (p. 144). McQuade frames their dialectic relation with police power as the essential contradiction of security. The chapter analyzes three regional ILP initiatives that disrupt moral economies of poverty: multiagency drug war operations; landlord training, trespass affidavit, and narcotics eviction programs; and secondhand dealer laws. McQuade provocatively claims moral economies of poverty may be more threatening than political movements. The book concludes with a reflection on contemporary abolitionist movements in Chicago and a return to Camden. Here, McQuade uses interviews conducted with community organizers and activists, and observations from his ride-along with a Camden police officer to problematize the narrative about Camden’s “success” with crime reduction (the “Camden model”). McQuade queries how abolitionist’s “non-reformist reforms” and his own analysis might inform future accounts of police power. I end with a note on the book’s appendix on research methods. As of now, Pacifying the Homeland is the only book about fusion proper. McQuade’s account of how he obtained access is instructive for other researchers. It also illuminates that research about fusion matters to the extent it can speak to fusion’s organic priorities and specific materializations. The book’s widereaching interviewing (82 people total) is apt, itself reflecting fusion’s decentralized operations. McQuade does not just probe two fusion centers; he provides a critical framework for how to address developments of mass supervision irreducible to and including fusion. After reading McQuade’s uncompromising book, one might feel that fusion centers’ closure is a modest goal, even. As forces of pacification structurally reinforce policing’s mandate for routinized violence, radical anti-pacification orientations are vital.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"18 1","pages":"152 - 155"},"PeriodicalIF":1.8,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/17416590211009327","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65489283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Book Review: Justin R. Ellis, Policing Legitimacy: Social Media, Scandal and Sexual Citizenship 书评:贾斯汀·r·埃利斯，《监管合法性:社交媒体、丑闻和性公民》

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-02-22 DOI: 10.1177/17416590221080791

Nickie D. Phillips

引用次数: 0

Film review: All Light, Everywhere 影评:全光，无处不在

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-02-14 DOI: 10.1177/17416590221077478

T. Marriott

引用次数: 0

Musical life stories: Coherence through musicking in the prison setting 音乐人生故事:监狱背景下音乐的连贯性

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2022-01-06 DOI: 10.1177/17416590211059135

Kjetil Hjørnevik, Leif Waage, A. Hansen

{"title":"Musical life stories: Coherence through musicking in the prison setting","authors":"Kjetil Hjørnevik, Leif Waage, A. Hansen","doi":"10.1177/17416590211059135","DOIUrl":"https://doi.org/10.1177/17416590211059135","url":null,"abstract":"Despite the strong relationships evidenced between music and identity little research exists into the significance of music in prisoners’ shifting sense of identity. This article explores musicking as part of the ongoing identity work of prisoners in light of theory on musical performance, narrative and desistance and discusses implications for penal practice and research. Through the presentation of an ethnographic study of music therapy in a low security Norwegian prison we show how participation in music activities afforded congruence between the past, the present and the projected future for participants by way of their unfolding musical life stories. Complementing existing conceptualisations of music as an agent for change, our study suggests that musicking afforded the maintenance of a coherent sense of self for participating prison inmates, whilst offering opportunities for noncoercive personal development. We argue that research into musicking in prison offers fruitful ways of tracing how the complexities inherent in processes of change are enacted in everyday prison life, and that it can advance our knowledge of relationships between culture, penal practice and desistance.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"19 1","pages":"74 - 94"},"PeriodicalIF":1.8,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44017149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Taking responsibility: Testimonial practices in Rithy Panh’s S21: The Khmer Rouge Killing Machine 承担责任：李的S21:The Khmer Rouge Killing Machine中的见证实践

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2021-11-02 DOI: 10.1177/17416590211056526

Maria Elander

{"title":"Taking responsibility: Testimonial practices in Rithy Panh’s S21: The Khmer Rouge Killing Machine","authors":"Maria Elander","doi":"10.1177/17416590211056526","DOIUrl":"https://doi.org/10.1177/17416590211056526","url":null,"abstract":"Genocide films have long contributed to public criminology’s exploration into ethics, responsibility and witnessing after atrocity. Whereas post-Holocaust theorisations of testimony have focused on victim testimony (and its limits), a recent wave of documentary films are instead centering on the perpetrators of atrocity. These are raising the question of how to engage with that shared by a person who experienced an atrocity not as its victim but as its perpetrator. This article examines this question through a close reading of Rithy Panh’s documentary film S21: The Khmer Rouge Killing machine (2003), a film that ‘compare[s] eye-witness accounts’ of a handful of men who all experienced notorious Khmer Rouge security centre S-21 either as its prisoners or its staff. I suggest that the confrontations and the bodily gestures by the former staff in S21 constitute forms of testimony, something which has implications for the understanding of both testimony and responsibility, as well as for the positionality of the spectator. The film, I suggest, provides a way to listen to the experiences of the perpetrators of the atrocity, without diminishing the suffering they caused.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"19 1","pages":"58 - 73"},"PeriodicalIF":1.8,"publicationDate":"2021-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48213688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The cultural scope and criminological potential of the “hardman story” “硬汉故事”的文化范围和犯罪学潜力

IF 1.8 3区社会学

Crime Media Culture Pub Date : 2021-10-29 DOI: 10.1177/17416590211053795

L. Wattis

{"title":"The cultural scope and criminological potential of the “hardman story”","authors":"L. Wattis","doi":"10.1177/17416590211053795","DOIUrl":"https://doi.org/10.1177/17416590211053795","url":null,"abstract":"The true crime genre has become synonymous with the serial killer. As such, other narratives dealing with different types of violent criminal subjects have been overlooked in academic and media analyses. The following article explores a subgenre of true crime which has been overlooked—the life story of the violent criminal or “hardman biography.” However, in acknowledging the hardman, the discussion also reveals his presence across fact/fiction boundaries and a range of cultural terrain. Following a discussion of the cultural space this figure occupies, I turn my attention to hardman stories which exist predominantly in the local imaginary and focus on one such text which tells the story of a violent protagonist and cultures of crime and violence in the North of England in the late 1980s and early 1990s. In so doing, I focus on how this text animates cultures of violence and marginality left in the wake of deindustrialization and economic decline, combining this with relevant theoretical and ethnographic work. I conclude by arguing that the text is a further example of the way in which popular criminology can complement and advance academic criminological understandings of crime and violence.","PeriodicalId":46658,"journal":{"name":"Crime Media Culture","volume":"19 1","pages":"40 - 57"},"PeriodicalIF":1.8,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49599110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1