Journal of Popular Culture最新文献

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Correction to Will the real faker please do a shoulder roll? Bodies, labor, and ideology in esports
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-09-04 DOI: 10.1111/jpcu.13373
{"title":"Correction to Will the real faker please do a shoulder roll? Bodies, labor, and ideology in esports","authors":"","doi":"10.1111/jpcu.13373","DOIUrl":"https://doi.org/10.1111/jpcu.13373","url":null,"abstract":"<p>Pate, George. 2024. “Will the Real Faker Please Do a Shoulder Roll? Bodies, Labor, and Ideology in Esports.” <i>The Journal of Popular Culture 57</i>(2): 106–117. https://doi.org/10.1111/jpcu.13321.</p><p>In paragraph 3, the sentence “Studying video games with a focus on the ways performing bodies make offers a unique contribution by shifting the locus of inquiries regarding gaming and ideology onto the physical performances of the actual players as well as the ways the gaming industry and surrounding culture frame those performances” was missing the word “meaning” after “performing bodies make.” It should read “Studying video games with a focus on the ways performing bodies make <i>meaning</i> offers a unique contribution by shifting the locus of inquiries regarding gaming and ideology onto the physical performances of the actual players as well as the ways the gaming industry and surrounding culture frame those performances.”</p><p>Additionally, the game <i>Rivals of Aether</i> was misspelled as <i>Rivals of Ether</i> on p. 113.</p><p>We apologize for this error.</p>","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"57 5-6","pages":"381"},"PeriodicalIF":0.2,"publicationDate":"2024-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jpcu.13373","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142868106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyoncé's “break my soul”: An anthem of courage, resistance, peace, and community
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-26 DOI: 10.1111/jpcu.13374
Neal A. Lester
{"title":"Beyoncé's “break my soul”: An anthem of courage, resistance, peace, and community","authors":"Neal A. Lester","doi":"10.1111/jpcu.13374","DOIUrl":"https://doi.org/10.1111/jpcu.13374","url":null,"abstract":"<p>In 2023, Beyoncé became the artist with the most Grammys in music history. Her dance track, “Break My Soul,” from her <i>Renaissance</i> album,* is a radical statement about community and self-affirmation grounded in Black and queer cultural specificity. This article explores “Break My Soul” as an anthem of uplift, advice, and unity that offers hope and reprieve to a world emerging from a global pandemic and a “racial reckoning” galvanized by Minneapolis police officer Derek Chauvin's murder of George Floyd.</p>","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"57 5-6","pages":"320-335"},"PeriodicalIF":0.2,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142869202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The cultural construction of hidden spaces: Essays on pockets, pouches, and secret drawers By James Brown, Anna Jamieson, Naomi Segal (Eds.), Boston, MA: Brill. 2024. pp. 352. $155.00 (hbk).
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-21 DOI: 10.1111/jpcu.13380
Lin Wu, Jing Yin
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引用次数: 0
Why any woman: Feminism and popular culture in the late twentieth-century South By Keira V. Williams. Athens, Georgia: The University of Georgia Press. 2023. pp. 236. $29.95 (pbk)
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-20 DOI: 10.1111/jpcu.13377
Manus Aisha
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引用次数: 0
Quasi-color consciousness: Casting, race, and sexual violence in Netflix's Bridgerton
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-19 DOI: 10.1111/jpcu.13375
Emma Lynn
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引用次数: 0
The flesh of animation: Bodily sensations in film and digital media By Sandra Annett. Minneapolis, MN: University of Minnesota Press. 2024. pp. 288. $29.00 (pbk)
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-16 DOI: 10.1111/jpcu.13378
Mansi Tiwari
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引用次数: 0
The gothic and twenty-first-century American popular culture By Anna Marta Marini, Michael Fuchs (Eds.), Boston, MA: Brill. 2024. p. 248. £105.84 (hbk) 哥特式与二十一世纪美国流行文化 Anna Marta Marini、Michael Fuchs(Eds.)著,马萨诸塞州波士顿:Brill. 2024. p. 248.105.84 英镑(平装本)
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-15 DOI: 10.1111/jpcu.13379
Lin Wu, Ziwei Yan
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引用次数: 0
Playing the percentages: How film distribution made the Hollywood studio system By Derek Long. Austin, TX: University of Texas Press. 2024. pp. 296. $55.00 (hbk)
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-06 DOI: 10.1111/jpcu.13376
Wayne E. Arnold
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引用次数: 0
Creating the viewer: Market research and the evolving media ecosystem By Justin Wyatt. Austin, TX: University of Texas Press. 2024. pp. 288. $105.00 (hbk)
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-08-04 DOI: 10.1111/jpcu.13372
Arya Priyadarshini
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引用次数: 0
Will “you be found?”—Intratextual social media and going viral in the contemporary teen musical
IF 0.2 4区 社会学
Journal of Popular Culture Pub Date : 2024-07-31 DOI: 10.1111/jpcu.13371
Emry Sottile
{"title":"Will “you be found?”—Intratextual social media and going viral in the contemporary teen musical","authors":"Emry Sottile","doi":"10.1111/jpcu.13371","DOIUrl":"https://doi.org/10.1111/jpcu.13371","url":null,"abstract":"<p>As musical theater has gained traction with younger audiences, producers have put out numerous new shows that focus on the modern high school experience in an attempt to capture this target audience. Social media has moved beyond being an off-stage marketing tactic and has since warped into an on-stage plot device to feel authentic to audiences. Through analyzing <i>Dear Evan Hansen</i>, <i>The Prom</i>, and <i>Teenage Dick</i>, social media in contemporary theater is a proven means to stay relevant to young audiences that can highlight the unificatory and divisive nature of digital spaces with respect to twenty-first century adolescence and identity.</p>","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":"57 5-6","pages":"296-307"},"PeriodicalIF":0.2,"publicationDate":"2024-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jpcu.13371","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142869243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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