{"title":"Training and Collaboration in African Archaeology","authors":"Elgidius B. Ichumbaki","doi":"10.1007/s10437-023-09560-7","DOIUrl":"10.1007/s10437-023-09560-7","url":null,"abstract":"","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 4","pages":"785 - 788"},"PeriodicalIF":2.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135241582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stéphane Pradines: Historic mosques in Sub-Saharan Africa: From Timbuktu to Zanzibar","authors":"Nathan J. Anderson","doi":"10.1007/s10437-023-09555-4","DOIUrl":"10.1007/s10437-023-09555-4","url":null,"abstract":"","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 4","pages":"827 - 829"},"PeriodicalIF":2.0,"publicationDate":"2023-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135254351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tichitt Culture and the Malian Lakes Region","authors":"Robert Vernet, Nikolas Gestrich, Peter R. Coutros","doi":"10.1007/s10437-023-09554-5","DOIUrl":"10.1007/s10437-023-09554-5","url":null,"abstract":"<div><p>The Tichitt culture of the Ceramic Late Stone Age is known for its large settlement sites, built from dry stone walls. It is centered on the cliffs of southeastern Mauritania, but its links to the Middle Niger and the later urban developments there have long been a topic of research. This article adds a further piece of evidence linking the two regions. The available evidence for a set of stone-walled features is presented, around 300 sites of varying sizes and complexity. They lie on and around the sandstone massifs of the Malian Lakes Region. The evidence is so far tentative as no dating or material culture is available, but the sites are presented as a research priority for the future.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 4","pages":"761 - 773"},"PeriodicalIF":2.0,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09554-5.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135537320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mantas Valancius, Patrick Quinn, Michael Brass, I. Vella Gregory, Ahmed Adam, Julie Dunne, Richard P. Evershed
{"title":"Production and Use of Ceramics in the First Millennium BC: Jebel Moya, Sudan","authors":"Mantas Valancius, Patrick Quinn, Michael Brass, I. Vella Gregory, Ahmed Adam, Julie Dunne, Richard P. Evershed","doi":"10.1007/s10437-023-09552-7","DOIUrl":"10.1007/s10437-023-09552-7","url":null,"abstract":"<div><p>The site of Jebel Moya, situated in the center of the southern Gezira Plain in southcentral Sudan, has an occupational sequence spanning at least five millennia until around 2000 years ago. Renewed excavation is shedding new light on its occupational chronology and socioeconomic history, including activities such as burial, savanna herding, and domesticated sorghum cultivation practices dating to at least the mid-third millennium BC. In the present study, predominantly final phase pottery sherds from the first millennium BC to the start of the first millennium AD (Assemblage 3) have been analyzed via a combination of thin section petrography and instrumental geochemistry to determine their raw materials and place of manufacture and reconstruct their manufacturing technology. Organic residue analysis was also conducted to identify the products processed within vessels found at the site. The results suggest the existence of a well-developed local ceramic craft tradition that persisted for over one thousand years. Pots from Assemblage 3 were used to process, store, and consume animal and plant products, thus reinforcing emerging evidence for early agro-pastoral activities.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"41 1","pages":"97 - 118"},"PeriodicalIF":2.0,"publicationDate":"2023-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09552-7.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135304827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Science, Not Black Magic: Metal and Glass Production in Africa","authors":"Foreman Bandama, Abidemi Babatunde Babalola","doi":"10.1007/s10437-023-09545-6","DOIUrl":"10.1007/s10437-023-09545-6","url":null,"abstract":"<div><p>Ongoing research continues to show that ancient Africans had their own versions of science that were embedded in local contexts. The apparent lack of writing systems in most of the continent, especially south of the Sahara, was used to undermine the continent’s scientific achievements. Rather than relegate Africa to a simple receiver of science and technology, ancient Africans should be celebrated for their successful improvisation and experimentation. We discuss processes of metal and glass production in western and southern Africa to reveal key aspects of the scientific method in these ancient African technologies and situate the knowledge within an appreciation of inclusive education that embraces diverse ideas and practices of science and technology.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 3","pages":"531 - 543"},"PeriodicalIF":1.6,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09545-6.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50479146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lenka Varadzinová, Jiří Unger, Martin Černý, Ladislav Varadzin
{"title":"Prehistoric Rock Art of Jebel Shaqadud, Northwestern Butana (Sudan)","authors":"Lenka Varadzinová, Jiří Unger, Martin Černý, Ladislav Varadzin","doi":"10.1007/s10437-023-09549-2","DOIUrl":"10.1007/s10437-023-09549-2","url":null,"abstract":"<div><p>The dating and meaning of petroglyphs constitute a challenge in African rock-art research. In this article, we present and discuss a recently found rock-art assemblage from the Shaqadud site complex (Sudan), a site aggregation that nicely documents Holocene prehistoric cultural adaptations in non-aquatic, deep-savanna environments in what is today the Eastern Sahel. The rock-art corpus contains 120 identifiable motifs with a clear predominance of giraffes (<i>n</i> = 113, 94.2%) that are of small dimensions (< 50 cm) and are shown in a limited number of compositions. The thematic and technological compactness of the assemblage suggests a chronological integrity of the local figurative rock art and a coherent thematic and technological mindset of its creators. The archaeological context and the general characteristics of the assemblage place the local figurative rock art between the beginning of the Holocene and the Late Neolithic, in absolute dates between ca. 8748–1639 cal BC. However, spatial and visual connections could suggest a narrower dating of the assemblage, to the late Khartoum Mesolithic, around 6421–6088 cal BC. The predominance of the giraffe in the Shaqadud rock art suggests that this species may have carried a special significance for the local prehistoric communities. At the same time, the lack of hunting scenes in the figurative assemblage indicates that the importance of the giraffe motif goes beyond subsistence.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"41 1","pages":"47 - 69"},"PeriodicalIF":2.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135742170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Communities and the Dead in Africa and Ancient Ethiopia (50–800 CE)","authors":"Dilpreet Singh Basanti, Naomi Mekonen","doi":"10.1007/s10437-023-09548-3","DOIUrl":"10.1007/s10437-023-09548-3","url":null,"abstract":"<div><p>In the Global North, death is often treated as the departure of a person. However, across Africa, families and communities often include living and dead members, usually called “ancestors.” In this article, we use archaeology to support educators in communicating key aspects of deathways and the study of ancestors in Africa. We do this through an example drawn from the ancient kingdom of Aksum in Ethiopia (50–800 CE). Archaeologist Dilpreet Singh Basanti previously analyzed human remains from Aksum and reconstructed an ancient community’s burial and ongoing engagement with a young woman. Artist Naomi Mekonen has created a surrealist lens to present this woman’s story of death in this article’s figures. Surrealism is a rising perspective in modern art from the Tigray region and is used here to shift the tone from death as a grim tale of loss to death as a love story. We show how ongoing actions around the young woman’s tomb relate to her continued role in her family and community. Our example illustrates that ancestors are elements of healthy community life. Ancestors provide a guiding voice that helps to define people’s values and experiences of the world. In this way, ancestors are inseparable from “culture,” and exploring these themes helps us to appreciate the role of culture as a guiding way that connects generations of loved ones, living and dead.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 3","pages":"567 - 576"},"PeriodicalIF":1.6,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09548-3.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50473137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"My Meals Are in the Pots: Making Pots and Meals in Wollega, Southwest Ethiopia","authors":"Bula S. Wayessa","doi":"10.1007/s10437-023-09544-7","DOIUrl":"10.1007/s10437-023-09544-7","url":null,"abstract":"<p>Pottery is an ancient technology in Africa that transformed how people store and prepare their foods. It is a craft technology frequently associated with women and is often practiced by people who belong to marginalized social groups with limited access to farmland. This article offers insight into traditional pottery-making and how women have innovated the craft under changing sociopolitical and economic circumstances. It also addresses the more recent government policies that have shaped potters’ access to clay. In addition, the article examines how competition with alternative materials, including plastics and enamels, has challenged women’s ability to maintain their pottery-making livelihoods and inspired potters’ creativity in circumventing the challenges imposed on them. The study provides insights into the archaeological implications of resilience and dynamism in the pottery technological tradition and considers these in relation to the UN Sustainable Development Goals (SDGs).</p>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 3","pages":"519 - 529"},"PeriodicalIF":1.6,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09544-7.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47866500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Global Connections and Connected Communities in the African Past: Stories from Cowrie Shells","authors":"Anne Haour, Abigail Moffett","doi":"10.1007/s10437-023-09546-5","DOIUrl":"10.1007/s10437-023-09546-5","url":null,"abstract":"<div><p>Through the stories of four people who carried or traded cowrie shells, this article examines the connections between various parts of the world from a thousand years ago to the present. These connections spanned great distances, linking communities in West Africa and the Indian Ocean islands of the Maldives, and they bring to light the vast land and sea links that connected different regions of the African continent to the wider world in this period. We use cowrie shells to explore how objects participate in creating social relations, shaping senses of self and identity. When viewed in relation to the theme of connections, this offers a springboard for thinking about how things and their biographies fit within our lives today.</p></div>","PeriodicalId":46493,"journal":{"name":"African Archaeological Review","volume":"40 3","pages":"545 - 553"},"PeriodicalIF":1.6,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://link.springer.com/content/pdf/10.1007/s10437-023-09546-5.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43359546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}