Boundary 2-An International Journal of Literature and Culture最新文献

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To Greet the Return of the Gods: A Guide for Teachers 迎接众神归来:教师指南
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789850
N. O. Brown
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引用次数: 0
Brown Now: Communion, Mystery, and Public Knowledge 《现在的布朗:共融、神秘和公共知识
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789584
Isaac Blacksin
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引用次数: 0
Robert Duncan and Norman O. Brown: Correspondence 罗伯特·邓肯和诺曼·o·布朗:通信
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789822
R. Duncan, N. O. Brown
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引用次数: 0
Song of the Andoumboulou: 300 安多布卢之歌:300
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789682
Nathaniel Mackey
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引用次数: 0
NOB's Poetics NOB的诗学
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789640
Jed Rasula
{"title":"NOB's Poetics","authors":"Jed Rasula","doi":"10.1215/01903659-9789640","DOIUrl":"https://doi.org/10.1215/01903659-9789640","url":null,"abstract":"\u0000 This article addresses the turn in Norman O. Brown's intellectual orientation during the 1960s, a reorientation reflecting his newfound alliance with poets, and an internalization of a spirit of poetry that he explicitly derived from the heady atmosphere of the 1960s counterculture. Consequently, he professed a Dionysian outlook on the body politic as a single and singular corporeality, and pledged allegiance to the rhetorical principle of paronomasia—a play on words that sound alike but have different meanings. In his final works Brown came to repeatedly affirm that “there is only poetry.”","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46530502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Gray Lovers 灰色恋人
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-08-01 DOI: 10.1215/01903659-9789794
D. Pendell
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引用次数: 0
Pierre Bonnard: Bringing Painting to Life 皮埃尔·博纳尔:将绘画带入生活
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-05-01 DOI: 10.1215/01903659-9644583
Peter de Bolla
{"title":"Pierre Bonnard: Bringing Painting to Life","authors":"Peter de Bolla","doi":"10.1215/01903659-9644583","DOIUrl":"https://doi.org/10.1215/01903659-9644583","url":null,"abstract":"\u0000 The French artist Pierre Bonnard created more than two thousand paintings, many of them now dispersed around museums across the world. He painted in a slightly eccentric manner—on unstretched canvas—and often worked on these paintings over decades. They typically depict closed spaces, interiors, that open out to vistas beyond the room. He also produced a number of self-portraits and a very large number of paintings depicting his muse, Marthe, often going about her toilette. Almost of all these paintings have very strange effects—for the most part overlooked by viewers from his own time to today. These effects, which Peter de Bolla calls “ghosts,” are often depictions hiding in plain sight. In this essay, de Bolla patiently explores how such effects can be seen in one painting, La salle à manger sur le jardin (1930–31), leading the viewer into the strange world Bonnard depicted.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46176603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Iconic Intelligence (Or: In Praise of the Sublamental) 标志性智慧(或:赞美底层智慧)
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-05-01 DOI: 10.1215/01903659-9644555
A. de Boever
{"title":"Iconic Intelligence (Or: In Praise of the Sublamental)","authors":"A. de Boever","doi":"10.1215/01903659-9644555","DOIUrl":"https://doi.org/10.1215/01903659-9644555","url":null,"abstract":"\u0000 In this essay, De Boever focuses on a section titled “Idols of Unrepresentability” in the closing pages of Stathis Gourgouris's book The Perils of the One. Scrutinizing the two counterintuitive theses about iconoclasm's political theology and the artwork's desacralizing power of presentation that Gourgouris proposes there, De Boever expands on Gourgouris's examples to take on, in a productive tension with his thought, what De Boever calls “art's own political theology” and its related politics of “aesthetic exceptionalism.” Proposing a theory of unexceptional art, De Boever ultimately ties such a theory to the unexceptional politics of democratic anarchy that Gourgouris has developed elsewhere. In conclusion, De Boever considers the music Gourgouris has released as “Count G” within this aesthetico-political frame.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47613485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
George Lamming: Reflections on Writing, Politics, and Caribbean Society 乔治·拉明:对写作、政治和加勒比社会的思考
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-05-01 DOI: 10.1215/01903659-9644548
Nuruddin Farah, Anthony Bogues
{"title":"George Lamming: Reflections on Writing, Politics, and Caribbean Society","authors":"Nuruddin Farah, Anthony Bogues","doi":"10.1215/01903659-9644548","DOIUrl":"https://doi.org/10.1215/01903659-9644548","url":null,"abstract":"\u0000 This interview was conducted in September 2014 by the noted African novelist and writer Nuruddin Farah and the Caribbean intellectual historian and scholar Anthony Bogues. George Lamming, a seminal Caribbean novelist, writer, and thinker, is the author of six novels and a remarkable volume of essays, along with several other works. He belongs to a generation of Caribbean writers and intellectuals who carved out a space for Caribbean literature and thought in the twentieth century. In 2014 he was awarded the Anisfield-Wolf Book Award.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46545589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Dispatches to the Dead: Delegation, Consumption, and Mischievous Pleasure (Thinking with Robert Pfaller in the So-called Present) 《向死者的派遣:委派、消费和恶作剧的快乐》(与罗伯特·普法勒在所谓的当下思考)
IF 0.1 4区 社会学
Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-05-01 DOI: 10.1215/01903659-9644597
James A. Steintrager, Rey Chow
{"title":"Dispatches to the Dead: Delegation, Consumption, and Mischievous Pleasure (Thinking with Robert Pfaller in the So-called Present)","authors":"James A. Steintrager, Rey Chow","doi":"10.1215/01903659-9644597","DOIUrl":"https://doi.org/10.1215/01903659-9644597","url":null,"abstract":"\u0000 For the past twenty years or so, the Austrian cultural theorist Robert Pfaller has been positing and analyzing the concepts of “interpassivity” (as opposed to interactivity) and the delegation of enjoyment both in sacred rituals and in relation to various media of reproduction (such as video recorders and photocopiers). Steintrager and Chow argue that Pfaller's insights into delegation as a key and understudied feature of media ecologies are particularly relevant today, as delegation of various activities has intensified. However, the latest media and technologies, which gather so much information about us that we end up in a state of informational debt, pose a challenge to his thesis that delegation is an unconscious strategy for seeking relief from the onslaught of images, commodities, and information.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47267476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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