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Reaction Images and Metawitnessing 反应图像和元见证
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883299
Kerstin Schankweiler
{"title":"Reaction Images and Metawitnessing","authors":"Kerstin Schankweiler","doi":"10.1080/13534645.2021.1883299","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883299","url":null,"abstract":"No matter what the event that occurs in the public life of today’s networked and mediatized societies, social media reactions to its witnessing have become crucial in assessing their significance and circulation through economies of attention and, accordingly, their affective dynamics. In many ways, images have become the currency of attention and affectivity in online communication. From emojis to photographs and from GIFs to videos, communicating with images is now more popular than ever. An average of around 500 hours of video material are uploaded on YouTube every minute. On Facebook alone, about 4000 photos are posted every second, amounting to about 350 million photos a day. As Wolfgang Ullrich and Andr e Gunthert have both noted, images have attained a speech-like quality within digital cultures, one more closely associated with orality. Crucial to this communicative function is the emergence of images that are not simply shared, but used as a response by depicting reactions of groups or individuals. These ‘reaction images’, as I will call them, convey experiences, attitudes and emotions that build connections with others through affective feedback loops. Posting the ‘Michael Jackson eating popcorn’ GIF to indicate how much you are enjoying watching a video someone just shared, or recording a reaction video while watching this video for the very first time and circulating this as an immediate response to it – these are varieties of showing and communicating reactions to something seen or witnessed online.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883299","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45435154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Introduction: Affective Witnessing as Theory and Practice 导论:情感见证理论与实践
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883301
M. Richardson, Kerstin Schankweiler
{"title":"Introduction: Affective Witnessing as Theory and Practice","authors":"M. Richardson, Kerstin Schankweiler","doi":"10.1080/13534645.2021.1883301","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883301","url":null,"abstract":"On 21 May 2016, an asylum seeker named Shabaz Saleh Al-Aziz had been in and out of a Netto supermarket in Arnsdorf, a village in Saxony in the East of Germany. Al-Aziz entered and left three times, attempting to communicate a problem with his phone card. Eyewitness reports variously described his demeanour as frustrated, violent or simply confused. On the third occasion, he was holding two bottles of wine and made the cashier nervous. Four men entered the store and removed him against his will, dragging him across the street before cable-tying him to a tree. He had no chance to testify in court about what took place that afternoon. A year later, just a week before the trial of his attackers, the body of Al-Aziz was found frozen to death in the woods outside Dresden. It was ruled an accident, with no direct connection to what happened in the Arnsdorf supermarket. Without the victim to testify, charges against his attackers were dropped.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883301","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46374440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 14
Glimpsing Shadows: Affective Witnessing in Noctambules and “Of Ghosts and Shadows” 瞥见阴影:夜曲与“鬼与影”中的情感见证
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883296
Tesla Cariani
{"title":"Glimpsing Shadows: Affective Witnessing in Noctambules and “Of Ghosts and Shadows”","authors":"Tesla Cariani","doi":"10.1080/13534645.2021.1883296","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883296","url":null,"abstract":"‘I am watching my lover’, begins Roxane Gay’s short story ‘Of Ghosts and Shadows’. In the opening scene, Marie, and her lover Am elie idly browse through a marketplace in Haiti. Since the two of them cannot openly show affection, they watch each other instead. Sneaking glances and brushing limbs, they have developed an entire system for visual caress. Practices of looking shift into the realm of bodily touch. Close since they were children, the lovers have many shared experiences: ‘We watched our fathers taken away for supporting free elections, we watched our brothers disappear into the countryside or the ocean’. The ‘we’ of these statements underscores their deeply entwined and parallel lives. They are united in shared practices of looking—of bearing witness.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883296","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45456207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Witnessing the Anthropocene: affect and the problem of scale 见证人类世:影响和规模问题
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883298
M. Richardson
{"title":"Witnessing the Anthropocene: affect and the problem of scale","authors":"M. Richardson","doi":"10.1080/13534645.2021.1883298","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883298","url":null,"abstract":"As bushfires raged across the eastern states of Australia from September 2019 and into 2020, their scale defied comprehension. What did 46 million burnt acres mean? Or a billion dead animals, or smoke plumes extending across the Pacific to Chile, or 300 million tonnes of carbon emitted into the atmosphere? How to unknot this aggregated scale with the hundreds of fires burning at different times and places, and with varied intensity? How did the scale of the fires in turn relate to that of the climate crisis, to the planet itself? And what of the links between this accelerating catastrophe and the slow violence of deforestation and excessive irrigation, exacerbated by large-scale corporate farming on lands stolen from the First Nations peoples who had managed them — and their fires — for tens of thousands of years? The fires were intensely affecting and yet impossible to grasp — and perhaps even more intense precisely because their scale so challenged the imagination. Across the mediascape, efforts to relate the spread and scale of the bushfires proliferated: Reuters built a page comparing individual fires to cities and countries around the world; The Guardian created interactive maps and repurposed data from NASA’s satellite-based hotspot detection program; the Australian Broadcasting Corporation produced an annotated gallery of aerial images. While the macro effects of the fires tended to be conveyed in infographics and from the air, voices from the ground testified to their local and intimate impacts on families and communities, and to the growing outrage over the failure of conservative Prime Minister Scott Morrison to rise to the occasion, or even grasp its import. But the challenge of reconciling macro, micro and the relations between them remained: how, indeed, to bear witness to the scale of destruction at once immense and intimate?","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883298","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41473013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
In Her Hands: Affect, Encounter and Gestures of Wit(h)nessing in Shanawdithit’s Drawings 在她的手中:在Shanawdithit的绘画中的情感,相遇和机智的姿态
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883297
N. Chare
{"title":"In Her Hands: Affect, Encounter and Gestures of Wit(h)nessing in Shanawdithit’s Drawings","authors":"N. Chare","doi":"10.1080/13534645.2021.1883297","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883297","url":null,"abstract":"From 1828 to 1829 at a house in St. John’s in Newfoundland, the Beothuk woman Shanawdithit created a series of drawings of the history and customs of her community. These works were produced at the behest of William Cormack, an adventurer and entrepreneur who had made it his mission to collect as much information as possible about the Beothuk, one of Newfoundland’s Indigenous peoples. Perceiving the Beothuk as on the brink of extinction, Cormack was engaging in what would now be termed ‘salvage anthropology’, recording for posterity what he saw as a vanishing culture. Cormack annotated each drawing (usually in ink), explaining the general content and also particular details. Some of the drawings have survived, including ten which form my focus. These are preserved at The Rooms, a museum dedicated to Newfoundland’s natural and cultural history, and include five works that provide historical narratives and five that portray artefacts, dwellings, foodstuffs or culturally significant symbols.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883297","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43759797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Beyond Recognition’: Exploring Transformation, Witnessing & Subjectivity in Fitness Social Media “超越认知”:探索健身社交媒体的转型、见证与主体性
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883300
Nicole E. Weber
{"title":"‘Beyond Recognition’: Exploring Transformation, Witnessing & Subjectivity in Fitness Social Media","authors":"Nicole E. Weber","doi":"10.1080/13534645.2021.1883300","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883300","url":null,"abstract":"Millions of posts on social media platforms are dedicated to the documentation of transformation of self through fitness, particularly the transformation of female bodies. GRRRL – a fitness brand that describes itself as the ‘world’s first activewear brand for ALL bodies’ – and their social media accounts are one small part of this much larger eco-system of fitness-based social media. Transformation through fitness is utilized as a theme by GRRRL in their activism and branding, and their social media accounts allow individuals to connect via mutual engagement in workouts, diets, weight-loss, bodybuilding, nutrition, and a variety of other health and physical practices. GRRRL’s social media presence includes a variety of accounts across platforms, but this paper specifically focuses on the brand’s public Instagram account, @grrrl_clothing. On Instagram, GRRRL seeks to diversify representations of women in media and fitness by providing a platform ‘to empower women to share their experiences and come together to make a better world’. @grrrl_clothing’s page displays a variety of bodies and narratives of women’s empowerment while blurring the lines between contemporary forms of digital feminist activism and advertising. Pages like @grrrl_clothing depict individuals’ transformations, and provide a space in which followers can share their own transformative experiences, providing testimony and evidence of the capacity of fitness transformations to facilitate empowering self-realization for those who participate.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883300","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43359040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Affective Witnessing in the Courtroom 法庭上的情感见证
IF 0.3 4区 社会学
Parallax Pub Date : 2020-07-02 DOI: 10.1080/13534645.2021.1883295
Jonas Bens
{"title":"Affective Witnessing in the Courtroom","authors":"Jonas Bens","doi":"10.1080/13534645.2021.1883295","DOIUrl":"https://doi.org/10.1080/13534645.2021.1883295","url":null,"abstract":"On 22 January 2016 I was seated in the visitors’ gallery of courtroom one at the International Criminal Court in The Hague, The Netherlands. On the docket that day was the Confirmation of Charges Hearing against Dominic Ongwen, a Ugandan national in his forties and a former high-ranking commander of the Lord’s Resistance Army, a rebel force from northern Uganda. Ongwen was accused of having committed war crimes and crimes against humanity during a military conflict with the Ugandan government in the early 2000s. On that day, the prosecution played a short video that had been recorded by Ugandan army investigators shortly after the Lord’s Resistance Army had attacked a camp for internally displaced persons. The video depicted several dead bodies of small children, some of them under three years old. The dead bodies were mutilated and partly burned. Before she showed the gruesome video, the prosecution lawyer described the contents in a dispassionate manner, showing no sign of affection. She added that she had to warn members of the public that the images could be disturbing – still in the same monotonous and disinterested tone of voice, avoiding the display of any expression on her face.","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2021.1883295","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45798681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Ecological Soundings 生态探测
IF 0.3 4区 社会学
Parallax Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766745
John Mowitt, Rasheed Tazudeen
{"title":"Ecological Soundings","authors":"John Mowitt, Rasheed Tazudeen","doi":"10.1080/13534645.2020.1766745","DOIUrl":"https://doi.org/10.1080/13534645.2020.1766745","url":null,"abstract":"","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2020.1766745","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48416291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Max Frisch’s Post-War Ecology of Stimmung 马克斯·弗里希的战后刺激生态学
IF 0.3 4区 社会学
Parallax Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766748
M. Rickenbach
{"title":"Max Frisch’s Post-War Ecology of Stimmung","authors":"M. Rickenbach","doi":"10.1080/13534645.2020.1766748","DOIUrl":"https://doi.org/10.1080/13534645.2020.1766748","url":null,"abstract":"With a few recent exceptions, the accepted reading of Max Frisch (1911-1991) as representing a post-war existentialism concerned with individual authenticity has generally overshadowed an ‘ecologic...","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2020.1766748","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41906380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
White Noise of the Ecosphere: Ontology in Digital Sound 生态圈的白噪声:数字声音中的本体论
IF 0.3 4区 社会学
Parallax Pub Date : 2020-04-02 DOI: 10.1080/13534645.2020.1766743
Eyal Amiran
{"title":"White Noise of the Ecosphere: Ontology in Digital Sound","authors":"Eyal Amiran","doi":"10.1080/13534645.2020.1766743","DOIUrl":"https://doi.org/10.1080/13534645.2020.1766743","url":null,"abstract":"This essay offers a critique of the ontological turn in digital media theory, focusing on the presence the voice is presumed to confer on sound, even in digital media. The voice is not understood b...","PeriodicalId":46204,"journal":{"name":"Parallax","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13534645.2020.1766743","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46411917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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