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Shonen Knife's Happy Hour: Food, Gender, Rock and Roll. By Brooke McCorkle Okazaki. New York: Bloomsbury, 2021. 156 pp. ISBN: 9781501347955 Shonen Knife 的欢乐时光:美食、性别、摇滚。作者:Brooke McCorkle Okazaki。纽约:布鲁姆斯伯里出版社,2021 年。156 pp.ISBN: 9781501347955
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-02-01 DOI: 10.1017/s0261143023000466
Lorraine Plourde
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引用次数: 0
The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music 锚定 vi 模式 "及其与流行音乐中乐句节奏的关系
IF 0.4 3区 艺术学
Popular Music Pub Date : 2024-01-08 DOI: 10.1017/s026114302300048x
Stanley Ralph Fink
{"title":"The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music","authors":"Stanley Ralph Fink","doi":"10.1017/s026114302300048x","DOIUrl":"https://doi.org/10.1017/s026114302300048x","url":null,"abstract":"<p>In order to reveal normative prototypes undergirding various formal sections, this article introduces the ‘Anchoring vi Schema’: a medium length major-mode passage (typically eight or 16 bars) that initiates on an unambiguous hypermetric downbeat (for example, the beginning of a verse or chorus). The Anchoring vi Schema must begin with tonic harmony and deploy submediant harmony at its midpoint – the second most hypermetrically strong beat. The identification of the Anchoring vi Schema enables closer readings of phrase expansion and deletion in popular music. A comparison of the common harmonies used in eight- and 16-measure passages reveals some striking similarities, particularly in terms of where tonic and subdominant chords are likely to occur. Although the endings of formal sections can take a variety of paths – including arriving at various tonal goals within a range of possible times – hypermetrically accented beginnings and midpoints show greater consistency in their organisation.</p>","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139398128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates 词曲作者与唱片业:英国流媒体辩论中统计数据的使用与滥用
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-12-15 DOI: 10.1017/s0261143023000508
Richard Osborne
{"title":"Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates","authors":"Richard Osborne","doi":"10.1017/s0261143023000508","DOIUrl":"https://doi.org/10.1017/s0261143023000508","url":null,"abstract":"In Britain, the Select Committee of the government department for Digital, Culture, Media and Sport has investigated the economics of streaming and recommended that the share of revenues for record companies should decrease so that songwriters can earn more. This article addresses lobbying activity that has resulted from this recommendation. To support their causes, songwriter representatives and record company organisations have made incorrect or misleading use of data from the report <jats:italic>Music Creators’ Earnings in the Digital Age</jats:italic>. This article looks at the impact of these uses and provides corrections and alternatives to the statistics that have been employed. It also looks at the importance of the issues that have been raised. In conclusion, it addresses aspects of record company accounting that will need to be considered if an increase for songwriters is to be made at their expense.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138687556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-8 乔-斯特鲁默的朋克摇滚政治。激进主义、抵抗与反叛。作者:格雷戈尔-加尔曼彻斯特:曼彻斯特大学出版社,2022 年。295 pp.ISBN 978-1-52614-898-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-12-11 DOI: 10.1017/s0261143023000478
Kieran Edmond James
{"title":"The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-8","authors":"Kieran Edmond James","doi":"10.1017/s0261143023000478","DOIUrl":"https://doi.org/10.1017/s0261143023000478","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138979900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-8 Naná Vasconcelos 的 Saudades。作者:丹尼尔-B-夏普。布鲁姆斯伯里学术出版社,33 1/3 巴西系列,2021 年。272 pp.ISBN: 978-1-501-34570-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-28 DOI: 10.1017/s0261143023000454
Jessica Sequeira
{"title":"Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-8","authors":"Jessica Sequeira","doi":"10.1017/s0261143023000454","DOIUrl":"https://doi.org/10.1017/s0261143023000454","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139219704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-1 咆哮。麦肯齐-瓦克著。北卡罗来纳州达勒姆:杜克大学出版社,2023 年,136 页。ISBN: 978-1-4780-1938-1
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-28 DOI: 10.1017/s0261143023000430
James A. Hodges
{"title":"Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-1","authors":"James A. Hodges","doi":"10.1017/s0261143023000430","DOIUrl":"https://doi.org/10.1017/s0261143023000430","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139217872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-8 展览、音乐与大英帝国。萨拉-柯比(Sarah Kirby)著。马特尔舍姆:博伊德尔出版社,2022 年。264 pp.订货号:978-1-783-27673-8
IF 0.4 3区 艺术学
Popular Music Pub Date : 2023-11-20 DOI: 10.1017/s0261143023000442
Duncan Heining
{"title":"Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-8","authors":"Duncan Heining","doi":"10.1017/s0261143023000442","DOIUrl":"https://doi.org/10.1017/s0261143023000442","url":null,"abstract":"","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139256850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM 怀疑:图书馆音乐和英国音乐家联盟,1960-1978 -勘误表
3区 艺术学
Popular Music Pub Date : 2023-09-25 DOI: 10.1017/s0261143023000387
Elodie A. Roy
{"title":"Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM","authors":"Elodie A. Roy","doi":"10.1017/s0261143023000387","DOIUrl":"https://doi.org/10.1017/s0261143023000387","url":null,"abstract":"An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135816333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Memory of Toru Mitsui (1940–2023) 纪念三井彻(1940-2023 年)
3区 艺术学
Popular Music Pub Date : 2023-09-22 DOI: 10.1017/s0261143023000314
Shuhei Hosokawa, Yusuke Wajima
{"title":"In Memory of Toru Mitsui (1940–2023)","authors":"Shuhei Hosokawa, Yusuke Wajima","doi":"10.1017/s0261143023000314","DOIUrl":"https://doi.org/10.1017/s0261143023000314","url":null,"abstract":"An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136061678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology “赞美你的崇高频率,把我当作你的朋友”:山达基教会的聆听、技术和音乐
3区 艺术学
Popular Music Pub Date : 2023-09-14 DOI: 10.1017/s026114302300034x
Tom Wagner
{"title":"‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology","authors":"Tom Wagner","doi":"10.1017/s026114302300034x","DOIUrl":"https://doi.org/10.1017/s026114302300034x","url":null,"abstract":"Abstract This article discusses musicking in the Church of Scientology, and how it can be used to understand the organisation and its relationship to society. The article begins by discussing the essential place of listening in Scientological practice, noting that it is one of several ‘technologies’ that institutionalise the charisma of its founder, L. Ron Hubbard. It next demonstrates how Hubbard's hagiography influences how the church produces music today. This leads to a consideration of the ‘whole track sound’ of Scientology and uses the album Hymn of Asia (2000) to discuss how Scientological concepts are embedded sonically and lyrically into the church's recorded music outputs. The final section discusses the importance of communication in Scientology's musical thought, using interviews drawn from my fieldwork in Los Angeles to highlight the benefits and limits of music as a medium of (religious) communication.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134912801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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