Frontiers-A Journal of Women Studies最新文献_第6页

Marnie as the Hysteric and a Nomadic Subject in Hitchcock's Marnie 希区柯克《玛尼》中的歇斯底里与游牧主体玛尼

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-02-04 DOI: 10.1353/fro.2022.0008

Mijeong Kim

{"title":"Marnie as the Hysteric and a Nomadic Subject in Hitchcock's Marnie","authors":"Mijeong Kim","doi":"10.1353/fro.2022.0008","DOIUrl":"https://doi.org/10.1353/fro.2022.0008","url":null,"abstract":"Abstract:The controversy over whether Alfred Hitchcock is a misogynist has continued, as the depictions of women in his films have been particularly problematic. However, depending on the reader's perspective, Hitchcock's employment of misogynist elements in his works can be read as a tactical strategy to reveal and challenge phallocentric ideologies. Hence, this paper presents the perspective that Hitchcock's Marnie (1964), one of Hitchcock's most controversial works, which portrays the male protagonist's patriarchal violence against an unstable, mysterious, and potentially dangerous woman who refuses to remain an exchangeable property between men, is revealing, rather than appropriating, sexism and misogyny, the normative patriarchal privileges. In attempting to reread Hitchcock's Marnie as a feminist text, this paper highlights the fact that Marnie makes an issue of misogynistic sexual politics, paradoxically, by obviously dramatizing them. In particular, noting that Hitchcock interrogates the \"woman\" within misogynistic contexts or frames, this paper attempts to elaborate on how the main female character of Marnie can be regarded as positively subversive, particularly in feminist Deleuzian terms. In order to read Marnie as the hysteric and a nomadic subject, a subversive and transgressive character who performs Deleuzian \"becoming-woman,\" this study examines how Marnie attempts and struggles to escape from the hegemonic patriarchal domination of striated space by drawing lines of flight.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"43 1","pages":"185 - 207"},"PeriodicalIF":1.2,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47962116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Shoemaker and Her Barefooted Daughter: Power Relations and Gender Violence in University Contexts 鞋匠和她的赤脚女儿：大学背景下的权力关系与性别暴力

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-02-04 DOI: 10.1353/fro.2022.0001

M. Guizardi, Herminia Gonzálvez, Carolina Stefoni

{"title":"The Shoemaker and Her Barefooted Daughter: Power Relations and Gender Violence in University Contexts","authors":"M. Guizardi, Herminia Gonzálvez, Carolina Stefoni","doi":"10.1353/fro.2022.0001","DOIUrl":"https://doi.org/10.1353/fro.2022.0001","url":null,"abstract":"Abstract:For decades, feminist researchers have been denouncing the asymmetries and violence that patriarchy institutionalizes through various mechanisms: marking bodies and performances; meanings and communications; feelings and affections; belongings and possessions; spaces and possibilities. In Latin America, Black and postcolonial feminists and researchers adhered to the critical subaltern perspective have turned this reflection into a methodological, theoretical, and political imperative, highlighting the need to change the places of enunciation of patriarchal asymmetries to identify their persistence in different corners of social life. However, there are many spaces where the reproduction of these inequalities continues to operate in a naturalized way: the world of academic and university research is, contradictorily, one of them. In recent years, we have collected stories and shared experiences with research colleagues and teaching staff from different countries who have been subjected to sexual harassment, threats, discrimination, and gender violence. Some of these situations take place at work; others invade family and domestic environments, evidencing that the violent imprint of patriarchy persists and reproduces itself transversally, even among those professionals dedicated to the social critique of these problems. The present article covers these narratives to reflect on the place of epistemic enunciation that researchers use when we dedicate ourselves to study gender violence. Is it possible to develop ethical feminist research on these issues without adhering to \"radical reflexivity?\"","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"43 1","pages":"32 - 67"},"PeriodicalIF":1.2,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49661224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Colorblind Melodrama: Tyler Perry's For Colored Girls and the Absorption of Black Feminism 色盲情节剧:泰勒·佩里的《有色女孩》和黑人女权主义的吸收

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-02-04 DOI: 10.1353/fro.2022.0007

A. Reed

{"title":"Colorblind Melodrama: Tyler Perry's For Colored Girls and the Absorption of Black Feminism","authors":"A. Reed","doi":"10.1353/fro.2022.0007","DOIUrl":"https://doi.org/10.1353/fro.2022.0007","url":null,"abstract":"Abstract:Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf (1975) has become a site of struggle over the reading and redefinition of racism since its original performance and publication in the 1970s. This article situates Tyler Perry's adaptation of this Black feminist classic within neoliberal multiculturalism's circuits of value. While Shange's pairing of two competing registers—the hopelessness of suicide and hopefulness of the rainbow—underlines the text's complex theorization of collective witnessing, Perry's For Colored Girls (2010) reduces the rainbow to an empty multicultural symbol. Perry's controversial cinematic adaptation can be understood as part of the neoliberal incorporation and sanitization of Black feminism. The film's new narrative arc seemingly offers a righteous critique of the politics of respectability, but does so in order to discipline normatively successful Black women, and overall largely abandons Shange's vision. Turning up the original's drama and watering down its social impact, Perry's Hollywoodization of Shange's choreopoem capitalizes on the injury, not agency, of Black women, while decontextualizing traumas from the structural conditions that perpetuate them. Moreover, Perry's rainbow expels queerness from its vision of solidarity and cohesiveness. The film indicates a broader cultural investment in centering diverse bodies while emptying out the Black radical epistemologies such representations make possible. The absorption of Black feminism is enabled by \"colorblind melodrama,\" or the aesthetics of an official antiracism that offers up narratives of normative exceptionality and spectacularized disposability in order to reaffirm the differential valuation of human life under neoliberal multiculturalism.","PeriodicalId":46007,"journal":{"name":"Frontiers-A Journal of Women Studies","volume":"43 1","pages":"151 - 184"},"PeriodicalIF":1.2,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47197417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performing the State's Desire: The Border Industrial Complex and the Murder of Anastasio Hernández Rojas 执行国家的欲望：边境工业综合体与阿纳斯塔西奥·埃尔南德斯-罗哈斯谋杀案

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-02-04 DOI: 10.1353/fro.2022.0003

C. J. Pérez

引用次数: 0

Editors' Note 编者按

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-02-01 DOI: 10.2307/j.ctv28m3hd6.6

W. Pillow, Kimberly M. Jew, Darius Bost

引用次数: 0

sight/sightings 看见/目击

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-01-01 DOI: 10.1353/fro.2022.0039

引用次数: 0

Getting Out and Living After 外出生活

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-01-01 DOI: 10.1353/fro.2022.0041

引用次数: 0

If It Was So Bad, Why Did You Stay? 如果真的那么糟糕，你为什么还要留下来?

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-01-01 DOI: 10.1353/fro.2022.0049

引用次数: 0

Introduction: A Message to Those Experiencing Violence 导言:给遭受暴力的人的信息

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-01-01 DOI: 10.1353/fro.2022.0032

Bethany, Jacqui, Lourdes, Taniya, Wanda

引用次数: 0

Survivor Anthems 幸存者国歌

IF 1.2 4区社会学

Frontiers-A Journal of Women Studies Pub Date : 2022-01-01 DOI: 10.1353/fro.2022.0035

引用次数: 0