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ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES最新文献

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WATER 水
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2023-01-02 DOI: 10.1080/0969725x.2023.2167776
Ewa Macura-Nnamdi, Tomáš Sikora
{"title":"WATER","authors":"Ewa Macura-Nnamdi, Tomáš Sikora","doi":"10.1080/0969725x.2023.2167776","DOIUrl":"https://doi.org/10.1080/0969725x.2023.2167776","url":null,"abstract":"","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"28 1","pages":"1 - 2"},"PeriodicalIF":0.3,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42377160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE OTHER WATER 另一种水
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2023-01-02 DOI: 10.1080/0969725x.2023.2167796
A. Philippopoulos-Mihalopoulos
{"title":"THE OTHER WATER","authors":"A. Philippopoulos-Mihalopoulos","doi":"10.1080/0969725x.2023.2167796","DOIUrl":"https://doi.org/10.1080/0969725x.2023.2167796","url":null,"abstract":"Abstract The water’s voice is tetchy, angry even. It is something to do with measurements and enclosures. Or perhaps with humanity in general. The water speaks to no one in particular. A gargling monologue about vastness and death, its exoplanetary itineraries and its chthonic hideaways, its elements and qualities, even its lack of voice. Even so, the water’s voice enters a subaquatic communication with two other bodies, genderless, formless, in constant becoming. These are both human and non-human bodies, their ways of touching require no skin, moving along primordial confluences and elemental conflicts.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"28 1","pages":"139 - 143"},"PeriodicalIF":0.3,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43137898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mirror Mirror 后视镜
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139025
Jean Wyatt
{"title":"Mirror Mirror","authors":"Jean Wyatt","doi":"10.1080/0969725X.2022.2139025","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139025","url":null,"abstract":"Abstract Oyeyemi's critique of racism in the United States focuses on the visual binary between whiteness and blackness, which she shows working in multiple ways to warp and distort relationships. In the Whitman family, children are valued (or not valued) according to how their skin color registers on a scale determined by white superiority. Oyeyemi's approach to racism takes the circuitous route of retelling the fairy tale of “Little Snow White,” thus calling into her own narrative a foundational text of Western cultural aesthetics which links beauty to whiteness. (Snow White, whose skin is “white as snow,” is “fairest in the land.”) Rather than narrate a new version of the fairy tale, Oyeyemi separates out its elements – magic mirror, evil stepmother, and beautiful white stepdaughter – and develops each into a new thematic configuration. My analysis focuses on the subtle ways that Oyeyemi's reshaping of mirror, evil stepmother, and innocent beautiful young girl exposes the harms to children inflicted by allegiance to a (false) structure of visible difference between white skin and black skin.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"83 - 97"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46480791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Limits of Recognition 认可的限度
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139007
R. L. Scott
{"title":"The Limits of Recognition","authors":"R. L. Scott","doi":"10.1080/0969725X.2022.2139007","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139007","url":null,"abstract":"Abstract This essay critiques Rita Felski’s employment of Axel Honneth’s theorisation of “recognition” for a postcritical literary theory and, in turn, Honneth’s own appropriation of recognition from Hegel. In her article “Recognizing Class,” Felski uses Honneth’s concept of recognition to read Didier Eribon’s memoir Returning to Reims, and to argue for the importance of lived experience in analyses of class and its literary representation. This leads her to indict Marxism for its ideal of a classless society. Why should we will the abolition of class when many workers experience their class as a source of pride and belonging? What workers need is not emancipation from their class, but adequate recognition. By drawing upon Gillian Rose’s Hegelian account of recognition, this essay contends that by assuming recognition in advance as an ideal, Felski and Honneth overlook that without emancipation from bourgeois property and class relations, the recognition they presuppose remains an impossibility.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"21 - 30"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42529932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ecology/Echography 生态/回波描记术
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139030
C. Wolfe
{"title":"Ecology/Echography","authors":"C. Wolfe","doi":"10.1080/0969725X.2022.2139030","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139030","url":null,"abstract":"Abstract This essay deploys the theoretical frames of inheritance and echography to recover and redefine the meaning, for environmental philosophy, of Martin Heidegger’s storied hut in the Black Forest in Germany, where large portions of Being and Time and other major texts were written. Drawing on the work of Jacques Derrida, Stanley Cavell, Ralph Waldo Emerson, and others, the essay insists that a deconstructive reading is crucial to recovering and sustaining the significance for environmental philosophy of Heidegger’s work, a reading quite different from those found in Deep Ecology. In that context, the essay transforms the hut into a kind of spectral presence that is put into dialogue with other, later “echoes”: the poetry of Paul Celan, the work of experimental film-maker and artist James Benning, and the author’s own current art project, focused on a clearcut site in the mountains of Colorado.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"98 - 135"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44791266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
General Issue II 2022 通则II 2022
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725x.2022.2138997
S. Moncef
{"title":"General Issue II 2022","authors":"S. Moncef","doi":"10.1080/0969725x.2022.2138997","DOIUrl":"https://doi.org/10.1080/0969725x.2022.2138997","url":null,"abstract":"","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":" ","pages":"1 - 2"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47921754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violent Displacements 暴力位移
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139022
M. Kennel
{"title":"Violent Displacements","authors":"M. Kennel","doi":"10.1080/0969725X.2022.2139022","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139022","url":null,"abstract":"Abstract This study reconceptualizes violence as the violation of value-laden boundaries through a close reading of the Death and the Displacement of Beauty trilogy by feminist philosopher of religion Grace M. Jantzen. Given the inherent normativity of the concept, it is difficult to imagine how violence could avoid simply becoming a tool in the hands of the powerful who would define it in polemical or coercive ways. But Jantzen’s work runs counter to a fatalistic treatment of the term by seeking the redemption of the present and a therapeutic approach to the violent pathologies of philosophy. Through a radical reconfiguration of the relationship between mortality and natality, Jantzen both diagnoses and critiques the death-obsessed moral imaginary of modernity. In response, I argue that Jantzen’s sophisticated methodological resistance to an ontology of violent displacement provides an important counter-narrative to the violent metanarratives of modernity that order origins and ends in absolutizing, universalizing, and totalizing ways.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"67 - 82"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48960731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beckett’s M 贝克特M
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139012
Annemarie Lawless
{"title":"Beckett’s M","authors":"Annemarie Lawless","doi":"10.1080/0969725X.2022.2139012","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139012","url":null,"abstract":"Abstract This essay explores the question of why M figures in the names of all of Beckett’s major characters. I connect M to the word murmuring, which proliferates in his work, and I claim that Beckett was influenced by a passage in Dante’s Purgatorio, in which each face in a group of penitents is inscribed with the letter M. With a rounded eye socket below each arch, the faces of the penitents spell omo or man. I argue that M stands for man – not the humanist form of man that existed for Dante, but rather a ruined figure that is adequate to this moment. Throughout, I engage with critical approaches to Beckett that attempt to connect the posthumanism suggested in his work with the new form of ethics – and of love – that it makes possible.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"31 - 49"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49418216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evaluating the Credibility of Storied Matter in the Context of Agential Realism 代理现实主义语境下的故事可信度评价
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139018
Sue Lovell, Reza Arab
{"title":"Evaluating the Credibility of Storied Matter in the Context of Agential Realism","authors":"Sue Lovell, Reza Arab","doi":"10.1080/0969725X.2022.2139018","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139018","url":null,"abstract":"Abstract This study is defined within the context of the critical posthuman project of decentring humanist subjectivity. We argue that because agential realism, and the agency and performativity that go with it, do not enable non-human matter to be accountable, only human matter, in its intra-active becoming with non-human matter, can support an ethical project. Secondly, we map our understanding of Barad’s agential realism, explaining the importance of agential cuts in phenomena-in-their-becoming that are the world worlding itself, and evaluate ethics, agency, and performativity in this material-discursive framework. Thirdly, understanding the material-discursive to underpin storied matter, we engage it via some clarification of narrative, and narrative agency. We conclude that much organic or inorganic nature as non-human matter is directional and responsive, so alive and generative and, in this sense, capable of worlding itself. However, it does not tell its own stories in the process.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"50 - 66"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41486903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A View From Nowhere 无处可看
IF 0.3 4区 社会学
ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-11-02 DOI: 10.1080/0969725X.2022.2139003
W. Mules, Erika Kerruish
{"title":"A View From Nowhere","authors":"W. Mules, Erika Kerruish","doi":"10.1080/0969725X.2022.2139003","DOIUrl":"https://doi.org/10.1080/0969725X.2022.2139003","url":null,"abstract":"Abstract In cinematic experience, a view from nowhere appears in an instituting moment – neither in time nor out of time, but part of time itself – when a camera reflex lifts the viewer’s perception out of somewhere and into the infinite time of the film. We argue that the view from nowhere found in Birt Acres’s film Rough Sea at Dover – a fifteen-second shot of waves breaking against a sea wall in Dover, England in 1895 – transcends all attempts to turn it into a view from somewhere, as an empty space that carries the auratic trace of the past into the present through phase shifts of technical mediation. In Simondon’s terms, the view from nowhere opens up possibilities of becoming all ways at once in the reflexive capacity of the human organon. Following Stiegler’s organological technics, we identify the capture of perception by the apparatus of recording and playback in the digitally automated algorithm as a threat to the reflexive capability of the organon to see otherwise in the creative individuation opened up in the phase-shifting process. Our analysis triggers a switch from an anthropocentric to a neganthropic-ecological mode of seeing in which the auratic trace of the event of waves crashing against the pier is seen in an inhuman view from nowhere that carries the threat of automatized systems in which human noesis – self-reflexive capacity – is eclipsed by machines. By seeing otherwise, the eclipse by machines is reversed to reveal the complex becoming of the film in its materiality as a work of creative individuation.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"3 - 20"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44655473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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