AMERICAN LITERATURE最新文献

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Introduction: How American Literature Understands Poverty 导论:美国文学如何理解贫困
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-08-18 DOI: 10.1215/00029831-10084470
C. Callahan, Joseph Entin, I. Hunt, Kinohi Nishikawa
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引用次数: 0
The Whiteness of the White 白色的洁白
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-08-18 DOI: 10.1215/00029831-10084568
J. Marsh
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引用次数: 0
Picturing Poverty in the Mid-Nineteenth Century 19世纪中期的贫困图景
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-08-18 DOI: 10.1215/00029831-10084498
Lori Merish
{"title":"Picturing Poverty in the Mid-Nineteenth Century","authors":"Lori Merish","doi":"10.1215/00029831-10084498","DOIUrl":"https://doi.org/10.1215/00029831-10084498","url":null,"abstract":"\u0000 “Picturing Poverty” addresses the striking absence of discussion of poverty in US cultural criticism by turning to the archive to examine historically significant and influential, but previously neglected, early photographs of the poor alongside more familiar literary texts. The essay demonstrates that the period’s photographic apprehension of the poor haunts literary depictions. Tracing rich, productive exchanges between nineteenth-century visual and literary texts, it argues that the photographic project of bearing witness to urban poverty helped authorize the emergence of realism as a nineteenth-century literary mode. “Picturing Poverty” illustrates this argument by analyzing the work of Horatio Alger, who plainly incorporates ideals of photographic legibility into his fictional narratives and vision of reform.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41886747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Ain’t Any Chance to Rise in the Paper Business”: Horatio Alger, Newsboys, and the Racialization of Poverty “纸业没有任何崛起的机会”:霍雷肖·阿尔杰、《新闻男孩》和贫困的种族化
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-08-18 DOI: 10.1215/00029831-10084512
Emily Gowen
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引用次数: 0
“Never Allowed for Property”: Harriet Jacobs and Layli Long Soldier before the Law “不允许拥有财产”:法律面前的哈里特·雅各布斯和莱利·朗
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779064
Hannah Manshel
{"title":"“Never Allowed for Property”: Harriet Jacobs and Layli Long Soldier before the Law","authors":"Hannah Manshel","doi":"10.1215/00029831-9779064","DOIUrl":"https://doi.org/10.1215/00029831-9779064","url":null,"abstract":"\u0000 This article reads Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861) alongside Layli Long Soldier’s Whereas (2017) to argue that both texts challenge the ideology of property ownership that has long been central to Black and Indigenous subjugation. By reading these texts through Cedric Robinson’s theorization of the Black Radical Tradition, which “never allowed for property,” this essay argues that both texts bring into being a world that precedes and exceeds the violence of legal regulation. Jacobs and Long Soldier both locate an alternative to law in the radical divinity of maternal care. Through Jacobs’s and Long Soldier’s discussions of holy maternal care, we can recognize the interrelation of Black and Indigenous freedom struggles in a way that’s not solely defined by shared subjugation.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46050199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespeare “Translated and Improved”: The Translational Politics of the American Yiddish Theater and Its Afterlife 莎士比亚的“翻译与改良”:美国意第绪语剧院的翻译政治及其后世
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779036
Danny Luzon
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引用次数: 1
Eleven Kinds? Loneliness and Reading for Type with Richard Yates 十一种?孤独与类型阅读
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779078
Sam Reese
{"title":"Eleven Kinds? Loneliness and Reading for Type with Richard Yates","authors":"Sam Reese","doi":"10.1215/00029831-9779078","DOIUrl":"https://doi.org/10.1215/00029831-9779078","url":null,"abstract":"\u0000 During the mid-twentieth century, loneliness became the dominant affect in American fiction, reflecting a broader cultural narrative that social and demographic changes had led to a crisis of loneliness. This affective shift is captured in Richard Yates’s 1962 short story collection, Eleven Kinds of Loneliness—but Yates’s deliberate framing of his stories as “eleven kinds” implies a second object of critique. Reading Yates’s work for social and psychological types, this article proposes that personality tests, corporate typing, and social typologies had a major role in the rise in loneliness in midcentury America—a relationship borne out by contemporary sociology, most prominently The Lonely Crowd (1950) by David Riesman, Nathan Glazer, and Reuel Denney. This article further argues that by reading midcentury fiction more broadly for type, we can understand loneliness not merely as a bad feeling but as a space of contest between individuality and group belonging, intimately connected to larger political and social narratives. Setting Yates’s stories against midcentury novels by Ralph Ellison and Mary McCarthy, this article reframes American loneliness in light of the cultural changes of the midcentury and writers’ struggles with the possibilities and limitations of type.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47074328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Incommensurate Labors: The Work behind the Works of Harriet Jacobs and Walt Whitman 不称职的劳动者:哈里特·雅各布斯和沃尔特·惠特曼作品背后的工作
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779092
Christy L. Pottroff
{"title":"Incommensurate Labors: The Work behind the Works of Harriet Jacobs and Walt Whitman","authors":"Christy L. Pottroff","doi":"10.1215/00029831-9779092","DOIUrl":"https://doi.org/10.1215/00029831-9779092","url":null,"abstract":"\u0000 In 1860, Harriet Jacobs and Walt Whitman signed nearly identical contracts with Boston-based publishers Thayer and Eldridge. This article tells the story of Jacobs’s and Whitman’s intersecting journeys to and from Thayer and Eldridge, and considers what this convergence can teach us about the antebellum book market and our scholarly evaluations of it. The first section of the article illuminates the publishing histories of Incidents in the Life of a Slave Girl (1861) by Jacobs and the third edition of Leaves of Grass by Whitman (1860) from the vantage of Thayer and Eldridge, their shared publisher. Thanks to the vast economic support of Thayer and Eldridge, Whitman brought his artistic vision into the literary marketplace, but he did so at the expense of Jacobs. Thayer and Eldridge went bankrupt printing and promoting Whitman’s book, leaving Jacobs without a publisher. Jacobs, in turn, published Incidents in the Life of a Slave Girl by herself. The article’s second section leaves Whitman and Thayer and Eldridge behind to follow Jacobs on her postpublication book tour. Her efforts in these years—traveling from place to place, meeting with readers, and selling her books—are the reason we have Incidents in the Life of a Slave Girl today.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" 7","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41254270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
With, Without, Even Still: Frederick Douglass, L’Union, and Editorship Studies 有,没有,甚至静止:弗雷德里克·道格拉斯、《联合》和编辑研究
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779106
J. Casey, S. Salter
{"title":"With, Without, Even Still: Frederick Douglass, L’Union, and Editorship Studies","authors":"J. Casey, S. Salter","doi":"10.1215/00029831-9779106","DOIUrl":"https://doi.org/10.1215/00029831-9779106","url":null,"abstract":"\u0000 This essay calls for the concerted study of editorship as a distinct mode of cultural expression. Given that the collaborative craft of editors is often invisible, the study of editorship requires attending to the practices, habits, and techniques of editing as themselves historically contingent and significant objects of inquiry. This essay analyzes a cross section of editorial practices in 1862 when a controversy during the Civil War over slavery and emancipation entangled editors from Horace Greeley and Frederick Douglass to their less conspicuous peers at L’Union (a bilingual, Black Creole weekly in New Orleans). These examples reveal the practical language of editorship expressed through serial formats. By reading editing on its own terms, in the patterns of established formats and formal innovations, it becomes possible to envision the broader study of editorship not only for nineteenth-century Black, Latinx, Indigenous, and multilingual print cultures but also in the wider firmaments of literary and cultural history.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44179161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Neurodiverse Afro-Fabulations: Pauline Hopkins’s Counterintelligence 神经多样性的非洲寓言:Pauline Hopkins的反智力
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2022-03-03 DOI: 10.1215/00029831-9779050
Stephen Knadler
{"title":"Neurodiverse Afro-Fabulations: Pauline Hopkins’s Counterintelligence","authors":"Stephen Knadler","doi":"10.1215/00029831-9779050","DOIUrl":"https://doi.org/10.1215/00029831-9779050","url":null,"abstract":"\u0000 “Neurodiverse Afro-Fabulations” focuses on the neglected cognitive biopolitics in post-Reconstruction debates over African American progress and full democratic citizenship, in order to trace an unmarked African American neurodiverse disability history, or the antiableist imagining of neurological, cognitive, and psychological variations that existed before and persisted alongside the emergence of modern evolutionary- and hereditary-based diagnostic categories of intelligence. At the same time, “Neurodiverse Afro-Fabulations” argues for the importance of an abjected Blackness in the critical genealogy of modern neurodiversity, which has largely been associated with recent movements to recognize people with autism or ADHD and has focused on the middle-class white child. Through an examination of Pauline Hopkins’s essay series for the Colored American Magazine, “Famous Women of the Negro Race” (1901–2), this essay first recovers Hopkins’s ambivalent relation to the compulsory neurotypicality of racial uplift politics. “Neurodiverse Afro-Fabulations” then turns to Hopkins’s novel Contending Forces (1900) to foreground how her fiction is interrupted by scenes of neurodiverse Afro-fabulation that do not simply refute claims of Black inferiority through a representational politics of counterfacts, but fabulate, exaggerate, and deliberately foreground eccentric, excessive, and “irrational” ways of knowing that have their roots in diasporic epistemologies. Ultimately, “Neurodiverse Afro-Fabulations” raises questions about the way an engagement with a history of Black neurodiversity affects how we think about the political, especially as antiblackness and cognitive disability have often served as overlapping technologies in the formation of a white liberal humanism.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41967068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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