{"title":"A Greek Alchemical Epigram in its Middle Byzantine Context","authors":"A. Roberts","doi":"10.1086/jwci83010001","DOIUrl":"https://doi.org/10.1086/jwci83010001","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41923284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fifteenth-Century Sienese Model Books and the Origins of Francesco di Giorgio’s Codicetto","authors":"Elizabeth Merrill","doi":"10.1086/jwci83010037","DOIUrl":"https://doi.org/10.1086/jwci83010037","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42567923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Editions of Gabriele Zerbi’s De cautelis medicorum and Their Influence","authors":"R. Tait","doi":"10.1086/jwci83010327","DOIUrl":"https://doi.org/10.1086/jwci83010327","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43533896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matteo Geronimo Mazza: A Recovered Sylloge by a Renaissance Antiquarian and Collector","authors":"B. De Divitiis","doi":"10.1086/jwci83010161","DOIUrl":"https://doi.org/10.1086/jwci83010161","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47591455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ghirlandaio Brothers Reconsidered: The Master of the Saint Louis Madonna as the Young Benedetto Ghirlandaio","authors":"Takuma Ito","doi":"10.1086/jwci83010081","DOIUrl":"https://doi.org/10.1086/jwci83010081","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48585301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rubens, Snijders and the Emperor’s Mullet","authors":"E. McGrath","doi":"10.1086/jwci83010349","DOIUrl":"https://doi.org/10.1086/jwci83010349","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42767035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Return of the Giants: Reflections on Technical Mastery and Moral Jeopardy in Leon Battista Alberti’s Letter to Filippo Brunelleschi","authors":"Caspar Pearson","doi":"10.1086/27074373","DOIUrl":"https://doi.org/10.1086/27074373","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42923935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Aenigma omnibus? The Transatlantic Late Humanism of Zinzendorf and the Early Moravians","authors":"Tom Keeline, S. McManus","doi":"10.1086/27074379","DOIUrl":"https://doi.org/10.1086/27074379","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45112405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Two Tombs of Philip the Bold","authors":"Susie Nash","doi":"10.1086/27074372","DOIUrl":"https://doi.org/10.1086/27074372","url":null,"abstract":"THE TWO TOMBS OF PHILIP THE BOLD Susie Nash (Courtauld Institute of Art) This article rewrites the history of the tomb of Philip the Bold made for the Chartreuse de Champmol in Dijon, through a close reading and re-transcription of the entire archival record, including some previously unknown documents, paying careful attention to what their terminology and chronology reveal about time, cost, materials and process; it analyses the scale of the project, and in particular the acquisition and working of materials: limestone from Tonnerre, ‘alabaster’ as spolia from Autun, black marble from Dinant, white marble, presumably from Italy, via Paris, alabaster from Grenoble and a pinkish limestone from Resne, near Dijon. By reconsidering this record, along with the physical and visual evidence of the existing monument, it argues that there was not one but two tombs made for Philip the Bold: the first was completed by Jean de Marville and then rejected by Philip, and perhaps also by the Carthusians; the second, that we have today, was started again from scratch in the early 1390s by Claus Sluter, in collaboration, possibly, with Jacques de Baerze. The story of how these two tombs were planned, worked on, adapted or restarted, along with what Marville’s abandoned project may have looked like, and what may have become of its constituent parts, is woven into the narrative of Philip’s political and religious ambitions, the role of his wife Margaret of Flanders, and of the construction and decoration of the Chartreuse de Champmol","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44210023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vasari in Renaissance Straßburg","authors":"Elizabeth Petcu","doi":"10.1086/27074377","DOIUrl":"https://doi.org/10.1086/27074377","url":null,"abstract":"","PeriodicalId":45703,"journal":{"name":"JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49094982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}