ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2024.2309113
{"title":"Editorial Board and Information for Authors","authors":"","doi":"10.1080/00043249.2024.2309113","DOIUrl":"https://doi.org/10.1080/00043249.2024.2309113","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"101 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281217
Maggie Borowitz
{"title":"“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies","authors":"Maggie Borowitz","doi":"10.1080/00043249.2023.2281217","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281217","url":null,"abstract":"This article explores a suite of six prints made by the Mexican artist Magali Lara in 1984 that present a series of views onto bathrooms. Although the artist never pictures bodies, the images manag...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"29 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139909775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281216
Basia Sliwinska
{"title":"Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures","authors":"Basia Sliwinska","doi":"10.1080/00043249.2023.2281216","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281216","url":null,"abstract":"This essay engages with activist artistic practice of Sera Waters, an Adelaide-based Australian textile artist. Waters unstitches deep histories in an attempt to repair what was broken by settler c...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"40 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2283366
Bernadette Doolan
{"title":"Dreaming of Childhood","authors":"Bernadette Doolan","doi":"10.1080/00043249.2023.2283366","DOIUrl":"https://doi.org/10.1080/00043249.2023.2283366","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"102 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2282195
Jayne Cole Southard
{"title":"Negotiating Art and Space in Midtown Manhattan","authors":"Jayne Cole Southard","doi":"10.1080/00043249.2023.2282195","DOIUrl":"https://doi.org/10.1080/00043249.2023.2282195","url":null,"abstract":"Published in Art Journal (Vol. 82, No. 4, 2023)","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"12 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139762039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281221
Olivia K. Young
{"title":"Black Op Art","authors":"Olivia K. Young","doi":"10.1080/00043249.2023.2281221","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281221","url":null,"abstract":"In this article, I conceptualize the term “black op art” to consider how black artists are centralizing speculative sensory effects as both object and subject within their work and therefore as dyn...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"3 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139761801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ART JOURNALPub Date : 2024-02-15DOI: 10.1080/00043249.2023.2281220
Hanife Neris Yüksel, Umut Kayapinar
{"title":"Petrit Halilaj’s Memory Objects","authors":"Hanife Neris Yüksel, Umut Kayapinar","doi":"10.1080/00043249.2023.2281220","DOIUrl":"https://doi.org/10.1080/00043249.2023.2281220","url":null,"abstract":"Petrit Halilaj's highly sensitive works, ranging from local to universal, are rooted in documents, stories, and memories related to the history of Kosovo. The artist often presents objects, relatio...","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"15 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139762124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}