{"title":"Transmuting Trauma and ‘Alchemiz[ing] Inherited Wounds’: iele paloumpis’s disabled, diasporic choreographies of care","authors":"Kiera Bono","doi":"10.1080/13528165.2023.2321071","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321071","url":null,"abstract":"In the programme notes for the premiere of In place of catastrophe, a clear night sky at Danspace Project in May 2022, choreographer iele paloumpis asks, ‘What vitality allowed our ancestors to sur...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"52 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Through the Lens of Grief: Re-reading performance through pregnancy loss","authors":"Katherine Nolan","doi":"10.1080/13528165.2023.2321074","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321074","url":null,"abstract":"The grief of miscarriage is a disenfranchised form of sorrow (Watson, Jewell and Smith, 2018). Not only is it difficult to grieve an embryo or foetus whose status is culturally contested, the stigm...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"69 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performance, Unknown Otherwise","authors":"Christine Xiong","doi":"10.1080/13528165.2023.2321082","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321082","url":null,"abstract":"Published in Performance Research: A Journal of the Performing Arts (Vol. 28, No. 5, 2023)","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Contributors","authors":"","doi":"10.1080/13528165.2023.2321083","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321083","url":null,"abstract":"Published in Performance Research: A Journal of the Performing Arts (Vol. 28, No. 5, 2023)","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Performing Processions: Premonitions and palimpsests","authors":"Laura Bissell","doi":"10.1080/13528165.2023.2321062","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321062","url":null,"abstract":"Aligning historic modes of public performance and participation with anthropological theory that questions the hegemony of Western linear notions of time, this article considers processional perfor...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"44 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"When Melancholia Turns Black","authors":"Nana Adusei-Poku, Alhena Katsof","doi":"10.1080/13528165.2023.2321055","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321055","url":null,"abstract":"The term Black melancholia - when melancholia turns black - speaks to a profound collective gloom born of insistent socio-historical violence. With it, Dr Nana Adusei-Poku takes the concept of mela...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emotional Weather Reports: Online performance as affective practice in the MonoVlogs of Layeta Bucoy and Olivia Kristine Nieto","authors":"Oscar T. Serquiña JR","doi":"10.1080/13528165.2023.2321056","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321056","url":null,"abstract":"At the height of the COVID-19 pandemic in the Philippines, playwright Layeta Bucoy and performance maker Olivia Kristine Nieto collaborated to produce what they call a MonoVlog. A portmanteau combi...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vivacious and Sad Dances: Yala jama and yala paatey as pre- and post-burial celebrations of the Ga people in Ghana","authors":"Terry Ofosu","doi":"10.1080/13528165.2023.2321075","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321075","url":null,"abstract":"This article investigates the special funeral ceremony of contemporary Ga people in Ghana. It unpacks the culturally controversial practice that are referred to as yala jama and yala paatey (a coin...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Why Do I Keep Crying?","authors":"Matthew De Kersaint Giraudeau","doi":"10.1080/13528165.2023.2321063","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321063","url":null,"abstract":"This article explores how my performance videos Googling Things in Hell 1 (Tammy) & 2 (Daniel) (2021) capture the contradictory nature of emotional performances in surveillance capitalism and conve...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lockdown Theatres of Sadness: Case studies of precarity in artistic work","authors":"Ilinca Todorut","doi":"10.1080/13528165.2023.2321077","DOIUrl":"https://doi.org/10.1080/13528165.2023.2321077","url":null,"abstract":"I look at digital theatre made under the COVID-19 lockdown in Romania – specifically Exeunt, a collective creation directed by Bobi Pricop, POOL (no water), where Radu Nica, Andu Dumitrescu and Vla...","PeriodicalId":45559,"journal":{"name":"PERFORMANCE RESEARCH","volume":"42 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141152074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}