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Journal of Visual Culture最新文献

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Sewing machines and weaving looms: a media archaeological encounter between fashion and film 缝纫机与织布机:时尚与电影的媒介考古相遇
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-12-01 DOI: 10.1177/1470412920964905
W. Strauven
{"title":"Sewing machines and weaving looms: a media archaeological encounter between fashion and film","authors":"W. Strauven","doi":"10.1177/1470412920964905","DOIUrl":"https://doi.org/10.1177/1470412920964905","url":null,"abstract":"This article proposes thinking of media archaeology as an operating table upon which historical, material and technological interconnections between fashion and film are made. By exploring how early cinema and digital film can be coupled to textile as technology, more specifically through the mechanisms of the sewing machine and the Jacquard loom, it extends the historical span from the mid-1890s, with the invention of cinema as projection, to the early 1800s, when computational thinking was successfully implemented as weaving technique. Instead of focusing on film and fashion as means of visual representation, the author relies on the concept of inscription for a better understanding of both cinema (as recording of light and movement) and textile (with its various thread techniques of weaving, stitching, knitting, etc.).","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"362 - 377"},"PeriodicalIF":1.4,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920964905","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48962350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Frances Guerin (ed.), On Not Looking: The Paradox of Contemporary Visual Culture 评论：Frances Guerin主编，《不看：当代视觉文化的悖论》
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-12-01 DOI: 10.1177/1470412920965129
Devapriya Sanyal
{"title":"Review: Frances Guerin (ed.), On Not Looking: The Paradox of Contemporary Visual Culture","authors":"Devapriya Sanyal","doi":"10.1177/1470412920965129","DOIUrl":"https://doi.org/10.1177/1470412920965129","url":null,"abstract":"Frances Guerin’s book is a finely curated labour of love. For a book on visual culture, this is saying something since there are already so many books about this field. However, what distinguishes her book from the others is the fact that she is dealing with ‘not looking’ rather than ‘looking’. The book consists of 11 essays that are divided into 4 pertinent sections, covering diverse topics such as painting, a piece of film which was part of an investigation into homoeroticism in Ohio in the 1960s, sculpture and photography. Drawing on her own scholarship about images and the Holocaust, Guerin presents the motivation for this collection of essays by stating that ‘in light of the immense power given to images by destroying them, together with the weaving of images into political governance and everyday life, we need to find new ways of approaching images and icons’, new ways of ‘recasting notions of contemporary iconoclasm as well as expanding its conception, with the goal of further understanding its ramifications’ (pp. 2–3).","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"430 - 432"},"PeriodicalIF":1.4,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920965129","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44306801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Alice Gorman, Dr Space Junk vs. the Universe: Archaeology and the Future 评论：Alice Gorman，太空垃圾博士与宇宙：考古学与未来
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-12-01 DOI: 10.1177/1470412920965126
Hannah Goodwin
{"title":"Review: Alice Gorman, Dr Space Junk vs. the Universe: Archaeology and the Future","authors":"Hannah Goodwin","doi":"10.1177/1470412920965126","DOIUrl":"https://doi.org/10.1177/1470412920965126","url":null,"abstract":"When we look into the night sky, we look into the past. The light that reaches our eyes from stars has traveled for years, rendering everything we see a trace of how things were at some other point in time. This raises the question of how our own planetary past is preserved and cast outward, a question that has stirred excitement among science fiction writers, astronomers, and archaeologists alike. An entanglement of pastness and futurity is intrinsic to outer space; for while the night sky presents us visually with intermingling pasts, the idea of preservation entails a future into which these pasts are cast.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"422 - 425"},"PeriodicalIF":1.4,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920965126","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46828118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonizing objecthood through 2SQ Indigenous art: Dayna Danger and Jeneen Frei Njootli’s performance, ‘Chases and Tacks’ 通过2SQ土著艺术去殖民化的客体:Dayna Danger和Jeneen Frei Njootli的表演“追逐与追逐”
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-24 DOI: 10.1177/1470412920941898
Sebastian De Line
{"title":"Decolonizing objecthood through 2SQ Indigenous art: Dayna Danger and Jeneen Frei Njootli’s performance, ‘Chases and Tacks’","authors":"Sebastian De Line","doi":"10.1177/1470412920941898","DOIUrl":"https://doi.org/10.1177/1470412920941898","url":null,"abstract":"","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"225-231"},"PeriodicalIF":1.4,"publicationDate":"2020-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920941898","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65412857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The diversity of the middle: mythology in intersectional trans representation 中间的多样性:交叉跨表现中的神话
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920941897
S. Crasnow
{"title":"The diversity of the middle: mythology in intersectional trans representation","authors":"S. Crasnow","doi":"10.1177/1470412920941897","DOIUrl":"https://doi.org/10.1177/1470412920941897","url":null,"abstract":"This article examines the use of mythological hybrid figures in works by two non-binary queer contemporary artists of color. For these artists, the intersection of their ethnic/religious identities and their queer identities leads them to experience a hindrance to full belonging in each of these communities. This results in a feeling of liminality or ‘in-betweenness’. In considering this ‘in-betweenness’ as an intersectional liminality, the author argues that these artists utilize mythological hybrid figures in their work to articulate this experience as one of potential, rather than foreclosure. In so doing, this article seeks to challenge, and possibly transform, the notion of the hybrid as a composite of oftentimes irreconcilable parts one must navigate and move between into a site of creative promise. Rooting this re-evaluation of liminality and hybridity in the verbal and artistic articulations of queer non-binary artists of color centers these voices in the construction of new notions of hybridity and liminality.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"212 - 224"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920941897","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44853522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Dominic Johnson, Unlimited Action: The Performance of Extremity in the 1970s 评论：多米尼克·约翰逊，《无限行动：20世纪70年代极端主义的表现》
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920936581
Y. Howard
{"title":"Review: Dominic Johnson, Unlimited Action: The Performance of Extremity in the 1970s","authors":"Y. Howard","doi":"10.1177/1470412920936581","DOIUrl":"https://doi.org/10.1177/1470412920936581","url":null,"abstract":"","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"304 - 307"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920936581","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49103791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire 评论：汤姆·赖斯，《殖民地电影：电影与大英帝国的保护》
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920936574
Hannah M. Stamler
{"title":"Review: Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire","authors":"Hannah M. Stamler","doi":"10.1177/1470412920936574","DOIUrl":"https://doi.org/10.1177/1470412920936574","url":null,"abstract":"In their 2011 edited volume Useful Cinema, Charles R Acland and Haidee Wasson argue that the majority of cinema scholarship misses an important feature of the medium by focusing on commercial public films. The 20th century, they note, witnessed not only the rise of entertainment cinema but also the creation of a vast universe of what the authors term ‘useful cinema’: educational and instructional films created by schools, public agencies, and private businesses. Such films – played on the walls of classrooms, exhibition halls, and offices – projected a different, yet equally important, vision of cinema’s place and purpose in modern life. Here, the medium was technology more than art: a tool for ‘making, persuading, instructing, demonstrating’ (Acland and Wasson, 2011: 6). To arrive at an accurate understanding of 20th-century film culture, they conclude, scholars must pivot away from theatrical releases and begin to consider film history’s entanglement with institutional history, exploring how cinema was ‘adapted to institutional directives, wielding influence outside of the multiplex and the art house’ (p. 13).","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"312 - 315"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920936574","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41596322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chasing Charley, finding Reed: reaching toward the ghosts of the archive 追逐查理，找到里德：走向档案馆的幽灵
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920944501
KJ Cerankowski
{"title":"Chasing Charley, finding Reed: reaching toward the ghosts of the archive","authors":"KJ Cerankowski","doi":"10.1177/1470412920944501","DOIUrl":"https://doi.org/10.1177/1470412920944501","url":null,"abstract":"The archive consists of memories, documents, and images waiting to be curated into a story. In this article, the author collates archival object encounters into a transgender ‘ghost story’ that marks the impossibility of a straightforward history of the subject, relying instead on embodied encounters with archive objects, or the remnants (ghostly and tangible) of archival subjects. Following the materials of Charley Parkhurst and Reed Erickson, the author makes connections where none previously existed, asking: How do we put life back into the materials of the dead? What do the traces and memories of these ghosts offer the living? What do archive objects activate in the eyes that see them, the ears that listen, and the hearts that race or slow with each haptic encounter? Following these questions, this article pieces together a different kind of narrative history and transition story through the unexpected encounters with the archive and its ghosts.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"293 - 303"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920944501","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49355755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The wavering line of foreground and background: a proposal for the schematic analysis of trans visual culture 前景与背景的摇摆线：对跨视觉文化图式分析的建议
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920944480
Eliza Steinbock
{"title":"The wavering line of foreground and background: a proposal for the schematic analysis of trans visual culture","authors":"Eliza Steinbock","doi":"10.1177/1470412920944480","DOIUrl":"https://doi.org/10.1177/1470412920944480","url":null,"abstract":"This article endeavors to describe the impact of ‘visual essentialism’ as an approach towards trans visual culture, including the violence it enacts and the mistrust it fosters towards self-defining language for gender identities. It borrows Susan Stryker’s insight in her introduction to her Transgender Studies Reader (2006, edited with Stephen Whittle) that trans phenomena move to the foreground when set against an ambient background consisting of gender normative conditions. It extrapolates this visual metaphor for understanding trans in contrast to non-trans into a method to analyze trans visual culture. The author argues that, by focusing on how the figure and ground relate in alignment, or not, the analyst can better examine how the components of visuality are working together to position one’s value-laden perspective on visible transgender and non/trans things. This elaboration along three proposed categories of value, namely political, symbolic and commercial, is offered to better understand and parse the noted problem of trans visibility increasing alongside transphobic violence.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"171 - 183"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920944480","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47530822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Trans men’s stealth aesthetics: navigating penile prosthetics and ‘gender fraud’ 跨性别男性的隐形美学:阴茎假体和“性别欺诈”的导航
IF 1.4 4区 社会学
Journal of Visual Culture Pub Date : 2020-08-01 DOI: 10.1177/1470412920946827
Chris Straayer
{"title":"Trans men’s stealth aesthetics: navigating penile prosthetics and ‘gender fraud’","authors":"Chris Straayer","doi":"10.1177/1470412920946827","DOIUrl":"https://doi.org/10.1177/1470412920946827","url":null,"abstract":"This article examines trans commercial production of penile prosthetics, the efficacy of such products in personal and sex-segregated spaces, and their negative valence in the public sphere. Responding to his own experience of gender dysphoria, Transthetics founder Alex designs and produces products for the reparative and enabling embodiment of trans men. Penile prosthetics reflect the longstanding tension between aesthetics and function in the history of prosthetic limbs. The author posits ‘stealth aesthetics’ as a function-injected realism that pushes into reality via utilization of prosthetics in the performance of real life. For some trans men, the phenomenologically incorporated prosthetic is tantamount to a corporeal penis. Cisnormativity, however, outlaws this equivalence. Recent prosecutions of penile prosthetic embodiment as ‘gender fraud’ punitively restrict trans men’s claim on reality, instead exposing their private bodies to public judgment, where genitals produce gender. By contrast, the author advocates the authorization of gender to produce genitals.","PeriodicalId":45373,"journal":{"name":"Journal of Visual Culture","volume":"19 1","pages":"255 - 271"},"PeriodicalIF":1.4,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1470412920946827","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43040082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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