COMPARATIVE LITERATURE最新文献_第6页

De l’ancienne rhétorique à la pratique du poème en prose ; la poétique de Paul Valéry 从古代修辞学到散文诗歌的实践;保罗的诗学valery

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2023-02-28 DOI: 10.21720/complit89.09

Jae-Ryong Cho

引用次数: 0

The Politics of Plagiarism 抄袭的政治

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989256

Natasha Tanna

{"title":"The Politics of Plagiarism","authors":"Natasha Tanna","doi":"10.1215/00104124-9989256","DOIUrl":"https://doi.org/10.1215/00104124-9989256","url":null,"abstract":"\u0000 This article analyzes queer literary politics and the engagement with cultural precursors in the 1990s and into the twenty-first century in works by Cuban writer Ena Lucía Portela and Argentine writer María Moreno. The lack of a clearly defined tradition of lesbian/queer literature by women in Cuba and Argentina leads these two writers to appropriate or invent their own during periods of increasing liberalization in their respective countries. At first glance, Portela and Moreno’s joyful gestures of what this essay conceptualizes as “creative plagiarism” appear to signal their reveling in a cosmopolitan commons, largely situated in the United States and Europe, via Paris of the années folles (Crazy Years), from which fragments can be drawn to create queer counter-canons. However, the article concludes that through their highly intertextual works both writers reflect critically on the location of the so-called cosmopolitan in queer literary genealogies and on power dynamics and hierarchies among both authors and characters and different creative forms, including academic writing. The article argues that while the diegesis of their texts is largely set outside their local contexts, both writers’ works are deeply located in Cuba and Argentina. Ultimately, Portela and Moreno claim authority for creative writers themselves, as well as their nonliterary cocreators, reflecting critically on literary scholarship.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"40 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74566110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nancy Cunard and the 1930s Coalitional Anthology 南希·库纳德和20世纪30年代的联合选集

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989243

Matthew Beeber

{"title":"Nancy Cunard and the 1930s Coalitional Anthology","authors":"Matthew Beeber","doi":"10.1215/00104124-9989243","DOIUrl":"https://doi.org/10.1215/00104124-9989243","url":null,"abstract":"\u0000 This essay addresses Pablo Neruda and Nancy Cunard’s Spanish Civil War poetry anthology Los poetas del mundo defienden al pueblo espanol alongside Cunard’s earlier anthology, her massive and eclectic Negro: Anthology (1934). I argue that when read alongside Cunard’s later, lesser-known collaboration with Neruda, Negro can be seen as one part of Cunard’s larger trajectory as an editor of coalitional anthologies. Los poetas, an understudied collection of modernist poetry deserving of recovery in its own right, also allows greater perspective of Cunard’s earlier anthology. Reading Negro alongside Los poetas makes clear that the stakes of the project, along with the current academic discourse surrounding Cunard, are rooted in questions of the possibility of coalition. Ultimately, I argue that these anthologies uniquely model within their aesthetic form the organization of the political coalitions they seek to produce. They are coalitional, with the goal of bringing disparate elements into productive harmony, in both aesthetics and praxis. I locate what I call coalitional aesthetics within each volume, simultaneously attesting to the disparity of its constituent parts and to their unity. Coalitional aesthetics do not smooth over incongruities between individual parts but rather emphasize them, insisting on their singularity even within the whole they comprise.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"7 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78363931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Paul de Man’s Flemish

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989230

Birger Vanwesenbeeck

引用次数: 0

Decolonizing Memory: Algeria and the Politics of Testimony 非殖民化记忆:阿尔及利亚与证词政治

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989269

N. Harrison

引用次数: 0

The World’s Literatures 世界文学

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989204

Jane O. Newman, Rona Sadan

{"title":"The World’s Literatures","authors":"Jane O. Newman, Rona Sadan","doi":"10.1215/00104124-9989204","DOIUrl":"https://doi.org/10.1215/00104124-9989204","url":null,"abstract":"\u0000 Erich Auerbach (1892–1957), best known as the author of Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur (1946; Mimesis: The Representation of Reality in Western Literature, 1953), wrote about the eighteenth-century philologist and philosopher of history Giambattista Vico (1668–1744) fifteen times over the course of his life. The translations offered here are among the earliest of these writings. These early essays on Vico refine the picture both of Auerbach himself and of the significance of his work for comparative literary studies today in important ways. First, they allow a reconsideration of the progressivist literary historical secularization thesis often claimed for Auerbach’s oeuvre writ large. Second, they display Auerbach’s early aspiration to reach “ein allgemeineres Publikum” (a more general public) through his work as a “Schriftsteller” (writer). Finally, they open a window onto the Vichian calculus upon which his assessment of the texts discussed in Mimesis may have been based. The modes of representation (Darstellung) Auerbach favored may thus be understood not as part of a restrictive canon but rather as examples of the human “Schauspiel” (drama) and fateful “Lage . . . der Menschen” (human condition) in a world whose literatures reach far beyond the European archive enshrined in Mimesis.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"48 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80620318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

World Literature for the Wretched of the Earth: Anticolonial Aesthetics, Postcolonial Politics 世界文学为地球上的不幸:反殖民美学，后殖民政治

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989282

R. Srinivasan

引用次数: 0

Inflecting the French 法语的变化

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-12-01 DOI: 10.1215/00104124-9989217

Tyler Grand Pre

{"title":"Inflecting the French","authors":"Tyler Grand Pre","doi":"10.1215/00104124-9989217","DOIUrl":"https://doi.org/10.1215/00104124-9989217","url":null,"abstract":"\u0000 Aimé Césaire’s long poem Cahier d’un retour au pays natal is the most expressive example of his ambitious effort “infléchir le français” (“to inflect the French”), as he famously put it in an interview, “pour exprimer, dison: ce moi, ce moi-nègre, ce moi-créole, ce moi-martiniquais, ce moi-antillais” (translated by Brent Edwards, this reads: “in order to express, let’s say: “this I, this nègre-I, this creole-I, this Martinican-I, this Antillean-I”). Many scholars have read the Cahier’s inflection of French language and discourse in terms of its elaborate use of Latinate neologisms, archaic terminology, and typographic wordplay; however, less attention has been given to the implications this poem’s tortuous shifts in address have as a radical critique of the formal desires and ontological exclusions of Enlightenment universalism. Through the way Césaire rearticulates the basic components of grammatical address in a vexed, lyric encounter with the colonial reality of Martinique, he gradually recalibrates the relationship between the poem’s speaker and the African-diasporic community of and beyond Martinique as that between a kind of intersubjective voice of négritude and a globally discursive locus of anticolonialism—what he later calls the “rendez-vous de la conquête” (“convocation of conquest”).","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86545675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Gender-oriented Interpellation and the Dilemma of Women’s Growth —Focusing on Sylvia Plath’s “The Bell Jar” 性别追问与女性成长的困境——以普拉斯的《钟形罩》为例

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-10-31 DOI: 10.21720/complit88.03

Hwa-Young Moon

引用次数: 0

Floating Letters and Space-Time of Exile: Focusing on Anna Seghers’ Transit 漂浮的字母与流放的时空——以安娜·西格斯的《过境》为中心

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-10-31 DOI: 10.21720/complit88.07

Harim Lee

引用次数: 0