Daniel A. Finch-Race, Valentina Gosetti, Greg Kerr
{"title":"Forms of unsiting in factory compositions by Leslie Kaplan and Joseph Ponthus","authors":"Daniel A. Finch-Race, Valentina Gosetti, Greg Kerr","doi":"10.1080/08873631.2023.2295591","DOIUrl":"https://doi.org/10.1080/08873631.2023.2295591","url":null,"abstract":"","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"140 48","pages":""},"PeriodicalIF":0.9,"publicationDate":"2024-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139387535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social geographies: an introduction Social geographies: an introduction , by The Newcastle Social Geographies Collective, Lanham: Rowman & Littlefield, 2021. Xi+426 pp., US$39.95 (paper), ISBN: 978-1-7866-1230-4","authors":"Evan H. Carver","doi":"10.1080/08873631.2023.2295750","DOIUrl":"https://doi.org/10.1080/08873631.2023.2295750","url":null,"abstract":"","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"102 27","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139133667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Using participatory geographic information systems (PGIS) mapping to describe household food access in Buffalo, New York","authors":"Sarah E. Bradley","doi":"10.1080/08873631.2023.2295583","DOIUrl":"https://doi.org/10.1080/08873631.2023.2295583","url":null,"abstract":"","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"52 1","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139153231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The implications of rural praxes legacies in Majorcan urban dance tradition","authors":"Hugo Capellà Miternique, Xisco Dopico","doi":"10.1080/08873631.2023.2255467","DOIUrl":"https://doi.org/10.1080/08873631.2023.2255467","url":null,"abstract":"ABSTRACTThe ball de bot, a folk dance from the Spanish island of Majorca, has generally been documented in the literature and academics from an urban historical perspective. Thus, urban traditions have been slowly imposed over an older rural praxis that urban elites considered dead. This article first demonstrates the social role of the ball de bot from a rural perspective based on living witnesses to the rural praxis. Second, we argue that the spatial perspective (from an urban-based view to a rural-based one) enables us to make a critical revision of the current conception of ball de bot. Finally, this research, beyond the specific case presented here, illustrates the importance of opening new perspectives on dance to move away from accepted historic discourse, and to reconsider rural experiences in order to improve our comprehension of dance.KEYWORDS: Ethnographic practiceurban–rural theoryMajorcan dance Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 In the case of the Balearic Islands, the division between urban and rural is more than just a geographic difference and has historically manifested in deep conflicts in Majorca (such as the Germanies – rural insurrections against urban owners – in the 16th century) (Duran Citation1982). The spatial cultural division of Majorca lies between the urban zone of the Ciutat (the city of Palma) and the rural area of the Part Forana (the hinterland). However, the municipality of Palma includes the outlying region and some rural spaces, the Fora Ciutat, which seems historically closer to the Part Forana. The Part Forana is subdivided into regional zones: the Tramuntana, or mountainous area; the Raiguer, or piedmont area; the Pla, or plains; the Migjorn, or southern area; and the Llevant, or eastern area. Some rural dances differences can be noted at the regional level (e.g., Jota de Llevant or Bolero de Ciutat).2 Ballada in Catalan means public dance in an open place.3 British dance ethnographer Linda Dankworth proposes a periodization of ball de bot, dividing the history of the dance form into four periods: a) from the nineteenth century to 1929, b) from 1930 to 1936, c) from 1939 to 1975, and d) from 1976 to present (see in Dankworth Citation2013, 34).4 One co-author has more than fifty years of experience in Ball de Bot as a dancer and choreographer. He has actively participated in the Federació d’Agrupacions project, and it has also created more than 10 Agrupacions in Fora Ciutat and Part Forana in the last 30 years. The other author is an academic but also a Ball de Bot dancer in Part Forana.5 Ultima hora (12/04/2019): “La mitad de la población de las Islas ha nacido fuera” [Half of Islands population was born abroad] https://www.ultimahora.es/noticias/local/2019/04/12/1072157/mitad-poblacion-islas-nacido-fuera.html.6 Videos showing the different styles of Ciutat and Part Forana:Bolero dels Punts better known as Bolero de Valldemossa at an exhibition by Esco","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134969424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(Un)conventional monuments and transformist identities in the global south: the case of the ice cream and the tuna monuments in Ecuador","authors":"Alejandra Espinosa Andrade","doi":"10.1080/08873631.2023.2251246","DOIUrl":"https://doi.org/10.1080/08873631.2023.2251246","url":null,"abstract":"ABSTRACT This article explores the construction of local monuments in Ecuador and their role in transforming space and identity narratives in order to enter into the global economy. My analysis of two structures, The Ice Cream and The Tuna, which I conceptualise as (un)conventional monuments, focuses on three aspects: the planning and construction process, their relation to the space in which they are situated, and their role in processes of identity narrative construction. As a result of a multidisciplinary analysis that includes field observation, in-depth interviews, and the analysis of documents pertaining to the design and implementation of the structures, I argue that the monuments’ transformation of urban space is not so much a reflection of the local community features as of the authorities’ desire for legitimacy in the eyes of foreign and local visitors in an economic globalised context.","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"40 1","pages":"203 - 228"},"PeriodicalIF":0.9,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45730255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Embracing self and others: encountering animals in Philadelphia murals","authors":"Mario Luis Cardozo","doi":"10.1080/08873631.2023.2250978","DOIUrl":"https://doi.org/10.1080/08873631.2023.2250978","url":null,"abstract":"ABSTRACT Philadelphia, Pennsylvania, has numerous murals that relate expressions of care about different culture groups, nonhuman animals, the local urban ecosystem, and the environment at large. I discuss these themes in journaled encounters with animals in murals while visiting select Philadelphia neighborhoods during several years. My autoethnographic research is based on photography and making connections with the mural subjects, their symbolism, and related urban spaces. I anchor this study in the literatures of therapeutic landscapes and animality discourses in order to examine how animal mural spaces contribute to establishing “therapeutic assemblages”. My analysis draws me to a rich sense of locals’ care about/for humans and nonhumans that are at times perceived as subaltern, and the local and global environments these animals inhabit. I conclude that Philadelphia’s dynamic landscape alternates in taking down and reaffirming therapeutic places as the city is reconfigured by both gentrification and resistance to urban renewal.","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"40 1","pages":"165 - 202"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44346063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Place names: approaches and perspectives in toponymy and toponomastics","authors":"Sergei Basik","doi":"10.1080/08873631.2023.2250673","DOIUrl":"https://doi.org/10.1080/08873631.2023.2250673","url":null,"abstract":"","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"40 1","pages":"255 - 256"},"PeriodicalIF":0.9,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44100945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation","authors":"Sandra E. Williams","doi":"10.1080/08873631.2023.2230697","DOIUrl":"https://doi.org/10.1080/08873631.2023.2230697","url":null,"abstract":"Fast Food is the closest thing the United States has to a national cuisine (albeit as a standardized, industrially produced product antithetical to the very de fi nition of cuisine), and it has helped draw the lines around who belongs and who does not","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"40 1","pages":"162 - 164"},"PeriodicalIF":0.9,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41930265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Walking ethnography: the polyphonies of space in an urban landscape","authors":"Miren Urquijo","doi":"10.1080/08873631.2023.2217395","DOIUrl":"https://doi.org/10.1080/08873631.2023.2217395","url":null,"abstract":"ABSTRACT\u0000 This article has two aims. The first is to reflect on the suitability of walking in ethnography, as a form of embodied and social knowing, where both the sensory and emotional perceptions evoked during the walk and the experiential, analytical and relational knowledge of the spaces traversed allow access to a detailed understanding of ethnohistorical settings. The second is to take an ethnographic view of the practices that produced the city of Donostia-San Sebastián (Basque Country, Spain), illuminating them through three ethnohistorical walking tours. These tours illustrate the gradual destruction of the city’s water landscape, which occurred in parallel with uneven urban development, as well as recent acts of resistance. In this regard, involving both processes in the walking ethnography presented here highlights the potential of walking in reclaiming the right to the city.","PeriodicalId":45137,"journal":{"name":"Journal of Cultural Geography","volume":"40 1","pages":"143 - 161"},"PeriodicalIF":0.9,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42554671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}