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JOURNAL OF MUSIC THEORY最新文献

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Cycles in Webern’s Late Music 韦伯晚期音乐中的循环
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-10-01 DOI: 10.1215/00222909-7127658
B. Moseley
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引用次数: 2
An Eighteenth-Century Theory of Musical Cognition? 18世纪的音乐认知理论?
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-10-01 DOI: 10.1215/00222909-7127670
C. Raz
{"title":"An Eighteenth-Century Theory of Musical Cognition?","authors":"C. Raz","doi":"10.1215/00222909-7127670","DOIUrl":"https://doi.org/10.1215/00222909-7127670","url":null,"abstract":"Among the most exciting aspects of John Holden’s Essay towards a Rational System of Music (1770) is its explicit ambition to explain musical practice by means of a limited set of psychological first principles. Relying primarily on introspection, it nonetheless describes phenomena that we today understand as grouping, chunking, and subjective rhythmicization. In the absence of anything resembling a modern theory of cognition, Holden’s account of how we can perceive music chiefly relies on the actions of posited mental faculties, including attention, memory, imagination, and expectation. These concepts allow him to develop detailed speculations about a range of conscious and unconscious dispositions of perception. This study explicates the Essay ’s speculative theories and contextualizes them both within eighteenth-century music theory and in light of contemporary psychology.","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"15 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74032804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
David Lewin’s “Morgengruß”: Text, Context, Commentary ed. by David Bard-Schwarz and Richard Cohn 大卫·卢因的《摩根格鲁斯:文本、语境、评论》，大卫·巴德-施瓦茨和理查德·科恩主编
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-10-01 DOI: 10.1215/00222909-7127730
Roger Graybill
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引用次数: 0
Improvisation and Collaboration in Anthony Braxton’sComposition 76 安东尼·布拉克斯顿作曲中的即兴与合作76
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-10-01 DOI: 10.1215/00222909-7127682
Paul Steinbeck
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引用次数: 1
Mozart’s Music of Friends: Social Interplay in the Chamber Worksby Edward Klorman 莫扎特的《朋友的音乐:室内乐中的社会互动》作者:爱德华·克洛曼
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-10-01 DOI: 10.1215/00222909-7127706
S. Burnham
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引用次数: 0
Haydn’s impropriety
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI: 10.1215/00222909-4450660
Naomi Waltham-Smith
{"title":"Haydn’s impropriety","authors":"Naomi Waltham-Smith","doi":"10.1215/00222909-4450660","DOIUrl":"https://doi.org/10.1215/00222909-4450660","url":null,"abstract":"Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic convention and particular expression and—following Jacques Derrida’s notion of exappropriation—between proper and improper, and propriety and impropriety.","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"14 1","pages":"119-144"},"PeriodicalIF":1.4,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72942334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Monotonality and Scalar Modulation in Sibelius’s Tapiola 西贝柳斯Tapiola的单调性与标量调制
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI: 10.1215/00222909-4450648
Benedict Taylor
{"title":"Monotonality and Scalar Modulation in Sibelius’s Tapiola","authors":"Benedict Taylor","doi":"10.1215/00222909-4450648","DOIUrl":"https://doi.org/10.1215/00222909-4450648","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"33 1","pages":"85-118"},"PeriodicalIF":1.4,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89792216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Performative Analysis: Reimagining Music Theory for Performance by Jeffrey Swinkin 《表演分析:重新构想表演的音乐理论》杰弗里·斯温金著
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI: 10.1215/00222909-4450733
Edward Klorman
{"title":"Performative Analysis: Reimagining Music Theory for Performance by Jeffrey Swinkin","authors":"Edward Klorman","doi":"10.1215/00222909-4450733","DOIUrl":"https://doi.org/10.1215/00222909-4450733","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"28 1","pages":"155-164"},"PeriodicalIF":1.4,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87991093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory by Carl Schachter 调性分析的艺术:卡尔·沙克特在申克理论中的十二课
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI: 10.1215/00222909-4450721
Kofi Agawu
{"title":"The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory by Carl Schachter","authors":"Kofi Agawu","doi":"10.1215/00222909-4450721","DOIUrl":"https://doi.org/10.1215/00222909-4450721","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"22 1","pages":"145-154"},"PeriodicalIF":1.4,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86991270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gjerdingen’s Schemata Reexamined 重新审视格丁根的图式
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI: 10.1215/00222909-4450636
Gilad Rabinovitch
{"title":"Gjerdingen’s Schemata Reexamined","authors":"Gilad Rabinovitch","doi":"10.1215/00222909-4450636","DOIUrl":"https://doi.org/10.1215/00222909-4450636","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"16 1","pages":"41-84"},"PeriodicalIF":1.4,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87178939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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