NOVEL-A FORUM ON FICTION最新文献_第4页

Ruth Ozeki's Floating World: A Tale for the Time Being's Spiritual Oceanography 露丝·奥泽基的漂浮世界：一个暂时的精神海洋学故事

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624642

A. Glassie

引用次数: 0

Modernity and a Day 现代性与一天

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624715

C. Stan

引用次数: 0

Lines of Fracture, Lines of Flight 断裂线，飞行线

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624751

D. Glover

引用次数: 0

Letters and the Contemporary Novel: Materiality and Metaphor in Ian McEwan's The Children Act 书信与当代小说:伊恩·麦克尤恩《儿童法案》中的物质性与隐喻

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-11-01 DOI: 10.1215/00295132-8624570

K. Wilkinson

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引用次数: 0

Words, Everyday and Key 单词，日常和关键

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309713

S. Waldschmidt

引用次数: 0

“Still There”: (Dis)engaging with Dickens's Minor Characters 《依然在那里》：（Dis）与狄更斯的次要人物互动

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309551

Kristen H. Starkowski

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引用次数: 1

The Cybernetic Victorians 控制论的维多利亚时代

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309695

Marta Figlerowicz

引用次数: 0

Untimely Love: The Aesthetics and Politics of Anachronism in The Age of Innocence 不合时宜的爱：纯真年代的不合时宜主义美学与政治

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309605

John Sampson

{"title":"Untimely Love: The Aesthetics and Politics of Anachronism in The Age of Innocence","authors":"John Sampson","doi":"10.1215/00295132-8309605","DOIUrl":"https://doi.org/10.1215/00295132-8309605","url":null,"abstract":"\u0000 “Untimely Love” reassesses the aesthetic choices and political implications of Edith Wharton's The Age of Innocence (1920), first by highlighting a surprising overlap between Wharton and the anarcho-feminist Emma Goldman. Wharton's novelistic critique of New York society's marriage rituals, spurred by an unconsummated affair between Newland Archer and his wife's cousin Ellen Olenska, follows Goldman in positing an antagonism between the hierarchies of marriage and the equalizing nature of love. For Wharton, however, this antagonism will not be resolved with free love one day triumphing. To explain her position, the article turns to Jacques Rancière's unresolvable antagonism between “politics” and “the police,” which has an aesthetic analogue in the clash between the formally anarchic modern novel and premodern hierarchies of genre. Wharton unearths 1870s New York like an archeologist to expose how its patriarchal logic polices women's sexuality within and outside marriage, making expressions of love quite rare. Wharton unleashes the disruptive power of love through formal experimentation, temporarily subverting her own historical realism, when she has Ellen and Archer visit the Metropolitan Museum of Art in Central Park, which did not yet exist in the novel's timeframe. The Met's impossible location and its uncataloged holdings open to public viewing upset New York's social and aesthetic hierarchies. It is in this anachronistic and democratic context that Archer first sees “love visible” in the world, rearranging his entire worldview. Wharton, in a related political gesture of aesthetic dissensus, aligns her untimely lovers with the museum's suddenly visible ghosts of history.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":"53 1","pages":"254-273"},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44915751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Matter of Aesthetic Experience 审美经验的问题

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309641

A. Gibson

引用次数: 0

Casting Shadows at Chesney Wold: Empty-House-Time and Realism in the British Novel 《给切斯尼·沃尔德投阴影》：英国小说中的空屋时间与现实主义

IF 0.3 2区文学

NOVEL-A FORUM ON FICTION Pub Date : 2020-08-01 DOI: 10.1215/00295132-8309533

Laura Strout

{"title":"Casting Shadows at Chesney Wold: Empty-House-Time and Realism in the British Novel","authors":"Laura Strout","doi":"10.1215/00295132-8309533","DOIUrl":"https://doi.org/10.1215/00295132-8309533","url":null,"abstract":"\u0000 What insights into literary realism can be found by dwelling in the empty rooms and abandoned spaces of Bleak House, a novel more often read for its representation of overcrowded environments? Traveling between and imaginatively inhabiting empty houses of Charles Dickens's and Virginia Woolf's construction, this article proposes empty-house-time as a distinctive narrative chronotope, one that nineteenth- and twentieth-century British writers use to investigate the processes of realist fiction, especially its affective dimensions. Taking the character-less built environment as a figure for the novel form, the article shows that the chromatic present that characterizes narratives of spaces like Chesney Wold when the Dedlocks are absent throws into flux boundaries between the fictional and the real, the reader and the world of the text, and different modes of imagining. It opens up continuums along which strategies of realist characterization and world-building are dramatized and interrogated. Most powerfully, empty-house-time reveals how affects associated with imagining the world going on without you shape encounters with fiction. Identifying the vital, ongoing existence of unoccupied rooms in Dickens's writing can in turn revitalize studies of the relationship between Victorian and modernist novels and theories of realism. This article concludes by turning to the Ramsays’ abandoned coastal home in To the Lighthouse, in which Woolf, like Dickens, links an interrogation of realist fictionality to a historically specific reimagining of the household.","PeriodicalId":44981,"journal":{"name":"NOVEL-A FORUM ON FICTION","volume":"53 1","pages":"165-192"},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48720511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0