{"title":"Reconstructing Lewis Carroll's Looking Glass","authors":"J. Hansen","doi":"10.17077/2168-569X.1346","DOIUrl":"https://doi.org/10.17077/2168-569X.1346","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124187845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Cue the Sun\": Soundings from Millennial Suburbia","authors":"Robert Beuka","doi":"10.17077/2168-569X.1039","DOIUrl":"https://doi.org/10.17077/2168-569X.1039","url":null,"abstract":"In a crucial scene from Peter Weir’s hit 1998 film The Truman Show, protagonist Truman Burbank (Jim Carrey), after discovering that his picture-perfect suburban existence not only seems to be the stuff of TV situation comedy but in fact is so, makes a break for freedom. As Truman attempts to escape his imprisoning soundstage suburban world under the cover of night, his omnipotent foe, the creator/ director of “The Truman Show” Christof (Ed Harris), directs his minions to “cue the sun” and flood the area with sunlight, even though it is the middle of the night. A climactic moment of sorts, Christof s order—and the wee-hours sunrise that fol lows—makes plain the utter artificiality of Truman’s universe, while at the same time highlighting the forces massed to keep Truman in his place. Read metaphori cally, this sequence in Weir’s film depicts suburbia not only as an artificial recon struction of small-town America but also, more tellingly, as a landscape of impris onment and control. And while the conceit of The Truman Show may have been clever (if not, perhaps, entirely original—as fans of Philip K. Dick’s 1959 novel Time Out of Joint might argue), its thematic message was by no means unique: indeed, American fiction and films from the past half-century that depict the suburbs have painted a consistently negative portrayal of this environment. Almost without fail, the major novels, stories, and films chronicling suburban life have envisioned sub urbia as a contrived, dispiriting, and alienating place. Even today, at a time when","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124437619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wittgenstein’s Ladder: Poetic Language and the Strangeness of the Ordinary. By Marjorie Perloff","authors":"J. Craig","doi":"10.17077/2168-569X.1342","DOIUrl":"https://doi.org/10.17077/2168-569X.1342","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114615448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Words of Light: Theses on the Photography of History by Eduardo Cadava","authors":"Sean Ross Meehan","doi":"10.17077/2168-569X.1278","DOIUrl":"https://doi.org/10.17077/2168-569X.1278","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114791844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Home From Half Moon Lake","authors":"Peter Orner","doi":"10.17077/2168-569X.1263","DOIUrl":"https://doi.org/10.17077/2168-569X.1263","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114834075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Showman Theory of History","authors":"L. Glass","doi":"10.17077/2168-569X.1049","DOIUrl":"https://doi.org/10.17077/2168-569X.1049","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116240333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cul-de-Sac nightmares: Representations of Californian Suburbia in Science Fiction During the 1950s and '60s","authors":"James B. Mitchell","doi":"10.17077/2168-569X.1036","DOIUrl":"https://doi.org/10.17077/2168-569X.1036","url":null,"abstract":"We can better understand twentieth-century American suburbs by situating and examining the fantasies they engender within specific practices of cultural produc tion and consumption. Studying post-World War II suburbia as it appears in science fiction, a hugely popular multimedia genre that includes films, literature, and numerous other cultural expressions, can offer us productive insights into American culture as it is both imagined and lived. Science fiction (SF) texts not only provide us with glimpses into the ways in which these communities imaginatively construct identities and mythologies for themselves, but these narratives also, by virtue of their meticulous attention to detail, serve as rhetorical and cultural arti facts of lived experience. Indeed, in the latter half of the twentieth century American suburbia and science fiction have become inseparable—for the former is the lived experience of an imagined place brought to fruition in the dawn of the atomic age, while the latter is an aesthetic response to the uncanny conditions of living in a post-urban space. Postwar science fiction, with its satirical observations of society and inherently destabilizing, defamiliarizing narrative strategies, captures the alien ating, disconnected sense of suburban synthetic communities in a way that no other cultural expression of this period approximates.1 Nowhere is this dynamic between SF and suburbia more compelling than in the Southern California municipalities that developed during and after World War II. This inquiry will briefly consider why the Southern California cultural climate of this era proved so hospitable to SF before examining some small towns and suburbs as","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116263144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In the Silence of Others' Voices","authors":"L. Phillips","doi":"10.17077/2168-569X.1192","DOIUrl":"https://doi.org/10.17077/2168-569X.1192","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123555868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
D. Heckman, Sarah Hildebrandt, R. Varner, Matthew Wolf‐Meyer
{"title":"Burn this Journal!: Reconstruction, the Value of Information, and the Future of the Journal","authors":"D. Heckman, Sarah Hildebrandt, R. Varner, Matthew Wolf‐Meyer","doi":"10.17077/2168-569X.1005","DOIUrl":"https://doi.org/10.17077/2168-569X.1005","url":null,"abstract":"","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117041380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poetries, Micropoetries, Micropoetics","authors":"Maria Damon","doi":"10.17077/2168-569X.1075","DOIUrl":"https://doi.org/10.17077/2168-569X.1075","url":null,"abstract":"Ephemera, doggerel, fragments, “weird English” (props to Evelyn Ch’ien), graffiti, community and individual survival—ecriture brute, folk letters, textile patterns evocative of “writing”; naive lettrism (as well as belletrisme and lettrisme brute); wise oraliture, gnomic thought-bytes and lyrical bullets, clairaudient visitations with a hermeneutic spin—traces of (in)decipherability; banality morphed into something more—","PeriodicalId":448595,"journal":{"name":"The Iowa Journal of Cultural Studies","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125742571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}