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Souls Forum: The Black AIDS Epidemic 灵魂论坛:黑人艾滋病流行
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1705062
M. Bailey, Darius Bost, Jennifer Brier, Angelique C. Harris, Johnnie Ray Kornegay, Linda Villarosa, Dagmawi Woubshet, Marissa Miller, D. Hines
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引用次数: 2
“Tiger Mandingo,” a Tardily Regretful Prosecutor, and the “Viral Underclass” “泰格·曼丁戈”，一个迟迟后悔的检察官，以及“病毒般的下层阶级”
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697159
S. Thrasher
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引用次数: 2
Black Harm Reduction Politics in the Early Philadelphia Epidemic 早期费城流行病中的黑人减害政治
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697131
J. T. Roane
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引用次数: 3
Interview with Celeste Watkins-Hayes Celeste Watkins Hayes访谈录
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697155
M. Bailey, Darius Bost
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引用次数: 1
Black Lesbian Feminist Intellectuals and the Struggle against HIV/AIDS 黑人女同性恋、女权主义知识分子与抗击艾滋病的斗争
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697151
Darius Bost
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引用次数: 1
Requiem for a Sunbeam 《向日安魂曲》
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697130
Johari Jabir
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引用次数: 0
Live and Let Die: Rethinking Secondary Marginalization in the 21st Century 生与死:重新思考21世纪的二次边缘化
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1697152
Lester Spence
{"title":"Live and Let Die: Rethinking Secondary Marginalization in the 21st Century","authors":"Lester Spence","doi":"10.1080/10999949.2019.1697152","DOIUrl":"https://doi.org/10.1080/10999949.2019.1697152","url":null,"abstract":"","PeriodicalId":44850,"journal":{"name":"Souls","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10999949.2019.1697152","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49072508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Brad Johnson Tape, X - On Subjugation, 2017 Brad Johnson磁带，X-论Subjugate，2017
IF 0.2 4区 哲学
Souls Pub Date : 2019-07-03 DOI: 10.1080/10999949.2019.1701342
Tiona Nekkia McClodden
{"title":"The Brad Johnson Tape, X - On Subjugation, 2017","authors":"Tiona Nekkia McClodden","doi":"10.1080/10999949.2019.1701342","DOIUrl":"https://doi.org/10.1080/10999949.2019.1701342","url":null,"abstract":"","PeriodicalId":44850,"journal":{"name":"Souls","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10999949.2019.1701342","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47099402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“RUN, JUMP, OR SHUFFLE ARE ALL THE SAME WHEN YOU DO IT FOR THE MAN!”: The OPHR, Black Power, and the Boycott of the 1968 NYAC Meet “当你为男人做这件事时，跑步、跳跃或SHUFFLE都是一样的！”：1968年NYAC会议的OPHR、黑人力量和抵制
IF 0.2 4区 哲学
Souls Pub Date : 2019-01-02 DOI: 10.1080/10999949.2018.1543998
Dexter L. Blackman
{"title":"“RUN, JUMP, OR SHUFFLE ARE ALL THE SAME WHEN YOU DO IT FOR THE MAN!”: The OPHR, Black Power, and the Boycott of the 1968 NYAC Meet","authors":"Dexter L. Blackman","doi":"10.1080/10999949.2018.1543998","DOIUrl":"https://doi.org/10.1080/10999949.2018.1543998","url":null,"abstract":"The article examines black activists' use of sports and protest in the 1960s to elaborate on the meaning of black advancement in the period, especially Black Power. Mainstream opponents labeled scholar-activist Harry Edwards a \"black militant\" for initiating the Olympic Project for Human Rights (OPHR), a black boycott campaign of the 1968 Olympics. As part of a plan to counter that repression and attract supporters and provide the OPHR a media platform, Edwards launched a boycott of the New York Athletic Club (NYAC) track meet in February 1968. While opponents and scholars concluded that Edwards's threats of violence were the primary reason the NYAC boycott succeeded, the article demonstrates that it succeeded because of the Black Power agenda of raising awareness of the need to combat \"institutionalized racism.\" Consequently, the NYAC garnered the OPHR significant credibility and more allies and allowed Edwards to continue campaigning for an Olympic boycott. Worried opponents, however, continued to label Edwards and blacks' use of protests in sports militant. Consequently, because of the media and other opponents’ dominance, the meaning of the protest against the NYAC, blacks use of protest in sports, and Black Power continue to be demonized and distorted.","PeriodicalId":44850,"journal":{"name":"Souls","volume":"21 1","pages":"52 - 76"},"PeriodicalIF":0.2,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10999949.2018.1543998","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44422799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Starting Something: Synthesizers and Rhythmic Reorientations in Michael Jackson’s “Billie Jean” 起点：迈克尔·杰克逊《比利·让》中的合成器与节奏调整
IF 0.2 4区 哲学
Souls Pub Date : 2019-01-02 DOI: 10.1080/10999949.2019.1612545
Christine Capetola
{"title":"Starting Something: Synthesizers and Rhythmic Reorientations in Michael Jackson’s “Billie Jean”","authors":"Christine Capetola","doi":"10.1080/10999949.2019.1612545","DOIUrl":"https://doi.org/10.1080/10999949.2019.1612545","url":null,"abstract":"In 1983, Michael Jackson brought the world to its feet by spinning into the moonwalk while performing “Billie Jean” on live television during the Motown 25 special. In this article, I chart how the analog synthesizers in “Billie Jean” both helped facilitate Jackson's movement towards black futurity and connected him back to black rhythmic histories encapsulated in disco and funk. By unpacking how he moves with and against these synthesizers in the music video and subsequent live performance, I consider the ways in which this relatively new musical technology allowed Jackson to transmit a black queer phenomenology to his audiences.","PeriodicalId":44850,"journal":{"name":"Souls","volume":"21 1","pages":"77 - 95"},"PeriodicalIF":0.2,"publicationDate":"2019-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10999949.2019.1612545","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45891501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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