Figurations and Sensations of the Unseen in Judaism, Christianity and Islam最新文献

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Figuration and ‘Aesthetics of the Sublime’: Aspects of Their Interplay in Christian Art 形象与“崇高美学”:它们在基督教艺术中的相互作用
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0023
Else Marie Bukdahl
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引用次数: 2
Real Absence: Imagining God in Turco-Persian Book Arts, 1300–1600 ce 真正的缺席:1300-1600年土耳其-波斯书籍艺术中的想象上帝
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0015
C. Gruber
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引用次数: 3
Aesthetic Sensations of Mary: The Miraculous Icon of Meryem Ana and the Dynamics of Interreligious Relations in Antakya 玛丽的美感:梅耶姆·阿娜的神像与安塔基亚宗教间关系的动态
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0017
Jens Kreinath
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引用次数: 0
Visual Images in Medieval Jewish Culture before the Age of Art 艺术时代前中世纪犹太文化中的视觉形象
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0014
K. Bland
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引用次数: 0
Introduction: Figurations and Sensations of the Unseen in Judaism, Christianity and Islam 导言:犹太教、基督教和伊斯兰教中未见事物的形象和感觉
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0006
B. Meyer
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引用次数: 2
Afterword: The Visual Culture of Revelation 后记:启示的视觉文化
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam Pub Date : 1900-01-01 DOI: 10.5040/9781350078666.0026
Davis Morgan
{"title":"Afterword: The Visual Culture of Revelation","authors":"Davis Morgan","doi":"10.5040/9781350078666.0026","DOIUrl":"https://doi.org/10.5040/9781350078666.0026","url":null,"abstract":"Th e chapters comprising this book have productively explored a host of interrelated themes – imagination, sensation, fi guration, images, the destruction or banning of images, and the aesthetics of perception and feeling that organize this range of experience. Attentive readers will not have missed that a golden thread running through the fabric of work is embodiment as a fundamental feature of the three religions that occupy the authors: Judaism, Christianity and Islam. To be sure, the traditions diff er from one another in important ways on the treatment of the body as a culturally conditioned and historically constructed set of sensibilities and aff ordances. But in every case, the dynamics of sensation and representation, the use of and anxiety about imagery, and the forms of perception and imagination produce the matrix in which the sacred takes shape, in particular, how both transcendence and revelation are understood to operate. fi the separation the divine.","PeriodicalId":448159,"journal":{"name":"Figurations and Sensations of the Unseen in Judaism, Christianity and Islam","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130464095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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