{"title":"How Wild Can It Be?","authors":"N. Reich","doi":"10.1215/23289252-9613005","DOIUrl":"https://doi.org/10.1215/23289252-9613005","url":null,"abstract":"","PeriodicalId":44767,"journal":{"name":"TSQ-Transgender Studies Quarterly","volume":"32 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78282068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dancing out of Time","authors":"M. Wolff","doi":"10.1215/23289252-9612935","DOIUrl":"https://doi.org/10.1215/23289252-9612935","url":null,"abstract":"","PeriodicalId":44767,"journal":{"name":"TSQ-Transgender Studies Quarterly","volume":"4 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73522001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Strange Tensions","authors":"Quincy Meyers","doi":"10.1215/23289252-9612851","DOIUrl":"https://doi.org/10.1215/23289252-9612851","url":null,"abstract":"\u0000 This article analyzes the history of trans identities and intersex subjectivities to understand intersex and trans intercommunity relations and identify coalitional strategies. Citing Black and postcolonial studies scholars such as Riley C. Snorton and Zine Magubane, it concludes that trans identity and intersex subjectivity share a colonial racial history. Specifically, it builds on Snorton's “analysis of gender as a racial arrangement wherein the fungibility of captive flesh produced a context for understanding sex and gender as mutable and subject to rearrangement in medicine and law” to account for how the same racial arrangement of gender also formed intersex subjectivity. Trans identity and intersex subjectivity, then, have roots in colonialism and slavery, and the ungendering of Black flesh made interchangeable goods. This history has left a legacy of intercommunity tension in the form of whiteness. Consequently, addressing sex/gender as a racial arrangement is necessary to address tensions and build coalitions.","PeriodicalId":44767,"journal":{"name":"TSQ-Transgender Studies Quarterly","volume":"28 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81985375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"We Call Them Bandos","authors":"S. Whitley","doi":"10.1215/23289252-9612949","DOIUrl":"https://doi.org/10.1215/23289252-9612949","url":null,"abstract":"\u0000 This article explores the impact of the subprime foreclosure crisis on black transgender women in Baltimore, Maryland, by thinking with Project 42, a series of art installations curated by trans artist Molly Jae Vaughan that memorializes forty-two trans murder victims in the United States. Focusing on the project's memorialization of the late Tyra Trent, a black transgender woman who was murdered in a city-owned vacant property in the Central Park Heights neighborhood, the essay considers the textile design of Project 42’s “memorial garment” for Tyra Trent, which includes a pattern with the abstraction of the Google Earth imaging of the murder location, and black trans dance artist Aísha Noir's performance in the honorary dress as a collaborator with Vaughan for Project 42 installations. What follows is a political reflection at the intersection of black feminism, economic geography, and urban planning that demonstrates how black transfeminist worldmaking invites us to “revitalize” or replace traditional urban planning projects and challenge gendered racial capitalism.","PeriodicalId":44767,"journal":{"name":"TSQ-Transgender Studies Quarterly","volume":"74 3 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79630974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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