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The Kinks. Songs of the Semi-Detached 金克斯。半独立的歌曲
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2020-05-03 DOI: 10.1080/17406315.2020.1863174
Richard J. Harris
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引用次数: 1
SHOW APARTMENTS AS ‘AESTHETIC TRAPS’: RISK, ENCHANTMENT AND ILLUSORY HOMES IN LONDON’S OLYMPIC PARK 将公寓视为审美陷阱:伦敦奥林匹克公园的风险、魅力与虚幻家园
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2020-01-02 DOI: 10.1080/17406315.2020.1777629
Saffron Woodcraft
{"title":"SHOW APARTMENTS AS ‘AESTHETIC TRAPS’: RISK, ENCHANTMENT AND ILLUSORY HOMES IN LONDON’S OLYMPIC PARK","authors":"Saffron Woodcraft","doi":"10.1080/17406315.2020.1777629","DOIUrl":"https://doi.org/10.1080/17406315.2020.1777629","url":null,"abstract":"Abstract This article offers a new analysis of the ‘show apartment’ as a device to disguise the power imbalance between prospective buyers of new off-plan homes and the global network of institutions that drive property development and mortgage-finance industries. Applying Gell’s notion of the ‘aesthetic trap’ to an ethnographic account of show apartments in a new neighbourhood in London’s Olympic Park, the article demonstrates how show apartments are an illusory form at the apex of a process of risk and commodification that disguises and normalises the risks to which potential homeowners are exposed.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"17 1","pages":"21 - 43"},"PeriodicalIF":0.4,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2020.1777629","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49113025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Dwellers that do not Belong, Dwellings that no Longer Exist: Staging Hotel Interiors and (Unhomely) Domesticity in Experimental Documentary Film 不属于自己的居住者,不再存在的住所:在实验纪录片中展示酒店内部和(不寻常的)家庭生活
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2020-01-02 DOI: 10.1080/17406315.2020.1757382
Kornelia Boczkowska
{"title":"Dwellers that do not Belong, Dwellings that no Longer Exist: Staging Hotel Interiors and (Unhomely) Domesticity in Experimental Documentary Film","authors":"Kornelia Boczkowska","doi":"10.1080/17406315.2020.1757382","DOIUrl":"https://doi.org/10.1080/17406315.2020.1757382","url":null,"abstract":"Abstract Commonly known as non-places or stopping places, hotels create their own sense of domesticity and seclusion, simultaneously invoking an uncanny screen presence due to their non-contradictory nature. Likewise, this article builds on the theory of an architectural uncanny and weirdness to analyze how Chantal Akerman’s Hôtel Monterey and Pat O’Neill’s The Decay of Fiction delineate interior spaces to evoke an (un)homely domesticity and (un)belonging human presence. In particular, to prioritize the hotel architecture, Akerman relies on a partial and fragmentary representation of interiors, whose larger picture is always beyond spectators’ vision, and O’Neill’s creates an engrossing tension between haptic visuality and optical perception, which gives rise to the fetishism of decay. Consequently, while Hôtel Monterey’s indoor architecture presents a spectacle of largely mute, impenetrable spaces with no or little human interaction, The Decay of Fiction’s domestic spaces form a permeable layer through which shadowy figures continuously enact their fictional roles.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"17 1","pages":"1 - 20"},"PeriodicalIF":0.4,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2020.1757382","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48784097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hard Graft? The Office Chair as a Site for Decorative Art Interventions 艰苦奋斗?办公椅作为装饰艺术介入的场所
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-12-14 DOI: 10.1080/17406315.2019.1699737
S. Horton
{"title":"Hard Graft? The Office Chair as a Site for Decorative Art Interventions","authors":"S. Horton","doi":"10.1080/17406315.2019.1699737","DOIUrl":"https://doi.org/10.1080/17406315.2019.1699737","url":null,"abstract":"ABSTRACTAs everyday life increasingly conflates home and work, the boundaries between the domestic and the workplace become ever more blurred. The practice-led research presented here tested the ab...","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2019.1699737","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47953726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Making of Home and History The Revival of the Fin de Siècle Architecture 家与历史的创造——Fin de Siècle建筑的复兴
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-12-14 DOI: 10.1080/17406315.2019.1699736
Maja Willén
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引用次数: 1
Between State and Family: Discussion on the Segregation and Integration of the Daily Living Space within Shanghai Historic Lane Neighborhood 在国家与家庭之间:上海历史弄堂邻里日常生活空间的隔离与融合探讨
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-09-02 DOI: 10.1080/17406315.2020.1752550
Xiang Zhou, Yuning Cheng
{"title":"Between State and Family: Discussion on the Segregation and Integration of the Daily Living Space within Shanghai Historic Lane Neighborhood","authors":"Xiang Zhou, Yuning Cheng","doi":"10.1080/17406315.2020.1752550","DOIUrl":"https://doi.org/10.1080/17406315.2020.1752550","url":null,"abstract":"Abstract Based on the phenomenon of social segregation that commonly appears in contemporary cities, the article points out the peculiar problem of adjacent segregation that currently occurs in the historic lane neighborhood of Shanghai. By discussing the dialectical relation between adjacent segregation and mixed habitation, it indicates physical proximity does not necessarily result in social mix. After that, by taking the lane neighborhood in Hongkou creek area as the research object, the article streamlines its historical transition. Meanwhile, through the measurements of community cognitive domain and daily spatial utilization pattern, the article explores residents’ perception of ‘three discrepant worlds’ of Hongkou creek area. Then, by confirming the social value of daily living space, the article summarizes the organization mechanism on account of community cohesion from the perspective of the state and the family. Finally, it concludes that the maintenance of daily living space on the material level and the support of community empowerment on the social level are a viable solution for the historic lane neighborhood to redress the adjacent segregation and unify public space against the context of rapid urbanization.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"163 - 190"},"PeriodicalIF":0.4,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2020.1752550","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42648835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Spaces of Contemporary Horror: Poverty and Social Exclusion as 21st Century Spectres” 当代恐怖空间:21世纪幽灵般的贫穷与社会排斥
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-09-02 DOI: 10.1080/17406315.2020.1757380
A. Serrano
{"title":"“Spaces of Contemporary Horror: Poverty and Social Exclusion as 21st Century Spectres”","authors":"A. Serrano","doi":"10.1080/17406315.2020.1757380","DOIUrl":"https://doi.org/10.1080/17406315.2020.1757380","url":null,"abstract":"This research explores the connections between the recent economic crisis and the contemporary horror film. To this end, I begin with a theoretical examination of the symbolic function of two key m...","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"191-211"},"PeriodicalIF":0.4,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2020.1757380","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60445942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Homeliness in Health Care: The Role of Everyday Designing 卫生保健中的居家:日常设计的作用
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-09-02 DOI: 10.1080/17406315.2020.1757381
Melisa Duque, S. Pink, Shanti Sumartojo, L. Vaughan
{"title":"Homeliness in Health Care: The Role of Everyday Designing","authors":"Melisa Duque, S. Pink, Shanti Sumartojo, L. Vaughan","doi":"10.1080/17406315.2020.1757381","DOIUrl":"https://doi.org/10.1080/17406315.2020.1757381","url":null,"abstract":"Abstract This article examines how a sense of home can be created in complex clinical healthcare contexts for vulnerable patients. While existing research in this field focuses mainly on patient experience, we take a design anthropological approach to advance the discussion by examining how healthcare staff participate as “everyday designers,” who improvise to create circumstances for homeliness. We draw on ethnographic research undertaken in the Older Persons Unit (OPU) of a Psychiatric Department, before and after the Unit’s move from an older facility to a newly built large regional hospital in Australia. We propose that the ongoing everyday designing of homeliness by hospital staff, in collaboration with patients, is an element of care that contributes significantly to bringing the feeling of “home,” and the sense of comfort associated with it, into a clinical environment.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"213 - 232"},"PeriodicalIF":0.4,"publicationDate":"2019-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2020.1757381","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43867213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 13
Homemaking in a Living Laboratory: Interpretations of a Zero Emission Housing Solution 生活实验室的家庭制作:零排放住房解决方案的解读
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-05-04 DOI: 10.1080/17406315.2019.1759939
R. Woods, M. Korsnes
{"title":"Homemaking in a Living Laboratory: Interpretations of a Zero Emission Housing Solution","authors":"R. Woods, M. Korsnes","doi":"10.1080/17406315.2019.1759939","DOIUrl":"https://doi.org/10.1080/17406315.2019.1759939","url":null,"abstract":"Abstract A zero emission building (ZEB), as defined by the Research Centre on Zero Emission Buildings (ZEB Centre) in Norway, is one solution towards achieving the aims set by the Paris Climate Agreement on dramatically reducing carbon emissions. The structure for a zero emission building includes a variety of technical strategies such as passive and active energy design and renewable energy sources, and is currently under development and testing. Many of the future ZEBs will become homes, implying a change in the use and understanding by those living there. Based on the response from six residential groups who lived in ZEB Living Lab, this paper studies how zero-emission housing technology impacts the use and understanding of it as a home. The paper presents two different interpretations, one that felt at home, and one that did not, and discusses the reasons and implications on the wider use and introduction of this kind of housing technology in Norway.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"135 - 155"},"PeriodicalIF":0.4,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2019.1759939","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48991130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Princesses Versus Maids: Domesticating Electricity in the Early Republican Period in Turkey 公主与少女:土耳其共和国早期的电力本土化
IF 0.4 4区 艺术学
Home Cultures Pub Date : 2019-05-04 DOI: 10.1080/17406315.2019.1759935
Bahar Emgin
{"title":"Princesses Versus Maids: Domesticating Electricity in the Early Republican Period in Turkey","authors":"Bahar Emgin","doi":"10.1080/17406315.2019.1759935","DOIUrl":"https://doi.org/10.1080/17406315.2019.1759935","url":null,"abstract":"Abstract This article is concerned with the question of how electricity was introduced into the home in Turkey during a period when electrification of the country ran in parallel with the establishment of the new republic. Republican discourses of modernization and progress attributed electricity a symbolic transformative power. Yet, the robust power of electricity had to be domesticated before it was introduced into the homes to comply with the ideal of modern home. Visual representations of electricity constituted a crucial step in this process of domestication. To figure out the visual strategies of domestication the study focuses on the representations of electricity produced by prominent mediators of domestic electricity during the period. These include the bi-monthly publication of İstanbul’s electric provider Société Anonyme d’Installations Eléctriques (SATIE) named Ameli Elektrik and prominent women’s and family magazines of the period, which are Yedigün and Ev-İş. Dwelling on advertisement images, cover illustrations and promotional pieces, this article identifies two main visual strategies of domestication, namely mythification and anthropomorphization. Throughout the text it is argued that visual representations of electricity for residential users undermined the quasi-neutral definition of electricity as a modern power and rather worked to frame electricity as a means of distinction and pictured a pretentious modernity.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"109 - 133"},"PeriodicalIF":0.4,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2019.1759935","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46097060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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