Home Cultures最新文献_第4页

Feeling at Home with Anymals in Old Norse Sources 古斯堪的纳维亚语中动物的家的感觉

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-19 DOI: 10.1080/17406315.2021.1963622

H. Tang

引用次数: 0

Migrant Housing. Architecture, Dwelling, Migration 农民工住房。建筑，居住，移民

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-15 DOI: 10.1080/17406315.2020.1954400

C. Popescu

引用次数: 0

The In-Home Use of Medications: In Pursuit of Design-Driven Knowledge 药物在家使用：追求设计驱动的知识

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-15 DOI: 10.1080/17406315.2021.1916225

S. Pizzocaro, A. Penati

引用次数: 0

A House and its Atmosphere 房子及其氛围

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-15 DOI: 10.1080/17406315.2020.1954401

D. Littlefield

引用次数: 0

Shared Spaces, Practices And Mobilities: Pet–Human Life in Modern Finnish Homes 共享空间、实践和行动：现代芬兰家庭中的宠物-人类生活

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-13 DOI: 10.1080/17406315.2021.1963611

Nora Schuurman, T. Syrjämaa

引用次数: 3

Animals and Home: Introduction to Special Issue 动物与家:特刊导论

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-13 DOI: 10.1080/17406315.2021.1968671

Jane Hamlett, J. Strange

引用次数: 0

Making A Martian Home: Finding Humans On Mars Through Utopian Architecture 建造火星家园：通过乌托邦建筑在火星上寻找人类

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-13 DOI: 10.1080/17406315.2021.1962136

D. Jeevendrampillai, A. Parkhurst

{"title":"Making A Martian Home: Finding Humans On Mars Through Utopian Architecture","authors":"D. Jeevendrampillai, A. Parkhurst","doi":"10.1080/17406315.2021.1962136","DOIUrl":"https://doi.org/10.1080/17406315.2021.1962136","url":null,"abstract":"Abstract A renewed public and state interest in space exploration in recent years, coupled with technological advancements in rocket science and architectural systems, has made design and engineering initiatives for Martian living tangible and urgent. This article traces the practice of utopian architectural design of a home on Mars. This home has been described by its architects as a ‘place for people’ and for ‘all of humanity.’ Off-Earth habitats have traditionally been designed with emphasis on the functionality of surviving extreme environments. New designs for Mars aim to make human-centric homes in which people can be comfortable. However, when confronted with the known realities of the Martian landscape, such designs reconfigure the place and form of the human. The Martian landscape requires that a home shelters the human body from hostile elements through totalising closed loop architectural systems. In such extreme architecture, the human form is configured as a calculable body, and becomes ‘erased.’ This article ethnographically traces how the human is imagined in such design practice and asks what happens to the idea of the human through informed design thinking as architects meet space scientists. It traces how utopic motivations to build a space ‘for all humanity’ are challenged through the material and practical reality of making design choices and exclusions. The ethnography follows the figure of the human as it is imagined as an emergent Martian lifeform which confronts the problems of the different gravity, light, radiation, and terrain that a life on mars would entail. Considering how the concept of ‘living’ might be possible in a future Martian habitat involves the practice of imagining radically alternative forms of life. By tracing how these are imagined, contested, and considered this article asks how practices of conceptualising radical alterity relate to understanding oneself as connected to the enduring idea of being human.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"18 1","pages":"25 - 46"},"PeriodicalIF":0.4,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48718126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

“Home Is The Theater Of Life”: Scenographic Poetics And American Living Room Ambience, 1900–1925 “家是生活的剧场”:场景诗学和美国客厅氛围，1900-1925

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-13 DOI: 10.1080/17406315.2021.1961414

J. M. Andrick

{"title":"“Home Is The Theater Of Life”: Scenographic Poetics And American Living Room Ambience, 1900–1925","authors":"J. M. Andrick","doi":"10.1080/17406315.2021.1961414","DOIUrl":"https://doi.org/10.1080/17406315.2021.1961414","url":null,"abstract":"Abstract Proceeding from the notion of scenography as atmosphere or ambience, this article explores scenographic design elements aimed at a range of American middle-class living rooms during the early-twentieth century when these newly configured domestic interior spaces replaced Victorian parlors, libraries, and drawing rooms as gathering places for both private family activities and those social occasions when friends and guests were invited into the home. Looking to the period’s theatre with its realistic, natural portrayal of family life as unfolding in the living room, spokespersons for the emerging professions of interior design and illumination engineering spearheaded a call for replicating the aesthetics of theatre atmosphere in living rooms through the manipulation of artificial light at a time when rapid innovations in electric lighting were beginning to transform public and private spaces. Through the utilization of the new “color science” housewives could create the proper atmosphere for any occasion through an inviting scenographics of illuminated fixtures, decorative furnishings, and wall treatments that radiated a pleasing harmony of refinement and relaxation.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"18 1","pages":"1 - 24"},"PeriodicalIF":0.4,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45519404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

In the Dog House: British Canines at Home, 1688–1832 在狗舍里：1688-1832年的《英国犬在家》

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-10-13 DOI: 10.1080/17406315.2021.1963610

Stephanie Howard-Smith

{"title":"In the Dog House: British Canines at Home, 1688–1832","authors":"Stephanie Howard-Smith","doi":"10.1080/17406315.2021.1963610","DOIUrl":"https://doi.org/10.1080/17406315.2021.1963610","url":null,"abstract":"Abstract Companion animals tangibly alter our experience of domestic spaces and influence our feelings about home. The Georgian era is well-established as a crucible of British domesticity, and animal historians identify the eighteenth-century as a pivotal moment in the development of ‘modern’ pet ownership. How did emotionally and physically intimate relationships between people and dogs affect their shared domestic spaces during this moment of flux? The experiences of dog owners and their acquaintances, as recorded in diaries and correspondence, testify to the ‘canification’ of the elite eighteenth-century home: people modified their homes to reflect their companions’ status within the household, just as dogs made their own mark on their home environment. The elevated position enjoyed by dogs in some Georgian homes is demonstrated by their ‘ownership’ of objects within the household, evidenced by wills, inventories, and canine material culture itself. However, this mode of dog ownership remained controversial and was frequently represented as emotionally and financially excessive. Critics targeted the elite dog’s privileged position within the home, finding their access to human objects and spaces indicative of their owners’ preference for canine company above their obligations to other humans — be they spouses, offspring or servants. Only by considering the eighteenth-century elite household as a multi-species domestic space and taking account of both human and non-human experiences of the home (and real or imagined representations of such experiences) can the development of British domesticity and, later, the formation of societally-approved ideals of pet ownership, be fully appreciated.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"18 1","pages":"129 - 149"},"PeriodicalIF":0.4,"publicationDate":"2021-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45351777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Intersection of ‘Outside’ Practices and Children’s Sedentary Behavior at Home “户外”活动与儿童在家久坐行为的交集

IF 0.4 4区艺术学

Home Cultures Pub Date : 2021-08-31 DOI: 10.1080/17406315.2021.1969188

Apoorva Rathod

引用次数: 2