JOURNAL OF MILITARY HISTORY最新文献

{"title":"Eyes on the ‘Central Plains’: The Manchus’ Military Strategies and Tactics during the Early 17th Century","authors":"박민수","doi":"10.29212/mh.2018..107.193","DOIUrl":"https://doi.org/10.29212/mh.2018..107.193","url":null,"abstract":"","PeriodicalId":44755,"journal":{"name":"JOURNAL OF MILITARY HISTORY","volume":"1201 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75260673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"남한지역 고구려 관방시설의 연구 성과와 과제","authors":"김유범","doi":"10.29212/mh.2019..110.125","DOIUrl":"https://doi.org/10.29212/mh.2019..110.125","url":null,"abstract":"","PeriodicalId":44755,"journal":{"name":"JOURNAL OF MILITARY HISTORY","volume":"2005 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86951678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"War and Memory in the Napoleonic Wars","authors":"","doi":"10.1093/obo/9780199791279-0204","DOIUrl":"https://doi.org/10.1093/obo/9780199791279-0204","url":null,"abstract":"The Napoleonic Wars took place from 1802 to 1815 and fundamentally altered the political, social, cultural, and military structures of Europe and, to a lesser extent, the rest of the world. This created a collective memory that influenced, and continues to influence, the modern world in a myriad of ways. The conflicts were a continuation of the French Revolutionary Wars, which bear their own collective and historical memory. They involved nearly every power in Europe, affecting them each to varying degrees. Political and legal systems changed, both as a result of Revolutionary ideals and the introduction of the Code Napoléon. Nationalism and national identity formation accelerated during the period, often benefiting from opposition to Napoleon or the destruction of existing systems wrought by the Revolutionary spirit that French armies brought to occupied territories, spurring the creation of national memory wherever they appeared. Napoleon and his power, undeniable genius, success, and ultimate failure have proven an irresistible and enduring figure of autobiographical and biographical memory in realms as diverse as fiction, wargaming, and history, both popular and academic. The methods of his armies became the paradigm for contemporary militaries, and their legacy continues to form the bedrock of collective, institutional, and popular memory. The arts contain their own cultural memory of Napoleon, many of which remain current. Collectively, the various aspects of the cultural and historical memory of the Napoleonic Wars have become a part of many important areas of history and historiography. As a result, works on Napoleon, his empire, and the Napoleonic Wars are voluminous and grow significantly every year.","PeriodicalId":44755,"journal":{"name":"JOURNAL OF MILITARY HISTORY","volume":"142 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86778957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Popular Culture and Modern War","authors":"A. Abra","doi":"10.1093/obo/9780199791279-0203","DOIUrl":"https://doi.org/10.1093/obo/9780199791279-0203","url":null,"abstract":"This bibliography includes histories that explore the manifold meanings and purposes that popular culture has possessed in wartime. Popular culture provides entertainment and escapism for soldiers and civilians, while also allowing them to imagine and give expression to their wartime identities, and social and political worlds. Militaries embrace song or sport to entertain, but also to train and condition their troops. On the home front, it is often on the movie screen or the dance floor, or at the concert hall or the baseball game, where critical issues about class, race, gender, sexuality, ethnicity and nation are reflected, experienced, and debated. Popular culture also serves as a potent means of official and unofficial propaganda, and can offer a means of resistance against authoritarianism or occupation, or a pathway toward recovery from war. The bibliography adopts a broad definition of “popular culture,” which eliminates socially and historically constructed distinctions between “high” and “low” cultures, to consider the wide range of leisure forms and performing arts that entertained and shaped the experience of individuals and societies in wartime. The focus is primarily on popular cultural forms that possess an interactive or technologically-driven relationship between producer and consumer, or performer and audience, and so the bibliography does not deal with literature or the visual arts, which each have their own disciplinary specialists and immense scholarly literatures. The bibliography is also only concerned with popular culture produced during the war or wars in question, rather than as part of the retrospective articulation of individual or collective memory. Temporally, it is focused on the era of total war and beyond, including World War I, World War II, the Cold War and decolonization, and the post-9/11 wars in Afghanistan and Iraq. Significantly, at almost precisely the same moment in the early 20th century, warfare and popular culture both evolved and modernized in critical ways. The First World War erupted just as the Jazz Age took hold; new technologies for cultural dissemination emerged, and the transnational commercial leisure industries surrounding music, film, dance, theater, sport and a range of other cultural forms expanded exponentially. Works in this bibliography are concerned with what followed, and the intertwined modernities of both war and popular culture.","PeriodicalId":44755,"journal":{"name":"JOURNAL OF MILITARY HISTORY","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81622193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}