HISPANIC REVIEW最新文献

{"title":"Can elbow arthroscopic posterior portals damage the anconeus nerve? A cadaveric study.","authors":"Alessandra Colozza, Michele Cavaciocchi, Luigi Perna, Elena Artioli, Antonio Mazzotti, Cesare Faldini","doi":"10.1177/17585732231166938","DOIUrl":"10.1177/17585732231166938","url":null,"abstract":"<p><strong>Background: </strong>Neurological injuries are among the most reported complications of elbow arthroscopy. Several cadaveric studies have assessed the relationship between nerves and arthroscopic portals. To our knowledge, no studies evaluated the anconeus nerve. This anatomic study aimed to identify the course of the anconeus nerve and to investigate its anatomic relation with posterior elbow portals, providing useful information to preserve it during surgery.</p><p><strong>Methods: </strong>Twelve fresh frozen elbows were dissected to isolate the radial nerve and its branch to the anconeus muscle. Distances between the anconeus nerve, olecranon tip, and lateral epicondyle were measured. Posterior, posterolateral and soft spot portals were created and their proximity to the nerve was measured.</p><p><strong>Results: </strong>The anconeus nerve showed an average distance from the lateral epicondyle of 19.67 mm (SD 1.44 mm) and from the olecranon of 22.33 mm (SD 1.72 mm). The posterolateral portal was 1 mm medial to the nerve. The soft spot portal was located where the nerve enters the muscle.</p><p><strong>Discussion: </strong>An important finding of this study was the closeness between the anconeus nerve and the posterolateral and soft spot portals, resulting in a high risk of nerve damage. More medial placement of the posterolateral portal may avoid anconeus nerve injury and consequent muscle denervation.</p>","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"88 1","pages":"443-448"},"PeriodicalIF":1.5,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11418668/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83660184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Poetry of Things: The Material Lyric in Habsburg Spain by Mary E. Barnard (review)","authors":"Felipe Valencia","doi":"10.1353/hir.2023.a903839","DOIUrl":"https://doi.org/10.1353/hir.2023.a903839","url":null,"abstract":"In A Poetry of Things: The Material Lyric in Habsburg Spain, Mary E. Barnard studies poems “in which objects are endowed with agency to stage interactive performances with readers and viewers for mediating cultural and historical memory” and, more generally, poems that make “reference” to “concrete objects” in the work of four Spanish authors from the early seventeenth century (14, 129). Objects in these poets serve “as vehicles for exploring issues of moment in Philip III’s Spain: the preservation of humanist learning in the age of print; the collapse of empires, specifically of imperial Rome and implicitly of Habsburg Spain; the role of learned academies in the literary and artistic life beyond the court; the formation of subjective identities within distinct social spaces; and the role of religious objects in the tradition of spirituality of CounterReformation Spain” (13). The investment on the part of the court of Philip III (r. 1598–1621)— particularly his valido, the Duke of Lerma—in collecting and displaying lavish works of art warrants Barnard’s focus on poetry from his reign. A Poetry of Things builds upon her previous monograph, Garcilaso de la Vega and the Material Culture of","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"475 - 479"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45610453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"An Epidemic of Apathy: Abulia and the Language of Pathology in Baroja’s Early Fiction","authors":"K. Murphy","doi":"10.1353/hir.2023.a903835","DOIUrl":"https://doi.org/10.1353/hir.2023.a903835","url":null,"abstract":"ABSTRACT:The literary exposition of abulia in Pío Baroja’s early novels, especially La lucha por la vida trilogy, illuminates the ways in which diagnostic language from psychopathology was adapted, assimilated, and disseminated through the trajectories of fictional characters who suffer from a loss of volition. This article analyzes cultural narratives about abulia in Baroja’s early fiction, demonstrating that they constitute a resonant pathological metaphor during a period in Spain’s history defined by national introspection and regenerationist debates. By tracing metaphorical explanations for social, political, and economic circumstances conveyed through the literary appropriation of medical terminology, this study explores comparisons between abulia and the gendered and class-based associations of neurasthenia at the turn of the twentieth century. Although the assumed causes of each condition are different, this process of transposition between medicine and metaphor anticipates the contemporary social, cultural, and ideological shaping of concepts such as stress and burnout.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"387 - 410"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45443752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Negociaciones con el ruido del convento de San Jerónimo: efectos de la acústica en la vida y obra de sor Juana Inés de la Cruz","authors":"I. Cantón","doi":"10.1353/hir.2023.a903833","DOIUrl":"https://doi.org/10.1353/hir.2023.a903833","url":null,"abstract":"RESUMEN:En este artículo examino los efectos de la acústica del convento de San Jerónimo en la vida y obra de sor Juana Inés de la Cruz. Con énfasis en la Respuesta a sor Filotea de la Cruz y Primero sueño, mi argumento es que la relación que sor Juana estableció con los sonidos a los que estuvo expuesta influyó en sus hábitos y su poesía, llevándola a establecer las bases de una poética en parte modelada por la experiencia acústica. En esa dirección, exploro los modos en los que esta poética dialoga y reinterpreta la tradición del silencio de la poesía místico-espiritual española del siglo XVI. Finalmente, pongo la sensibilidad acústica de sor Juana en diálogo con las preocupaciones sonoras de los intelectuales del siglo XIX con la intención de mostrar los modos en que el trabajo de sor Juana anticipó intereses y sensibilidades a menudo asociadas a la modernidad.Abstract (Lang: English):In this article, I examine the effects of the acoustics of the Convent of San Jerónimo on the life and work of Sor Juana Inés de la Cruz. With emphasis on the “Respuesta a Sor Filotea de la Cruz” y “Primero sueño”, my argument is that the relationship that Sor Juana established with the sounds to which she was exposed influenced her habits and her poetry, leading her to establish the foundations of a poetics in part shaped by the acoustic experience. Then, I explore how Sor Juana’s poetics dialogues with and reinterprets the tradition of silence in sixteenth-century Spanish mystical-spiritual poetry. Finally, I put Sor Juana’s acoustic sensibility in conversation with nineteenth-century intellectuals’ concerns about noise. I do this to show how Sor Juana’s work anticipated interests and sensibilities often associated with modernity.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"341 - 362"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42156855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Damn the Suit and the Tailor Who Made It: Power Struggle between the Narrator and the Editor in Nuevas coplas y cantares del temible bardo Eudomóndaro Higuera alias el Tuerto","authors":"Victoria Carpenter","doi":"10.1353/hir.2023.a903838","DOIUrl":"https://doi.org/10.1353/hir.2023.a903838","url":null,"abstract":"ABSTRACT:The collection of poems by a supposedly long-dead Sinaloan poet Eudomóndaro Higuera (referred to in the study as “the Narrator”), Nuevas coplas y cantares del temible bardo Eudomóndaro Higuera alias el Tuerto, is an intriguing read. Compiled and annotated by Mario Bojórquez (who will be referred to as “the Editor”), it contains a strange mix of bawdy lyrics, insulting epitaphs, and soul-searching coded poems. The collection presents a challenge to the reader, who is forced to choose between the Narrator’s often simplistic writing and the Editor’s high academic analyses thereof. Using the theory of text ownership, I will analyze this contradictory combination to determine who—if anyone—controls the text of the collection. I will explore the roles of the narrator and the editor, taken up by both the Narrator and the Editor, in order to challenge the apparent parodic nature of the collection.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"457 - 474"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42474964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition by Sarah Thomas (review)","authors":"Fiona Noble","doi":"10.1353/hir.2023.a903840","DOIUrl":"https://doi.org/10.1353/hir.2023.a903840","url":null,"abstract":"The figure of the child has a long history in Spanish cinema, though it is only relatively recently that scholars of peninsular studies have dedicated their attention to unpacking its importance throughout the history of Spanish film. Early critical focus on this figure can be found in articles by Marsha Kinder and Isolina Ballesteros,1 who pinpoint the cinematic child’s significance as a cipher for the directors who came of age under Franco and as a historical witness, respectively. More recently, in her monograph The Child in Spanish Cinema (2013), Sarah Wright argued for the centrality of the onscreen child to cultural memory and depictions of the past, with par tic u lar reference to the Francoist period. Wright’s work traces the Spanish cinematic child from the 1950s to con temporary demo cratic Spain, charting the evolution of the child from the the allsinging, alldancing child stars of Francoist cinema (such as Marcelino and Marisol), via the child witness of the Transition and, later, within the historical memory boom (Ana Torrent; del Toro films), to the adolescents of con temporary demo cratic Spain still subject to repressive Francoist legacies (El bola; Camino). Erin Hogan’s The Two Cines con Niño: Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955–2010) (2020) considers childcenterd cinema both under Franco and in demo cratic Spain, unpacking the distinct ways in which the child figure is utilized under diverse political circumstances. With Inhabiting the InBetween: Childhood and Cinema in Spain’s Long Transition, Thomas makes a valuable contribution to the field, examining the multivalent character of the onscreen child through her focalization of this figure in the specific historical moment of the Transition. The value in Thomas’s work therefore lies not only in its sophisticated and insightful theoretical positioning of the cinematic child, but also with its wider implications for Spanish cultural studies and, in par tic u lar, the impulse to reevaluate the Transition and its legacies in the con temporary context. Inhabiting the InBetween commences with the assertion that “ Children haunt the cinema of the Spanish transition to democracy” (3) and a detailed","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"480 - 483"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48746313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El mito del monarca de dos caras: metapoesía e historia en Luis Cernuda","authors":"Sergio Navarro Ramírez","doi":"10.1353/hir.2023.a903837","DOIUrl":"https://doi.org/10.1353/hir.2023.a903837","url":null,"abstract":"RESUMEN:A menudo, los monólogos dramáticos de Luis Cernuda difieren de otros usos más ortodoxos del género al no crear la suficiente distancia entre la máscara y la voz. En “Silla del rey” elige como personaje al monarca español Felipe II. La representación del rey no es perfecta, y el autor rompe a veces la máscara de Felipe II para enseñar su propio rostro a través de la introducción de comentarios metapoéticos más propios de un escritor que de un rey. Además, este personaje es un paradójico correlato de Cernuda, puesto que el rey y El Escorial eran reconocidos símbolos de la retórica franquista. En este ensayo, ayudándome de las teorías críticas de Edward Said y Hayden White, analizo “Silla del rey” y la presencia meta-poética e irónica de Cernuda en el poema para desvelar las estrategias retóricas con las que critica el discurso historiográfico franquista.Abstract (Lang: English):Luis Cernuda designs his own version of the dramatic monologue, since he does not create enough distance between his characters and his own voice. In “Silla del rey,” Cernuda chooses as a character King Philip II, who meditates in the poem on the construction of El Escorial. This representation is not perfect, and Cernuda breaks the mask of Felipe II to show his own skin, usually by expressing metapoetic musings more akin to the author than to the king. Furthermore, this character seems a paradoxical correlate to Cernuda, since the king and El Escorial were well-known symbols of an essentialist rhetoric with which Francoist historiography told Spanish history. In this essay, I read “Silla del rey” and analyze the metapoetic presence of Cernuda in Felipe II as a rhetorical strategy to undermine Francoist historiographical discourse.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"435 - 456"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44490373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La invención del indio: Francisco Laso y la imagen del Perú moderno by Natalia Majluf (review)","authors":"Mercedes Mayna-Medrano","doi":"10.1353/hir.2023.a903841","DOIUrl":"https://doi.org/10.1353/hir.2023.a903841","url":null,"abstract":"","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"483 - 486"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45565374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Alberto Blest Gana and the Unhappy Endings of Beautiful Men","authors":"Patricia Vilches","doi":"10.1353/hir.2023.a903834","DOIUrl":"https://doi.org/10.1353/hir.2023.a903834","url":null,"abstract":"ABSTRACT:This essay analyzes Alberto Blest Gana’s portrayal of masculine beauty in Rafael San Luis and Abelardo Manríquez through the lens of patriotism and social order. The divine, angelic looks of these two young characters come with a high cost. San Luis, from Martín Rivas (1862), and Manríquez, from El ideal de un calavera (1863), are exceedingly handsome but devoid of means, a fact that makes their circumstances especially harsh. They are also deeply in love with privileged, wealthy Santiago women, which causes the heroes to suffer. They challenge Chile’s capitalist social order, resist their outsider status, and follow the Weltanschauung of a pipiolo (liberal). They confront danger and fight the good fight. Yet these two brave men cannot escape past behaviors and decisions. It is their unhappy fate to lose their beautiful ladies to less attractive men, and ultimately to die in battle (San Luis) and by execution (Manríquez).","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"363 - 385"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47004248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los almanaques alegórico-teatrales italianos en el origen de la Melodrama astrológica de Diego de Torres Villarroel (1724)","authors":"Claudia Lora Márquez","doi":"10.1353/hir.2023.a903836","DOIUrl":"https://doi.org/10.1353/hir.2023.a903836","url":null,"abstract":"RESUMEN:Diego de Torres Villarroel publica en 1724 un almanaque titulado Melodrama astrológica: teatro temporal y político. El opúsculo, además de granjearle notoriedad al presuntamente vaticinar en él la muerte del rey Luis I, supone uno de los primeros intentos por insertar contenidos literarios en los pronósticos astrológicos. Este artículo trata de demostrar que, frente a las teorías que ven en el “modelo literario” un hallazgo original e inesperado, Torres se inspira en ciertas fórmulas que algunos autores de su tiempo practican con éxito en otras partes de Europa, concretamente en los Estados italianos.Abstract:Diego de Torres Villarroel published in 1724 an almanac entitled Melodrama astrológica: teatro temporal y político. The chapbook, besides helping him to gain fame by having supposedly predicted the death of King Louis I, is one of his first attempts at incorporating literary content into astrological predictions. This article aims to demonstrate that, contrary to those critics who see in the “literary model” an original and fortuitous discovery, Torres is inspired by certain formulas that some other contemporary authors were successfully practicing in Europe, specifically in the Italian States.","PeriodicalId":44625,"journal":{"name":"HISPANIC REVIEW","volume":"91 1","pages":"411 - 434"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47590990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}