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Leonardo Balada: A Transatlantic Gaze by Juan Francisco de Dios (review) 莱昂纳多-巴拉达：跨越大西洋的凝视》，胡安-弗朗西斯科-德-迪奥斯著（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919058
Pedro López de la Osa
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引用次数: 0
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet by Pierpaolo Polzonetti (review) 歌剧中的盛宴与禁食：从文艺复兴时期的宴会到卡拉斯的饮食》，皮埃尔保罗-波尔佐内蒂著（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919061
Bradford Lee Eden
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引用次数: 0
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront by Cisco Bradley (review) 威廉斯堡前卫：布鲁克林海滨的实验音乐和声音》，作者 Cisco Bradley（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919044
David Pearson
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引用次数: 0
Oscar Hammerstein II and the Invention of the Musical by Laurie Winer (review) 奥斯卡-汉默史坦二世与音乐剧的发明》，作者劳里-温纳（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919039
Geoffrey Block
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引用次数: 0
Lennon and McCartney: Painting with Sound by Thomas MacFarlane (review) 托马斯-麦克法兰所著《列侬和麦卡特尼：用声音作画》（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919054
John Clark
{"title":"Lennon and McCartney: Painting with Sound by Thomas MacFarlane (review)","authors":"John Clark","doi":"10.1353/not.2024.a919054","DOIUrl":"https://doi.org/10.1353/not.2024.a919054","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140088718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women and Musical Salons in the Enlightenment by Rebecca Cypess (review) 启蒙运动中的女性与音乐沙龙》，作者 Rebecca Cypess（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919049
Elizabeth Weinfield
{"title":"Women and Musical Salons in the Enlightenment by Rebecca Cypess (review)","authors":"Elizabeth Weinfield","doi":"10.1353/not.2024.a919049","DOIUrl":"https://doi.org/10.1353/not.2024.a919049","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140091341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera by Melina Esse (review) 歌唱萨福》：十九世纪意大利歌剧中的即兴创作与权威》，作者 Melina Esse（评论）
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919050
Alessandra Jones
{"title":"Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera by Melina Esse (review)","authors":"Alessandra Jones","doi":"10.1353/not.2024.a919050","DOIUrl":"https://doi.org/10.1353/not.2024.a919050","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140092041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erard: L’empire de la harpe = Erard: Empire of the Harp by Robert Adelson (review) 埃拉德L'empire de la harpe = Erard：罗伯特-阿德尔森（Robert Adelson）的《竖琴帝国》（评论
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919042
Allison A. Alcorn
{"title":"Erard: L’empire de la harpe = Erard: Empire of the Harp by Robert Adelson (review)","authors":"Allison A. Alcorn","doi":"10.1353/not.2024.a919042","DOIUrl":"https://doi.org/10.1353/not.2024.a919042","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140084178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Collecting Music among the Kharbintsy 在哈尔宾塞人中收集音乐
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919031
Patricia Puckett Sasser
{"title":"Collecting Music among the Kharbintsy","authors":"Patricia Puckett Sasser","doi":"10.1353/not.2024.a919031","DOIUrl":"https://doi.org/10.1353/not.2024.a919031","url":null,"abstract":"ABSTRACT: In 1923, a young woman named Bella Tarakhovska͡ia arrived in Seattle aboard the SS President Jackson . She had sailed from Yokohama, Japan but her voyage to America had begun much further away. Born in Melitópol’ Ukraine, she had lived in East Asia, and was now on her way to join her older brothers in Detroit, Michigan. Tarakhovska͡ia (1903–1983) was not only well-traveled but also deeply musical: she carried with her two bound volumes of print and manuscript scores that she had collected for her personal use. These albums documented her own development as a musician and her awareness of artistic tastes within the Ukrainian diaspora. They also capture her experience of musical life in Harbin, China, a place that attracted numerous émigrés and refugees in the early twentieth century. The kharbintsy, as these residents became known, were a highly diverse group. In the early 1920s, Harbin transitioned from Russian rule to local control. Tarakhovska͡ia’s collection offers a rare surviving example of amateur musical interests during an important period of change. Her music represents an expansive network of international music printers, publishers, and sellers, suggesting the remarkable paths of transmission through which Western repertoire was disseminated among émigrés in East Asia. It reveals the continuing influence of Imperial Russia and features some of the Jewish (and non-Jewish) artists who sought to establish their careers amidst a new, tumultuous context. Perhaps most importantly, the music reflects the complicated political and social relationships that shaped Harbin’s artistic landscape. Like the city itself, Tarakhovska͡ ia’s collection shows that it was possible for musical life to flourish among the kharbintsy even in the midst of upheaval and uncertainty.","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140091397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Classifying Musical Medium of Performance: Object or Property? 音乐表演媒介的分类：对象还是属性？
IF 0.9 3区 艺术学
NOTES Pub Date : 2024-03-01 DOI: 10.1353/not.2024.a919032
Richard Griscom, Joshua Henry, Deborah Lee, Richard P. Smiraglia, Rick Szostak, J. B. Young
{"title":"Classifying Musical Medium of Performance: Object or Property?","authors":"Richard Griscom, Joshua Henry, Deborah Lee, Richard P. Smiraglia, Rick Szostak, J. B. Young","doi":"10.1353/not.2024.a919032","DOIUrl":"https://doi.org/10.1353/not.2024.a919032","url":null,"abstract":"ABSTRACT: How best to classify musical medium of performance? We welcome the advice and expertise of the community of Notes readers to inform our deliberations. Specifically, when referring to the sources of musical sound, should we be describing the objects (e.g., aerophone), the properties (e.g., piccolo), or some combination of the two? The Institute for Knowledge Organization and Structure convened a research group to discuss “the phenomena of music for classification.” What does it mean to classify the phenomena of music rather than musical documents or documents containing texts about music? How might we represent music apart from its documentary representations (scores, recordings, etc.)? We considered the Library of Congress Medium of Performance Thesaurus (LCMPT) and Hornbostel-Sachs (H-S) classification. The universal Basic Concepts Classification (BCC) is interdisciplinary and is organized around phenomena (things), relators (the relationships that exist among phenomena), and the properties that phenomena and relators may possess. We sought a comprehensive classification of medium of performance for the BCC. H-S focuses on the physical nature of instruments and how they make sound, the LCMPT effectively identifies specific instruments by name. H-S does not provide the level of granularity that we need but LCMPT’s larger set of terms are organized with only a few layers of hierarchy. H-S avoids local nomenclature, LCMPT embraces it. The two are attractive because they provide well-developed vocabulary and because their differences manifest as different strengths for a Semantic Web application. Ultimately our analysis reaches no specific conclusion. Instead, we have reflected thoroughly on the panoply of phenomena associated with the representation of medium of performance as phenomena of music in nondocumentary contexts.","PeriodicalId":44162,"journal":{"name":"NOTES","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140083766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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