NOTES最新文献

{"title":"HerStory: The Piano Collection ed. by Karen Marshall (review)","authors":"Tony Caramia","doi":"10.1353/not.2023.a912371","DOIUrl":"https://doi.org/10.1353/not.2023.a912371","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"1 1","pages":"402 - 405"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mozart and the Mediation of Childhood by Adeline Mueller (review)","authors":"L. Zeiss","doi":"10.1353/not.2023.a912348","DOIUrl":"https://doi.org/10.1353/not.2023.a912348","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"50 1","pages":"325 - 328"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139251932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Beethoven's French Piano: A Tale of Ambition and Frustration by Tom Beghin (review)","authors":"Daniel Epstein","doi":"10.1353/not.2023.a912354","DOIUrl":"https://doi.org/10.1353/not.2023.a912354","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"29 4","pages":"343 - 346"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139252786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Opera on the Couch: Music, Emotional Life, and Unconscious Aspects of Mind ed. by Steven H. Goldberg and Lee Rather (review)","authors":"H. N. Dunstan","doi":"10.1353/not.2023.a912349","DOIUrl":"https://doi.org/10.1353/not.2023.a912349","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"42 6","pages":"328 - 331"},"PeriodicalIF":0.9,"publicationDate":"2023-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139253049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Canonic Repertoires and the French Musical Press: Lully to Wagner by William Weber with Beverly Wilcox (review)","authors":"Eric M. Lubarsky","doi":"10.1353/not.2023.a905323","DOIUrl":"https://doi.org/10.1353/not.2023.a905323","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"123 - 126"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42589159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Babe Egan and the Hollywood Redheads: Women Musicians in the Jazz Age by Jeannie Gayle Pool (review)","authors":"Sharon Mirchandani","doi":"10.1353/not.2023.a905336","DOIUrl":"https://doi.org/10.1353/not.2023.a905336","url":null,"abstract":"","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"168 - 170"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43032588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Networking Operatic Italy by Francesca Vella (review)","authors":"Siel Agugliaro","doi":"10.1353/not.2023.a905326","DOIUrl":"https://doi.org/10.1353/not.2023.a905326","url":null,"abstract":"works, such channels were never represented as the primary motivations for his musical creativity. Mathew concludes this final section of his study with a compelling rumination on the implications of this new framing of Haydn and his cultural–economic contexts for current and future scholarship on eighteenth-century music. The foregoing summary can provide only the most skeletal overview of Mathew’s book, whose relatively modest length masks a study of vast scope and exceptional scholarly weight. Useful or stimulating historical details as well as thought-provoking critical and analytical observations can be found throughout its chapters, and many intriguing references will spur even informed readers to visit and revisit the study’s expansive bibliography. Unfortunately, the overall readability of the text is hindered at too many turns by its arrangement in discursive paragraphs of arguably excessive length. But such concerns need not detract from the value of the study. Its deeply researched reframing of Haydn’s creative life and its cultural–economic contexts, along with its implications for rethinking our perspective on the unfolding of music history between the eras of the Enlightenment and romanticism, warrants much attention, as well as further engagement on the part of those involved in research and teaching on this pivotal span of Western music history.","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"139 - 142"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43141701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources ed. by Heather Windram and Terence Charlston (review)","authors":"D. Ledbetter","doi":"10.1353/not.2023.a905342","DOIUrl":"https://doi.org/10.1353/not.2023.a905342","url":null,"abstract":"English Keyboard Music c. 1650–c. 1700: A Series of Facsimiles of Manuscript Sources. Volume 1: London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston, with an Introductory Essay by Andrew Woolley. Foreword by Colin Lawson. Oslo: Norsk Musikforlag, 2015 [General Preface, p. v; contents, p. vii– viii; foreword, p. ix; introduction, p. xiii–xxxvii; facsims., p. [1–50]; score, p. 51–93; critical commentary, p. 95–110; bibliography, p. 111–12. ISMN 9790065141220 N. M. O. 13757. $24]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"194 - 198"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Music Received","authors":"Kathleen Abromeit","doi":"10.1353/not.2023.a905343","DOIUrl":"https://doi.org/10.1353/not.2023.a905343","url":null,"abstract":"Music Received Compiled by Kathleen Abromeit This column features percussion music by women composers. Names were compiled using the Theodore Front database. Additional names were contributed by Ross Karre, Associate Professor of Percussion, in the Oberlin Conservatory of Music. The lists of works included are not comprehensive for each composer but are rather either recently published or notable. Special thanks to Jake Balmuth for assisting with this column. Arismendi, Diana. Solar: For Marimba. LaFi, 2019. Score, 7 p. $20. Blake, Kathryn. Just Ordinary: For Solo Percussion (2019). Media, 2021. Score, 2 p. $12. Brouwer, Margaret. Through the Haze: For Four Percussionists (Solo Percussion and Three More Percussionists). Brouwer New Music, 2019. Score, 8 p. and 4 parts. $40. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. ISMN 9790720208541. Score, 4 p. $15. Cheney, Lisa. Miniature No. 1: For Percussion Quintet. Australian Music Centre, 2018. 5 parts. $30. Feldman, Barbara Monk. Three Clarinets and Percussion (1994). Frog Peak Music, n.d. Score, 14 p. and 2 parts. Spiral. $30. Fung, Vivian. (Un)Wandering Souls: For Percussion Quartet (2020). Vivian Fung, 2022. 1340. Set of 4 scores, 8 p. $40. Fure, Ashley. Shiver Lung 2: For Solo Percussion and Electronics (2019). Peters, 2021. EP68703 ISMN 9790300761411. Score, 2 p. Spiral. $35. Gaines, Julia. Sequential Studies, Book 2: For Four Mallet Marimba. Tapspace, 2019. TSPB43. Score, 96 p. Spiral. $24 Gassi, Carmen. Bingo-Bango-Bongo: For Percussion Ensemble. Eighth Note, 2016. PE1630. ISBN 9781771573634. Score, 15 p. and 6 parts. $25. Kander, Susan. Once. Upon. A Time: For Percussion Ensemble. Subito, 2017. 90900340. Score, 22 p. and 6 parts. $45. Kepley, Angela. 1-21: For Percussion Quartet. CAP, 2019. 26120. Score, 6 p. and 4 parts. $28. Kepley, Angela. And We Meet Again…: For Percussion Quintet. CAP, 2019. 26170. Score, 5 p. and 5 parts. $32. Kepley, Angela. Battle Royale: For Percussion Ensemble. CAP, 2017. CAP23760. Score, 3 p. and 10 parts. $28. Kepley, Angela. Circles: Bucket Ensemble for 3 or More Players. CAP, 2017. CAP23770 Score, 4 p. and 6 parts. $28. Kepley, Angela. From The Inside Out: For Percussion Quartet. CAP, 2017. CAP23810. Score, 6 p. and 4 parts $28. Kepley, Angela. Quintessential Quintets: For Percussion Quintet. CAP, 2017. CAP23870. Score, 16 p. and 5 parts. $36. Ko, Tonia. Negative Magic: For Snare Drum (2019). Composers Edition, 2021. CETK1NM1. Score, 10 p. Spiral. $21. Larsen, Libby. DDT: For Percussion Quartet. Libby Larsen Publishing, 2014. Score,11 p. and 4 parts. Spiral. $30. Lash, Hannah. Start: For Solo Snare Drum. Schott, 2019. ED 20327. 9781705155721. Score, 7 p. $15. Lizée, Nicole. I Still Think About You: For Solo Percussion (2018). Canadian Music Centre, 2021. QC 78138. Score, 29 p. $41. [End Page 199] Lizée, Nicole. Katana of Choice: For Drum Kit Solo and Video (2014). Canadian Music Centre, 2016. QC77185. Score, 64 p., 1 part,","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136310378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester by Gustav Mahler (review)","authors":"James Brooks Kuykendall","doi":"10.1353/not.2023.a905340","DOIUrl":"https://doi.org/10.1353/not.2023.a905340","url":null,"abstract":"Gustav Mahler. Symphonie nr. 3, für Alt-Solo, Knabenchor, Frauenchor und Orchester. Edited by Christian Rudolf Riedel. ([Die Symphonien = The symphonies]). Wiesbaden: Breitkopf & Härtel, 2021. [Front matter in Ger. and Eng.,: series foreword, p. iii–iv; series introduction, p. v– viii; volume preface, p. ix–xii; sung texts, p. xiii; scoring, p. xiv; score p. 1–254; facsimile, p. 255; ed. rep., 256–68; Einzelanmerkungen (in Ger. only) p. 268–72; glossary, p. 273–74. PB 5633 ISMN 9790004215302. $239 (€222) (pbk.); PB 5663 ISMN 9790004216002. $364 (€339) (hbk.)]","PeriodicalId":44162,"journal":{"name":"NOTES","volume":"80 1","pages":"186 - 189"},"PeriodicalIF":0.9,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48029178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}