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The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring 再迷醉的诗学——佩内洛普·菲茨杰拉德的《春天的开始》
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-29 DOI: 10.1080/00111619.2023.2251379
D. Erdinast-Vulcan
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引用次数: 0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018) “同土”:莎莉·鲁尼《正常人》对后女权主义性别认同与身体物质性的批判(2018)
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-27 DOI: 10.1080/00111619.2023.2252741
Jasmine Gege Yang
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引用次数: 0
Correction 修正
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-24 DOI: 10.1080/00111619.2023.2250653
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引用次数: 0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad “别的地方已经开放了。”《多洛里亚德》中乌托邦的冲动与残疾的新生
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-22 DOI: 10.1080/00111619.2023.2250249
J. Galant
{"title":"“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad","authors":"J. Galant","doi":"10.1080/00111619.2023.2250249","DOIUrl":"https://doi.org/10.1080/00111619.2023.2250249","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42993245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge: The Internet as Terror and Transformation 托马斯·品钦流血边缘中的怪异技术：互联网的恐怖与转型
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-17 DOI: 10.1080/00111619.2023.2242765
Jiří Šalamoun
{"title":"Monstrous Technology in Thomas Pynchon’s Bleeding Edge: The Internet as Terror and Transformation","authors":"Jiří Šalamoun","doi":"10.1080/00111619.2023.2242765","DOIUrl":"https://doi.org/10.1080/00111619.2023.2242765","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47140344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies 颠覆性的琐碎:约翰·阿什伯里和詹姆斯·斯凯勒的《傻瓜之巢》
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-07 DOI: 10.1080/00111619.2023.2237874
Mikołaj Wiśniewski
{"title":"Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies","authors":"Mikołaj Wiśniewski","doi":"10.1080/00111619.2023.2237874","DOIUrl":"https://doi.org/10.1080/00111619.2023.2237874","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44647040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form 图形资本场景:绘制基础设施作为历史形式
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-07 DOI: 10.1080/00111619.2023.2231845
D. Davies
{"title":"Graphic Capitaloscenes: Drawing Infrastructure as Historical Form","authors":"D. Davies","doi":"10.1080/00111619.2023.2231845","DOIUrl":"https://doi.org/10.1080/00111619.2023.2231845","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44006172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018) 伊利亚·伦纳德·普费弗在《欧罗巴大饭店》中对右翼民粹主义话语的文学抵抗(2018)
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-06 DOI: 10.1080/00111619.2023.2244871
Guylian Nemegeer
{"title":"Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)","authors":"Guylian Nemegeer","doi":"10.1080/00111619.2023.2244871","DOIUrl":"https://doi.org/10.1080/00111619.2023.2244871","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42435425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’s The Sympathizer 一个混蛋的自白:阮越清《同情者》中的民族遗忘、再男性化与正义记忆的伦理
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-08-03 DOI: 10.1080/00111619.2023.2243822
Joohee Seo
{"title":"A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’s The Sympathizer","authors":"Joohee Seo","doi":"10.1080/00111619.2023.2243822","DOIUrl":"https://doi.org/10.1080/00111619.2023.2243822","url":null,"abstract":"ABSTRACT This paper examines the representation and critique of Asian masculinity and patriarchy in Viet Thanh Nguyen’s The Sympathizer. In his written confession, the narrator retraces the events after the Fall/Liberation of Saigon during his espionage on the defected South Vietnamese veterans who try to reclaim their country while relocated to the U.S. as refugees. The metatextual, confessional form of the novel embodies the act of remembering and forgetting, writing and rewriting. This paper argues that the narrator, ostracized as a “bastard” due to his biracial parentage, observes the interlocking of patriarchy and nationhood from the perspective of a marginalized outsider of Vietnamese society. The paper first examines the marginalization of the narrator as a bastard within the patriarchal Vietnamese society. Then, the paper analyzes how the process of remasculinization is incorporated into the General’s mission of rebuilding nationhood and how it inevitably fails. Finally, the paper assesses the narrator’s masculinist tendencies which inform his written confession. While the bastard narrator is a minoritarian subject that problematizes the ideology of nationhood that is based on heteronormative patrilineage, he himself is also a problematic figure whose masculinism lead him to purposely forget and erase his own involvements in acts of violence afflicted upon women. The narrator’s final act of remembrance enacts Nguyen’s notion of just memory.","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45709390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World 自闭症与后人类：赛博格人解读萨宾娜·伯曼的《走进世界心脏的我》
IF 0.2 3区 文学
CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2023-07-25 DOI: 10.1080/00111619.2023.2239142
Sara Saei Dibavar, Alireza Neyestani
{"title":"Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World","authors":"Sara Saei Dibavar, Alireza Neyestani","doi":"10.1080/00111619.2023.2239142","DOIUrl":"https://doi.org/10.1080/00111619.2023.2239142","url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46452011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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