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Schoenberg and Liszt: Hexatonic Collections across the Great Tonal Divide 勋伯格和李斯特:跨越大调性鸿沟的六声合集
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-07-01 DOI: 10.1111/MUSA.12093
Joe Argentino
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引用次数: 2
Schoenberg's Opus 33B and the Problem of its Contrasting ‘Continuation’ and Second Theme Schoenberg的作品33B及其“延续”与第二主题的对比问题
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-07-01 DOI: 10.1111/MUSA.12105
J. Boss
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引用次数: 1
ROBERT PASCALL (1944-2018) 罗伯特·帕斯卡尔（1944-2018）
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-07-01 DOI: 10.1111/musa.12123
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引用次数: 0
Form and repetition : Deleuze, Guillaume and sonata theory 形式与重复:德勒兹、纪尧姆与奏鸣曲理论
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-07-01 DOI: 10.1111/MUSA.12098
Naomi Waltham-Smith
{"title":"Form and repetition : Deleuze, Guillaume and sonata theory","authors":"Naomi Waltham-Smith","doi":"10.1111/MUSA.12098","DOIUrl":"https://doi.org/10.1111/MUSA.12098","url":null,"abstract":"This article proposes an alternative way to think about the process of expositional closure. The recent resurgence of Formenlehre has given rise to a dispute about the correlation between expositional closure and the sequence of local perfect authentic cadences in the second group. Noting that the two sides of the debate produce opposing representations of the temporality of listening, I draw upon philosophical and linguistic models of actualisation to theorise the way in which expositional closure is realised across the second group. To this end, I focus on the refrain cadences in the first movement of Mozart's Piano Concerto in C minor, K. 491, which, as a means of deferring expositional closure, sit uneasily alongside other strategies of thematic loosening and cadential liquidation. The idea of the refrain leads me to Gilles Deleuze's theory of repetition and from there, via the notion of temps implique, to Gustave Guillaume's system of verb formation – both of which problematise the passage from potentiality to actuality, isolating a dimension of contingency as that which may or may not come to pass.","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":"37 1","pages":"150-183"},"PeriodicalIF":0.4,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12098","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47912480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Nancy November, Beethoven's Theatrical Quartets: Opp. 59, 74 and 95 (Cambridge: Cambridge University Press, 2013). xiv + 282 pp. £62.00 (hb.), £19.99 (pb.). ISBN 978-1-107-03545-4 (hb.), 978-1-316-63959-7 (pb.). 南希十一月，贝多芬戏剧四重奏：Opp.59，74和95（剑桥：剑桥大学出版社，2013）。xiv+282页，62.00英镑（hb.），19.99英镑（pb.）。ISBN 978-1-107-03545-4（hb.，978-1-316-63959-7（pb.，）。
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-07-01 DOI: 10.1111/MUSA.12118
Mark Anson-Cartwright
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引用次数: 0
L. Poundie Burstein, Lynne Rogers and Karen M. Bottge (eds), Essays from the Fourth International Schenker Symposium, vol. 2 (Hildesheim, Zurich and New York: Georg Olms Verlag, 2013). x + 303 pp. €49.80 (hb.). ISBN: 9783487150024. Nicholas Marston, Heinr L.Poundie Burstein，Lynne Rogers和Karen M.Botdge（编辑），《第四届申克国际研讨会论文集》，第2卷（Hildesheim，苏黎世和纽约：Georg Olms Verlag，2013）。x+303页，49.80欧元（hb.）。国际标准书号：9783487150024。Nicholas Marston，Heinr
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-06-06 DOI: 10.1111/MUSA.12114
Michael Baker
{"title":"L. Poundie Burstein, Lynne Rogers and Karen M. Bottge (eds), Essays from the Fourth International Schenker Symposium, vol. 2 (Hildesheim, Zurich and New York: Georg Olms Verlag, 2013). x + 303 pp. €49.80 (hb.). ISBN: 9783487150024. Nicholas Marston, Heinr","authors":"Michael Baker","doi":"10.1111/MUSA.12114","DOIUrl":"https://doi.org/10.1111/MUSA.12114","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12114","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47044123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edward Klorman, Mozart's Music of Friends: Social Interplay in the Chamber Works. Cambridge: Cambridge University Press, 2016. xxxii + 325 pp. £79.99 (hb.). £19.99 (pb.). $24.00 (eBook). ISBN 9781107474666. 爱德华·安东·克洛曼，莫扎特的《朋友的音乐：室内乐中的社会互动》。剑桥：剑桥大学出版社，2016年。xxxii+325页，79.99英镑（hb.），19.99英镑（pb.），24.00美元（电子书）。是9781107474666。
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-06-06 DOI: 10.1111/MUSA.12113
G. Sanguinetti
{"title":"Edward Klorman, Mozart's Music of Friends: Social Interplay in the Chamber Works. Cambridge: Cambridge University Press, 2016. xxxii + 325 pp. £79.99 (hb.). £19.99 (pb.). $24.00 (eBook). ISBN 9781107474666.","authors":"G. Sanguinetti","doi":"10.1111/MUSA.12113","DOIUrl":"https://doi.org/10.1111/MUSA.12113","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12113","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46786865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘We All Go a Little Mad Sometimes. Haven't You?’ Musical Empathy in Hitchcock's Psycho “有时候我们都会有点疯狂。你不是吗？”希区柯克《精神病患者》中的音乐移情
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-03-01 DOI: 10.1111/MUSA.12108
Kevin Clifton
{"title":"‘We All Go a Little Mad Sometimes. Haven't You?’ Musical Empathy in Hitchcock's Psycho","authors":"Kevin Clifton","doi":"10.1111/MUSA.12108","DOIUrl":"https://doi.org/10.1111/MUSA.12108","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":"37 1","pages":"47-67"},"PeriodicalIF":0.4,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12108","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42411579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb). David Neumeyer（James Buhler贡献），《音乐在电影中的意义与诠释》。布卢明顿和印第安纳波利斯：印第安纳大学出版社，2015年。xv+319页，ISBN 978‐0‐253‐01651‐5。29.99英镑（铅）。
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-03-01 DOI: 10.1111/MUSA.12111
A. Davison
{"title":"David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb).","authors":"A. Davison","doi":"10.1111/MUSA.12111","DOIUrl":"https://doi.org/10.1111/MUSA.12111","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":"37 1","pages":"133-138"},"PeriodicalIF":0.4,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12111","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45118474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chromatic Mediants and Narrative Context in Film 电影中的半音中音与叙事语境
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2018-03-01 DOI: 10.1111/MUSA.12106
E. Heine
{"title":"Chromatic Mediants and Narrative Context in Film","authors":"E. Heine","doi":"10.1111/MUSA.12106","DOIUrl":"https://doi.org/10.1111/MUSA.12106","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":"37 1","pages":"103-132"},"PeriodicalIF":0.4,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12106","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48366925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
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