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The Spiral of Time: the Crystal‐Image in Herrmann's Music for Hitchcock's Vertigo 时间的螺旋：赫尔曼为希区柯克的《迷魂记》创作的音乐中的水晶意象
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-06-23 DOI: 10.1111/musa.12166
Daniel Moreira
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引用次数: 0
Narrating Masculinity in the Dance Contest from Ravel's Daphnis et Chloé 拉威尔《达芙妮与克洛伊》舞蹈比赛中的男子气概
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-06-03 DOI: 10.1111/MUSA.12163
Russell Millard
{"title":"Narrating Masculinity in the Dance Contest from Ravel's\u0000 Daphnis et Chloé","authors":"Russell Millard","doi":"10.1111/MUSA.12163","DOIUrl":"https://doi.org/10.1111/MUSA.12163","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12163","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45050297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Form of Hope in Richard Strauss's Metamorphosen 施特劳斯《变形记》中的一种希望
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-05-28 DOI: 10.1111/MUSA.12149
Emily X. X. Tan
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引用次数: 0
Schematic Deformation: Systematic Linearity in Grieg's ‘Takk’ and Other Lyric Pieces 图式变形:格里格的“Takk”和其他抒情作品的系统线性
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-05-21 DOI: 10.1111/MUSA.12165
Bjørnar Utne-Reitan
{"title":"Schematic Deformation: Systematic Linearity in Grieg's ‘Takk’ and Other Lyric Pieces","authors":"Bjørnar Utne-Reitan","doi":"10.1111/MUSA.12165","DOIUrl":"https://doi.org/10.1111/MUSA.12165","url":null,"abstract":"This article presents an analysis of Grieg’s lyric piece ‘Takk’ (‘Gratitude’), focusing on the B section of the piece. In that section Grieg makes use of a harmonic progression that is difficult to explain vertically (i.e. in terms of functional harmony). However, it may be explained as a result of play with chromatic voice-leading patterns. The progression in question – which is saturated with half-diminished chords – shares several formal characteristics with the well-known omnibus progression. It is thus argued that ‘Takk’ features a deformation of this chromatic voice-leading schema. The progression in question (called x) has the same sequential possibilities as the omnibus, which helps reveal an underlying logic in the complex structure of the piece’s B section. Grieg’s omnibus deformation in ‘Takk’ is an excellent example of how he chose to structure formal sections based on underlying systematic linearity. A comparison of ‘Takk’ with other lyric pieces sheds light on some regularities regarding systematic linearity in Grieg’s music, for instance in the form of schematic deformation. © 2021 The Authors. Music Analysis, 0/0 (2021) Music Analysis published by Society for Music Analysis and John Wiley & Sons Ltd","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12165","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41812627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 大型结构、表演与勃拉姆斯作品119第2号
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-05-16 DOI: 10.1111/MUSA.12164
Adam Behan
{"title":"Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2","authors":"Adam Behan","doi":"10.1111/MUSA.12164","DOIUrl":"https://doi.org/10.1111/MUSA.12164","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12164","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44803411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
TOWARDS A MORE RECIPROCAL DISCOURSE BETWEEN ANALYSIS AND PERFORMANCE 朝着分析和绩效之间更互惠的话语发展
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-04-18 DOI: 10.1111/MUSA.12168
I. Sewell
{"title":"TOWARDS A MORE RECIPROCAL DISCOURSE BETWEEN ANALYSIS AND PERFORMANCE","authors":"I. Sewell","doi":"10.1111/MUSA.12168","DOIUrl":"https://doi.org/10.1111/MUSA.12168","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12168","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47883840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962) 不止眼前一亮：Boulez的《Don》（1962）中的衍生与分层
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-04-16 DOI: 10.1111/MUSA.12141
Marina Sudo
{"title":"More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962)","authors":"Marina Sudo","doi":"10.1111/MUSA.12141","DOIUrl":"https://doi.org/10.1111/MUSA.12141","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12141","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47299899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas 德彪西和拉威尔奏鸣曲中的时间中断
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-04-07 DOI: 10.1111/MUSA.12140
A. Aziz
{"title":"Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas","authors":"A. Aziz","doi":"10.1111/MUSA.12140","DOIUrl":"https://doi.org/10.1111/MUSA.12140","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12140","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47524853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rhythmic Processes in Schoenberg's Pierrot lunaire Schoenberg的Pierrot lunaire中的节奏过程
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-03-01 DOI: 10.1111/musa.12167
J. Muniz
{"title":"Rhythmic Processes in Schoenberg's\u0000 Pierrot lunaire","authors":"J. Muniz","doi":"10.1111/musa.12167","DOIUrl":"https://doi.org/10.1111/musa.12167","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/musa.12167","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44194183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Expressive Timing in Bob Dylan's ‘With God on Our Side’ 鲍勃·迪伦的《上帝在我们这边》中的表达时机
IF 0.4 1区 艺术学
MUSIC ANALYSIS Pub Date : 2021-02-18 DOI: 10.1111/MUSA.12151
Nancy E. Murphy
{"title":"Expressive Timing in Bob Dylan's ‘With God on Our Side’","authors":"Nancy E. Murphy","doi":"10.1111/MUSA.12151","DOIUrl":"https://doi.org/10.1111/MUSA.12151","url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12151","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42668723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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