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Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York 古鲁哈希的情人：东京和纽约移动身体的数字复苏
IF 0.1 3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-08 DOI: 10.1017/s0266464x23000246
Stephen Barber
{"title":"Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York","authors":"Stephen Barber","doi":"10.1017/s0266464x23000246","DOIUrl":"https://doi.org/10.1017/s0266464x23000246","url":null,"abstract":"<p>This article examines the solo work <span>Lovers</span> (1994) by Teiji Furuhashi, a prominent member of the influential Dumb Type group in Japan’s theatre and dance scene from the 1980s onwards. <span>Lovers</span> was Furuhashi’s only solo work; he died shortly after its installation at a Tokyo art centre in 1994. The essay examines the work in the context of themes of mobility, migration, and shifting corporealities in Japan across the post-war decades, especially through the key event for art and technology of those decades, which was the Osaka World Exposition of 1970. <span>Lovers</span> was commissioned by the arts laboratory of a Japanese technology corporation, Canon Inc., and incorporated what at the time were innovations in moving-image elements within theatre and dance. But those technologies rapidly became obsolete, and the essay explores the dilemmas about the digital experienced by the curators of the New York Museum of Modern Art in ‘upgrading’ <span>Lovers</span> to show it in their galleries in 2016–17.</p>","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"52 18","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71517174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border 脱欧后的北爱尔兰表演：斯蒂芬·雷在大卫·爱尔兰的塞浦路斯大道和克莱尔·德怀尔·霍格的硬边界
IF 0.1 3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-08 DOI: 10.1017/s0266464x23000234
Hannah Simpson
{"title":"Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border","authors":"Hannah Simpson","doi":"10.1017/s0266464x23000234","DOIUrl":"https://doi.org/10.1017/s0266464x23000234","url":null,"abstract":"<p>If all national identity is performative, the Northern Irish national identity offers a particularly pronounced model of this performative instability. Such precarity was emphasized when the 2016 UK EU ‘Brexit’ referendum raised contentious questions over Northern Irish citizenship. This article explores how two recent Northern Irish performance pieces, David Ireland’s <span>Cyprus Avenue</span> (2016) and Clare Dwyer Hogg’s <span>Hard Border</span> (2018), probe the unsettled plurality of Northern Irish national identity through the casting of actor Stephen Rea in their respective central roles. Rea’s own personal and professional history, as a figure inflected in the public mind with an extreme range of potential ‘Northern Irish identities’, encapsulates the shifting boundaries of an unstable, performative spectrum of ethno-national selfhood. This article explores how the lingering memories of Rea’s on- and offstage past offer a fittingly multilayered, even contradictory, representation of contemporary Northern Irish identity.</p>","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"45 12","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71517553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Conversation in Apocalyptic Times 启示时代的对话
IF 0.1 3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-08 DOI: 10.1017/s0266464x23000222
Yury Butusov, Maria Shevtsova
{"title":"In Conversation in Apocalyptic Times","authors":"Yury Butusov, Maria Shevtsova","doi":"10.1017/s0266464x23000222","DOIUrl":"https://doi.org/10.1017/s0266464x23000222","url":null,"abstract":"<p>Undoubtedly one of the most prominent and most important Russian directors of the past two decades, Yury Butusov here refers to several landmarks of his artistic trajectory, gradually revealing a sense of <span>oeuvre</span>, of a body of work connected by a distinctive worldview. Not all of his productions of exceptional significance are cited here, and <span>Flight</span> (2015), at the Vakhtangov Theatre in Moscow, not having found its rightful place here, appears separately at the end. This Conversation, while intentionally taking a wide perspective, nevertheless focuses on production details so as to foreground various artistic qualities that distinguish his approach. Butusov discusses at some length what constitutes his directorial method and methodology, stressing, above all, the primacy of creative freedom for his actors and himself from which emerge complex and highly charged theatre constructions. Butusov, who is against war as such, speaks of his position on the Russian-Ukrainian war, which led to his resignation in 2018 from the artistic directorship of the Lensoviet Theatre in St Petersburg. He became Principal Director of the Vakhtangov, alongside the acclaimed Rimas Tuminas, Artistic Director of this theatre. Tuminas resigned from his post in spring 2022. Butusov and his family left Russia for Paris, and Butusov resigned from the Vakhtangov in November 2022. His production of Tom Stoppard’s <span>Rosencrantz and Guildenstern are Dead</span> is to be premiered at the Russian- and Lithuanian-speaking Vilnius Old Theatre in September 2023. This conversation took place on 23 March and 27 April 2023 on Zoom, and was translated from the Russian and edited by Maria Shevtsova.</p>","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"45 11","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71517997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
NTQ volume 39 issue 4 Cover and Front matter NTQ第39卷第4期封面和封面
3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-01 DOI: 10.1017/s0266464x23000210
{"title":"NTQ volume 39 issue 4 Cover and Front matter","authors":"","doi":"10.1017/s0266464x23000210","DOIUrl":"https://doi.org/10.1017/s0266464x23000210","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"1 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135564924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
NTQ volume 39 issue 4 Cover and Back matter NTQ第39卷第4期封面和封底
3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-01 DOI: 10.1017/s0266464x23000301
{"title":"NTQ volume 39 issue 4 Cover and Back matter","authors":"","doi":"10.1017/s0266464x23000301","DOIUrl":"https://doi.org/10.1017/s0266464x23000301","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"17 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4. 亚历克斯·西尔兹:《外出的好夜晚:1940-2015年英国流行戏剧史》伦敦:梅休恩出版社，2020年。228便士，90英镑。ISBN 978-1-350046-21-4。
3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-01 DOI: 10.1017/s0266464x23000295
Maggie B. Gale
{"title":"Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.","authors":"Maggie B. Gale","doi":"10.1017/s0266464x23000295","DOIUrl":"https://doi.org/10.1017/s0266464x23000295","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"5 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135564907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonization and Theatre History 非殖民化和戏剧史
3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-01 DOI: 10.1017/s0266464x2300026x
Rashna Darius Nicholson
{"title":"Decolonization and Theatre History","authors":"Rashna Darius Nicholson","doi":"10.1017/s0266464x2300026x","DOIUrl":"https://doi.org/10.1017/s0266464x2300026x","url":null,"abstract":"‘Decolonization’ has superseded ‘postcolonial’ as the most compelling catchword of the present moment. Broadly speaking, the term possesses two parallel genealogies: African decolonization and Latin American decoloniality. But where are Asian territories such as India and Hong Kong, and, more specifically, fields such as theatre history, located in the debate? This article analyzes the stakes and struggles, inner contradictions and blind spots, involved in decolonizing or decentring the curriculum. It asks whether the decolonial temporalities of our time constitute an adequate lens to theorize theatre history by firstly examining the term’s misuse by popular historians, media, and government; and, second, by interrogating a spectrum of positions on ‘Indian Theatre’ from the nineteenth century onwards. Through this double focus, the article probes the scholarly possibilities for undoing the dominant mode when the ‘decolonization trope itself becomes a tool for colonization’.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"16 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135565136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0. 佩塔·泰特的情感形式:戏剧、戏剧和当代表演中的人类对非人类伦敦和纽约:劳特利奇出版社，2022。255便士，96英镑。ISBN 978-0-367-64497-0。
3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-11-01 DOI: 10.1017/s0266464x23000283
Una Bauer
{"title":"Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.","authors":"Una Bauer","doi":"10.1017/s0266464x23000283","DOIUrl":"https://doi.org/10.1017/s0266464x23000283","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"28 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135564252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day 冒险搭便车和其他关于第八天剧院的故事
IF 0.1 3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-07-28 DOI: 10.1017/S0266464X23000143
Juliusz Tyszka
{"title":"Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day","authors":"Juliusz Tyszka","doi":"10.1017/S0266464X23000143","DOIUrl":"https://doi.org/10.1017/S0266464X23000143","url":null,"abstract":"Teatr Ósmego Dnia (the Theatre of the Eighth Day), established in Poznań in 1964, was a part of Polish student theatre. Between 1976 and 1981, it became one of the most important companies in the history of the Polish theatre, producing several masterpieces. It also became a legendary grouping of democratic, anti-communist opposition. The persecution it was subjected to was caused by censorship, the secret police, and the administration at all levels. However, the members of the group managed to overcome everyday fear, face the totalitarian authorities openly, and create unforgettable artistic works. Four of them, who belonged to the group from the early 1970s, still maintain the ethical principles and artistic strategies adopted at that time, and thus now clash with the ideology of the current ruling administration, which is the right-wing Law and Justice Party.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"39 1","pages":"243 - 261"},"PeriodicalIF":0.1,"publicationDate":"2023-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46719898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
NTQ volume 39 issue 3 Cover and Back matter NTQ第39卷第3期封面和封底
IF 0.1 3区 艺术学
NEW THEATRE QUARTERLY Pub Date : 2023-07-28 DOI: 10.1017/s0266464x23000209
{"title":"NTQ volume 39 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s0266464x23000209","DOIUrl":"https://doi.org/10.1017/s0266464x23000209","url":null,"abstract":"","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"39 1","pages":"b1 - b2"},"PeriodicalIF":0.1,"publicationDate":"2023-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42759942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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