Loisir et Société / Society and Leisure最新文献

{"title":"La pratique pédestre recréative sur le sentier du littoral : enjeux et processus d’une organisation spatiale pour les acteurs publics","authors":"Jérôme Piriou, M. Rimaud","doi":"10.1080/07053436.2022.2053323","DOIUrl":"https://doi.org/10.1080/07053436.2022.2053323","url":null,"abstract":"Understanding the tourism phenomenon in coastal areas takes into account pedestrian practices on the coast. The use of the coastal path proves to be suitable for recreational trips. In this article the authors analyze how public actors organize pedestrian practices and how they structure and manage coastal paths.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132522595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La logique des goûts : patrimoine, préférences et abandons en matière de séries télévisées","authors":"C. Combes, et Hervé Glevarec","doi":"10.1080/07053436.2022.2052680","DOIUrl":"https://doi.org/10.1080/07053436.2022.2052680","url":null,"abstract":"TV series are now both a patrimonial cultural object as well as a renewed aesthetic object that is receiving increasing attention. They are widely shared objects of cultural preferences because of their great diversity and the pluralization of the media that broadcast them. This article uses data from a 2017 national survey of taste and viewing practices for TV. The patrimonial range of the series is examined and shows that there is no longer a television culture shared by the general public. Factorial analysis of favorite series and those which viewers have stopped watching, shows that the worlds of tastes are characterized by a differentiation of preferences underpinned by a significant endogenous logic.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124338366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Participation in a poetry festival in a seniors’ residence in Quebec: For the safeguarding of Cultural Capital (habitus)","authors":"Andrée Desjardins, Maryse Paquin","doi":"10.1080/07053436.2021.1999087","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999087","url":null,"abstract":"There is a considerable deficit in the offer of cultural leisure activities in Quebec seniors’ residences, even though one third are interested in them. These seniors possess what Bourdieu calls Cultural Capital (habitus). This Capital promotes self-confidence and a sense of belonging. The main objective of this research is to better know and understand participation in a poetry festival in a seniors’ residence. It aims to compare the cultural leisure activities practiced during youth with those of today, as well as to understand the benefits that seniors derive from their participation in the poetry festival. Finally, it seeks to better define the cultural experience as lived by the participants. To achieve these objectives, a case study was conducted using a qualitative approach. The results show the importance of having a varied offer of cultural leisure activities, including poetry, for the safeguarding of Cultural Capital (habitus) among seniors in Quebec residences.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115624003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Testing the measurement invariance of perceived freedom scale by gender","authors":"Elif Köse, T. Lapa, E. Kaas, N. B. Uzun","doi":"10.1080/07053436.2021.1999091","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999091","url":null,"abstract":"Studies that aim to point out structural differences between groups assume that the measurement tool will function similarly, and thus the results of such measurements will have similar psychometric features. Hence, this study aimed to test the measurement invariance (MI) of the construct validity of the Perceived Freedom in Leisure Scale (PFLS). The research sample consisted of 1097 university students (480 women and 617 men). The MI of the PFLS was tested by multigroup confirmatory factor analyses that test the invariance of the covariance structures within the scope of structural equation modeling. The study yielded evidence which indicates that the measurement model defined for the factor structure of the scale provides MI in terms of gender. The fit indexes for formal invariance, which is the first phase of MI, are χ2 /df = 1.48; CFI = .97; NFI = .91; and RMSEA = .065. Meanwhile, the study observed that a value regarding metric, scalar, and strong invariances, which pertain to other phases of MI, is within acceptable limits (≤−.01 ∆CFI ≤.01). According to the results, we can deduce that the items on a psychological measurement tool represent the same psychological structure among groups.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114217333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le spectacle vivant participatif dans une perspective de médiation culturelle : portée culturelle et sociale","authors":"Pauline Guerreiro","doi":"10.1080/07053436.2021.1999082","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999082","url":null,"abstract":"La présente recherche traite de la portée culturelle et sociale du spectacle vivant participatif dans une perspective de médiation culturelle. Si la recherche sur l’art participatif s’est développée ces dernières années, on relève un manque d’études sur le spectacle vivant participatif. Une étude de cas a été réalisée sur le projet La Vague du musicien et compositeur français Eryck Abecassis, invité par les Escales Improbables de Montréal (EIM), en 2013. Trois types d’acteurs ont participé à La Vague : l’artiste professionnel, des membres du personnel des EIM et des participants. Les résultats montrent l’existence de la portée culturelle et sociale du projet. L’étude révèle la présence d’enjeux et de défis communs à l’organisation de projets artistiques participatifs et non participatifs, ainsi que des problématiques liées à la présence de non-professionnels. Enfin, l’étude révèle l’influence de la participation à l’organisation de l’événement sur l’expérience vécue chez les différentes catégories d’acteurs du projet.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114456941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Only so that my daughter gets exposure to the culture”: Ethnic leisure practices and intangible cultural heritage in British Indian diasporic families","authors":"Utsa Mukherjee","doi":"10.1080/07053436.2021.1999089","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999089","url":null,"abstract":"Intangible cultural heritage (ICH) as a concept has received considerable scholarly attention in recent years. However, empirical understanding of how ICH migrates, and is transmitted within diasporic communities is sparse. This paper draws upon a qualitative study with middle-class British Indian families living in and around London to unpack the ways in which ICH is enacted, interpreted, and transmitted from across generation through the construction of diasporic leisure spaces. Based on interviews with parents and children and observation of festival sites, it is argued that the leisure–ICH nexus in the diaspora materializes through two interlinked processes: “transmission of ethnic cultural capital” and “place-making.” These processes draw upon and contribute to diasporic social networks. In exploring these intersections, the paper further draws attention to how the internal differentiations within diasporic communities inflect the (re)production of diasporic leisure and ICH in the context of contemporary urban multi-culture in London.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132234535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultural Reproduction: ethnic Festivals as Intangible cultural Heritage in China","authors":"Yujie Zhu, Junmin Liu","doi":"10.1080/07053436.2021.1999090","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999090","url":null,"abstract":"Despite a considerable body of research focusing on the preservation and promotion of intangible cultural heritage (ICH), the actual impact of ICH on shaping the cultural life of local communities needs further acknowledgement. Since 2004, China has rapidly engaged with ICH and the associated practices stipulated by UNESCO. Based on a critical analysis of two cultural festivals in China, this study illustrates the impact of official heritage discourse on local communities. Heritage policies have adopted a particular understanding of “culture” that certifies and beautifies related cultural practices and products for commercial purposes. However, these processes of cultural reproduction transform community-based leisure activities into tourism consumption for an external public. Such changes legitimize and reinforce social inequalities within state-society relationships. This study contributes to the broader discussion on the “right to heritage” – whose rights and what rights should be considered in the issues that ICH creates as a form of cultural reproduction","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128513484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Les industries culturelles et le tourisme de masse comme vecteurs de transmission du patrimoine culturel immatériel : que reste-t-il de la culture lorsqu’elle devient spectacle?","authors":"Rébéca Lemay-Perreault","doi":"10.1080/07053436.2021.1999081","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999081","url":null,"abstract":"The transformation of intangible cultural heritage into a tourist event has become commonplace throughout the world, and few governments can afford to turn down the economic windfall brought about by mass tourism. The Quebec government is no exception. Since the incorporation of the notion of intangible cultural heritage in its Cultural Heritage Act, it has made the cultural and tourism industries not only an essential vector for its dissemination, but also a means of ensuring its continued existence. However, the rapid pace of consumption of cultural products, imposed by both the cultural and mass tourism industries, leads us to question the durability of certain forms of intangible cultural heritage, which can only be transmitted over time. Therefore, it seems appropriate to reflect on the integration of intangible cultural heritage in a combined perspective of events and mass tourism, important parts of the local economic development of Quebec.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114880690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultural mediation as a solution to cultural access and participation challenges in performing arts centers","authors":"Sara Bernardi","doi":"10.1080/07053436.2021.1999083","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999083","url":null,"abstract":"This article focuses on cultural mediation in performing arts centers. Since their creation, performing arts centers have been showcasing heritage, but they are also faced with issues of access and participation. To address these concerns, these centers are turning to cultural mediation as a solution. This article is based on semi-structured interviews with six major performing arts centers in North America. In addition to highlighting the similarities and differences arising from the plural strategic approaches to cultural mediation developed in these centers, this article presents an analysis of the relationship established with their audiences.","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"328 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114372632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Leisure’s place in the intangible cultural heritage","authors":"Maryse Paquin, Rébéca Lemay-Perreault","doi":"10.1080/07053436.2021.1999080","DOIUrl":"https://doi.org/10.1080/07053436.2021.1999080","url":null,"abstract":"The advent of intangible cultural heritage Intangible cultural heritage (ICH) officially become part of UNESCO at the International Conference on New Perspectives, held in Paris in 1993. The importance of “encouraging all kinds of action to make the bearers of intangible heritage aware of the value of their culture and of the need to ensure its safeguarding and revitalization” is identified (UNESCO, 1993, p. 8). Ten years later, the Text of the Convention for the Safeguarding of the Intangible Cultural Heritage (UNESCO, 2003) is adopted by the international organization. Article 2 paragraph 2 of the General provisions section of the Text identifies the five domains of ICH, namely (a) “oral traditions and expressions, including language as a vehicle of intangible cultural heritage”; (b) “performing arts”; (c) “social practices, rituals and festive events”; (d) “knowledge and practices concerning nature and the universe”; and (e) “traditional craftsmanship.” The 9 articles in this issue relate to the second and third domains of ICH, as identified in the Text. Table 1 presents the different themes addressed and their authors according to the two ICH domains. This issue thus opens up discussion on the following themes: ludism and creation (Bartholeyns & Bonvoisin, 2011), civic engagement (Tornatore, 2017), or new forms of participation (Kamal, 2019) promoted by ICH, whose activities, not their products or supports, represent the object of study, in terms of values (Pietro et al., 2017), identity (Frangne, 2011), sense of belonging (Regulus, 2007), etc. The articles in this issue also invite reflection in terms of interpretation (Chaumier, 2010), appropriation (Linck, 2012), cultural mediation (Lempereur, 2008), in professional or amateur leisure practices (Euvrard, 2016), and in those of mass tourism (Massoud et al., 2019; Rodzi et al., 2013), ensuring the safeguarding of ICH (Brito & Pianezza, 2017), which “contributes to the enrichment of cultural diversity and human creativity” (UNESCO, 2003). The choice to focus this issue on “performing arts” and “social practices, rituals and festive events” is largely based on the idea that their transmission only occurs in “their manifestation, therefore, by those who experience them” (Le Coq et al., 2019, p. 171). This choice is also motivated by the fact that, paradoxically, cultural industries, in their economic logic of frequentation and the public, increasingly take place in these two related universes that are","PeriodicalId":439880,"journal":{"name":"Loisir et Société / Society and Leisure","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123043778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}