{"title":"Garbage Truck Music and Sustainability in Contemporary Taiwan:","authors":"Nancy A. Guy","doi":"10.5406/J.CTVH9W1F9.10","DOIUrl":"https://doi.org/10.5406/J.CTVH9W1F9.10","url":null,"abstract":"","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116563366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fiesta de la Bulería of Jerez de la Frontera:","authors":"Roshan Samtani","doi":"10.5406/J.CTVH9W1F9.25","DOIUrl":"https://doi.org/10.5406/J.CTVH9W1F9.25","url":null,"abstract":"","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"256 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124211872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BaAka Singing in a State of Emergency:","authors":"M. Kisliuk","doi":"10.5406/J.CTVH9W1F9.22","DOIUrl":"https://doi.org/10.5406/J.CTVH9W1F9.22","url":null,"abstract":"","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131043295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fiddle-icious","authors":"","doi":"10.5622/illinois/9780252042362.003.0022","DOIUrl":"https://doi.org/10.5622/illinois/9780252042362.003.0022","url":null,"abstract":"Don Roy is a champion fiddler from Maine, promoted and celebrated on national folkloric stages as “the finest Franco fiddler in New England, whose playing exactly exemplifies what Franco-American fiddling is all about.” Nonetheless, Mr. Roy has been reluctant to adopt or centralize institutional constructs of his identity. Since 2003 he and Cindy Roy have developed and nurtured a community around a core of music repertoire and practice. This chapter explores the relationship between Mr. Roy's role as a bearer of inherited cultural and musical traditions, and his cultivation of a sustainable music community in southern Maine, as a participatory alternative to heritage industry narratives.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128485165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Technology, Chanting Torah, and the Sustainability of Tradition","authors":"J. Summit","doi":"10.5406/J.CTVH9W1F9.20","DOIUrl":"https://doi.org/10.5406/J.CTVH9W1F9.20","url":null,"abstract":"This chapter examines strategies where individual Jews employ digital technology to sustain and transmit musical traditions of Torah and haftarah trope, a core element of contemporary Jewish worship. While these examples focus more on personal agency than institutional sustainability, they underscore new approaches to integrating meaningful ritual into the lives of these liberal Jews. Even as certain contemporary Jews have moved away from traditional structures of learning and authority–synagogues, religious schools, rabbis, and cantors–they have developed and supported innovative means to transmit the music performance of biblical chant used in bar/bat mitzvah celebrations in a way that sustains traditional rituals while empowering their personal style of Jewish expression and identity.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130510617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The New River Updated","authors":"","doi":"10.5622/illinois/9780252042362.003.0010","DOIUrl":"https://doi.org/10.5622/illinois/9780252042362.003.0010","url":null,"abstract":"In 1911 Charles Ives wrote “The New River,” a song unique among his works for its outspoken environmentalist stance. Composed in direct response to the diversion of waters from Ives's beloved Housatonic River to feed New York City reservoirs and plans for constructing a dam, the song also captured widespread national outrage over the Hetch Hetchy Dam being built at the same time through Yosemite National Park. Combining transcendentalist understandings of nature with more contemporary arguments to save Hetch Hetchy published by Robert Underwood Johnson and John Muir, Ives's song sounds his belief “the fabric of life weaves itself whole.”","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116154255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fiesta de la Bulería of Jerez de la Frontera","authors":"","doi":"10.5622/illinois/9780252042362.003.0021","DOIUrl":"https://doi.org/10.5622/illinois/9780252042362.003.0021","url":null,"abstract":"The construction of cultural heritage, together with its maintenance, sustainability, and adaptation, is an area of perennial interest to social scientists. This chapter documents and describes the Fiesta de la Bulería, an annual event celebrated in the city of Jerez de La Frontera, Spain. The fiesta, an invented tradition that commenced in 1967, is dedicated to the bulería, a highly-cherished song-form in the flamenco repertoire. Drawing on perspectives from semiotics, the chapter addresses the question of how musical sounds signify, essential to an understanding of the construction of meaning, and thus to a deeper comprehension of music and identity. In the course of the discussion, this chapter employs the fiesta as a framework to illustrate how the environment, expressive culture, identity, and economics felicitously come together through adaptive management, thereby fostering the sustainability of an eco-system of culture.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130796956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sustaining Indigenous Sounds","authors":"","doi":"10.5622/illinois/9780252042362.003.0015","DOIUrl":"https://doi.org/10.5622/illinois/9780252042362.003.0015","url":null,"abstract":"What now might now be dubbed “cultural sustainability” has long been part and parcel of university life throughout Latin America where such institutions have been pivotal in preserving and shaping peripheral or threatened musical traditions. This chapter describes the work of a Peruvian organization called the Centro de Capacitación Campesino (Center for Peasant Training), which was instrumental in the musical life of rural-indigenous communities around the Andean city of Ayacucho in two distinct moments: first in the 1980s when the CCC was founded at Ayacucho's national university amid the Shining Path's war against the Peruvian state; the second moment came after 2000 when community-based Radio Quispillaccta made old CCC recordings the centerpiece of its broadcasts and a symbol of indigenous ecological rationality.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"259 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133657347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Climate Change, Mobile Pastoralism, and Cultural Heritage in Western Mongolia","authors":"J. Post","doi":"10.5406/J.CTVH9W1F9.11","DOIUrl":"https://doi.org/10.5406/J.CTVH9W1F9.11","url":null,"abstract":"This chapter addresses the impact of climate change on the cultural production of Kazakh mobile pastoral herders in the Altai Mountains of western Mongolia. It highlights the body of Traditional Ecological Knowledge (TEK) that herders express in their music, instruments, textiles, and heritage actions such as work patterns and social gatherings. Extreme weather events, loss of water sources, and desertification have deeply impacted herders and this is expressed in their cultural forms. The study engages with rangeland and climate science and draws on the author's fieldwork with Kazakh herders in Mongolia.","PeriodicalId":438418,"journal":{"name":"Cultural Sustainabilities","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124786172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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