Architectural Theory Review最新文献

{"title":"Furniture as Program: Exhibiting, Educating and Professionalising Interior Design at Belgium’s Saint Luke Schools in the 1980s","authors":"Benoît Vandevoort","doi":"10.1080/13264826.2024.2319350","DOIUrl":"https://doi.org/10.1080/13264826.2024.2319350","url":null,"abstract":"This article analyses two furniture design exhibitions at the Belgian Saint Luke schools, organised in the 1980s within the programme of interior design. It demonstrates the pivotal role played by ...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"2016 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140105281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Theory of Architectural Production in a Geography of Change: Auguste Choisy in the Ottoman Empire","authors":"Tülay Atak","doi":"10.1080/13264826.2023.2291485","DOIUrl":"https://doi.org/10.1080/13264826.2023.2291485","url":null,"abstract":"This article presents an expanded intellectual, historical and geographical context of Auguste Choisy’s history of architecture. Reading his history of Byzantine architecture along with his travelo...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"36 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139067250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Quaint","authors":"Felix McNamara","doi":"10.1080/13264826.2023.2290493","DOIUrl":"https://doi.org/10.1080/13264826.2023.2290493","url":null,"abstract":"","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"1 11","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138951176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Boston City Hall and Mitchell/Giurgola Architects: Thoughts and Themes on a Competition’s “Runner-Up”","authors":"Philip Goad","doi":"10.1080/13264826.2023.2279602","DOIUrl":"https://doi.org/10.1080/13264826.2023.2279602","url":null,"abstract":"Analysis of the unofficial runner-up in the 1961–62 design competition for Boston City Hall—the scheme by the Philadelphia-based team of Mitchell/Giurgola Architects (MGA) in association with David...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138527430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Engineering Economies of Identity: Saudi Planning, Pan-Islamism, and Transnational Architectural Production","authors":"Aaron Tobey","doi":"10.1080/13264826.2023.2277199","DOIUrl":"https://doi.org/10.1080/13264826.2023.2277199","url":null,"abstract":"Between the early 1960s and the 1980s, the Kingdom of Saudi Arabia commissioned a series of large-scale architectural projects as part of an ambitious building programme drawing on both local and f...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"14 3","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138527431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metabolic Infrastructures: An Organic Analogy between Literal Imitation and Metaphor","authors":"Peter Šenk","doi":"10.1080/13264826.2023.2272857","DOIUrl":"https://doi.org/10.1080/13264826.2023.2272857","url":null,"abstract":"Throughout history, nature and organisms have served as analogies for both design and the contemplation of architecture and cities. In this paper, the concept of metabolism as an organic analogy in...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"112 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138546948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Simultaneous Double Notions: Mannerist Elements in Contemporary Architecture","authors":"Federico Soriano, Maria Dolores Palacios Díaz","doi":"10.1080/13264826.2023.2277202","DOIUrl":"https://doi.org/10.1080/13264826.2023.2277202","url":null,"abstract":"There is no complete description of either the term “mannerism” or its associated features. Contradiction, paradox, and ambiguity may have been the terms most referential for mannerism since the 19...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"115 6","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138527433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Representing the Profession and Protecting the Past: Mitchell/Giurgola and the AIA Competition in Washington, DC","authors":"Catherine Lassen, Cameron Logan","doi":"10.1080/13264826.2023.2277203","DOIUrl":"https://doi.org/10.1080/13264826.2023.2277203","url":null,"abstract":"In 1964 the American Institute of Architects (AIA) launched a competition to redevelop its headquarters at the Octagon Building (1801) in Washington, DC. The Kennedy Administration had recently res...","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"51 3","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138527432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"René Furer’s Semantic and Syntactic Analysis: Venturi and Vignola at ETH Zurich","authors":"Frida Grahn","doi":"10.1080/13264826.2023.2266072","DOIUrl":"https://doi.org/10.1080/13264826.2023.2266072","url":null,"abstract":"This paper explores the response of the Eidgenössische Technische Hochschule Zürich (ETH Zurich) to the student unrest of 1968. Specifically, it analyses the teaching of Swiss architect and educator René Furer on architectural theory. One of the key examples is Furer’s lecture on mannerism, in which both sixteenth-century and contemporary projects were used to illustrate “semantic” and “syntactic” dimensions of architecture. The terminology and pluralist content of the lecture show how mannerism was related to the notion of architecture as language and to nascent postmodernism. By highlighting this episode, the paper challenges the prevailing narrative of Swiss architecture as a bastion of modernism, suggesting that teaching at ETH was more in tune with international developments than previously thought.","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"34 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135679635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dalibor Vesely and the Model of the Late Baroque","authors":"Joseph Bedford","doi":"10.1080/13264826.2023.2270083","DOIUrl":"https://doi.org/10.1080/13264826.2023.2270083","url":null,"abstract":"AbstractThis article explores the value and lessons of the late baroque for Dalibor Vesely as an example of the role that it played for many architectural educators in the 1970s and 1980s. It shows the specific roots of Vesely’s interpretation of the late baroque in the context of the influence of his mentors, the art historian Vaclav Richter, and the phenomenologist Jan Patočka whose thought positioned the late baroque in relationship to the crisis of modernity. It then shows how Vesely used the late baroque in his studio and seminar teaching in the 1980s at the University of Cambridge school of architecture, not only to develop his students’ historical and theoretical critique of modern architecture, but as a model for contemporary design practice, finding in examples of late baroque churches, such as Johann Michael Fischer’s renovations of the church at Zwiefalten Abbey (1739–65), an architecture of ambiguity, complexity, sensuality, imagination, and holism that could inspire contemporary architecture.Keywords: Dalibor Veselyphenomenologyarchitectural educationbaroqueJan Patočka Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 Vesely had written about the emergence of instrumental representation and emancipated representation before, but it was not until the publication of his book that he coined the phrase “divided representation” to name a time in which “instrumental non-communicative” representation emerged as a separate domain from “symbolic communicative” representation. See Dalibor Vesely, Architecture in the Age of Divided Representation: The Question of Creativity in the Shadow of Production (Cambridge, MA: MIT Press, 2004), 175–77.2 Copy of Memorandum written by George Gunther, October 20, 1975, included in the 1975 School NAAB Accreditation Report, Kentucky University School of Architecture library.3 Dalibor Vesely, Diploma Unit 2 (1987–88), Exhibition Catalogue 1988, 22.4 Vesely, Architecture in the Age of Divided Representation, 218.5 Vesely, Architecture in the Age of Divided Representation, 222.6 Plato uses the term metaxis in The Symposium, 202d13–e1.7 Now classic interpretations of the emergence of autonomous art out of the emancipation of rocaille ornament in the late baroque can be found in Hans Sedlmayr, Art in Crisis: The Lost Centre (London: Hollis and Carter Limited, 1957), originally published as Verlust der Mitte: Die bildende Kunst des 19. und 20. Jahrhunderts als Symptom und Symbol der Zeit (Vienna: Otto Müller Verlag, 1948); Karsten Harries, The Broken Frame: Three Lectures (Washington, DC: Catholic University of America, 1989); and Karsten Harries, The Ethical Function of Architecture (Cambridge, MA: MIT Press, 1997).8 Hans Sedlmayr and Hermann Bauer, “Rococo,” Encyclopedia of World Art, vol. 12 (New York: MacGraw Hill, 1966), 230–74; Henry-Russell Hitchcock, “The Limits of Rococco: The Work of Johann Michael Fischer and J.B. Neumann,” Rococo Architecture in Southern Germany","PeriodicalId":43786,"journal":{"name":"Architectural Theory Review","volume":"13 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135589226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}