{"title":"Acknowledgments","authors":"","doi":"10.5406/j.ctv176kvq8.3","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.3","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133549295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Bali to America:","authors":"","doi":"10.5406/j.ctv176kvq8.7","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.7","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125593820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kembali:","authors":"","doi":"10.5406/j.ctv176kvq8.11","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.11","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"44 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132696771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Glossary","authors":"","doi":"10.5406/j.ctv176kvq8.15","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.15","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125840060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"","doi":"10.5406/j.ctv176kvq8.19","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.19","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128603484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.5406/j.ctv176kvq8.18","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.18","url":null,"abstract":"","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117185467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cultivating New Flowers","authors":"Elizabeth A. Clendinning","doi":"10.5406/j.ctv176kvq8.14","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.14","url":null,"abstract":"By examining the self-narrative of college Balinese gamelan teacher Dewa Ketut Alit Adnyana, the chapter juxtaposes and recontextualizes key themes from the entire volume, including the construction of musical lineages, transnational artistic communities, personal negotiations of artistic and social status, pedagogical creativity, and personal sacrifice. Biography is presented as an important medium for understanding the impact of teaching and performance; ethnomusicology, as a field that constitutes a way of life rather than a professional occupation alone. The chapter concludes with suggestions for creating more sustainable academic world music communities, including improving access and representation, and for reconsidering the distinctive and powerful role that ensembles can play in cultivating cultural and artistic diversity in higher education.","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115552351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interlocking Sounds, Interlocking Communities","authors":"Elizabeth A. Clendinning","doi":"10.5406/j.ctv176kvq8.5","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.5","url":null,"abstract":"The chapter introduces Indonesian gamelan (percussion orchestra) and the roles that it has played in college world music education in North America and in the discipline of ethnomusicology. The chapter presents a musical overview of gamelan and its original cultural contexts in Indonesia, including religious ceremonies, tourist audiences, and local entertainment. Then it introduces new contexts that gamelan has come to occupy in North America, including performances on concert stages, at outdoor festivals, in prisons, and, most pertinent to this book, in collegiate music halls. Finally, the chapter introduces the premise of the volume—a biography-based examination of the way academic world music ensembles impact local and transnational educational and musical communities—and the book’s primary goal: that of suggesting ways to construct more sustainable academic music communities.","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"153 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134156026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Americans Learning Gamelan in Bali","authors":"Elizabeth A. Clendinning","doi":"10.5406/j.ctv176kvq8.10","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.10","url":null,"abstract":"The chapter analyzes the development and scope of educational tourism programs in the performing arts, including collegiate study-abroad programs, in the context of the Balinese tourism industry. The programs—which include hands-on music making and dance instruction, lectures and workshops, and visits to performing arts events and tourist sites—feature elements of both educational and leisure tourism. Through an examination of several different models for such “edutourism” programs, the chapter suggests that while they capitalize on presenting an “authentic” experience of Balinese-ness for participants, they also provide distinctive opportunities for foreigners to transcend the conventional tourist role via more direct involvement in Balinese community events and by treating and compensating teachers as professionals.","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127012204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Early Encounters in Bimusicality","authors":"Elizabeth A. Clendinning","doi":"10.5406/j.ctv176kvq8.6","DOIUrl":"https://doi.org/10.5406/j.ctv176kvq8.6","url":null,"abstract":"The chapter presents an overview of the introduction of gamelan to North America and examines how the ensembles assumed a key role within the philosophy and practice of American collegiate world music education. Musical and cultural exhibitions at world’s fairs, the dispersion of early recordings of gamelan music, transnational performance tours, and the work of Western composers and pedagogues led to the importation of instruments and founding of early academic gamelans. The world music ensemble programs modeled after those founded at UCLA by Mantle Hood embodied a new and important paradigm in ethnomusicology termed bimusicality, as well as sparking the collegiate world music ensemble movement. The chapter concludes with a brief overview of the current gamelan scene in the United States that reconnects the early development of academic gamelan ensembles to contemporary artistic and educational practices.","PeriodicalId":436478,"journal":{"name":"American Gamelan and the Ethnomusicological Imagination","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125384393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}