{"title":"The Treachery of Images: Why Images Do not Exist and There Are Only Flat Objects","authors":"R. Manzotti","doi":"10.30687/jolma/2723-9640/2021/01/006","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2021/01/006","url":null,"abstract":"Do images exist? In this paper I argue that the notion of an image is ontologically empty – i.e., images are no more than a cultural invention akin to epicycles in astronomy. There are only flat objects engaged in various causal roles. In this paper I will defend the thesis that in visual culture, in the neurosciences, and in philosophy of mind, there is no convincing evidence in favor of their existence. Moreover, I will outline a series of arguments aiming at showing that images do not exist. I will discuss briefly discuss why many authors – from the iconic turn to the neurosciences – use the notion of image as though it were something real. I will conclude suggesting to drop the subject-object divide and to consider a completely flat ontology made only of (relative) objects.","PeriodicalId":436202,"journal":{"name":"2 | 1 | 2021\n Image/Images: A Debate Between Philosophy and Visual Studies","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134464561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Narrative Aesthetics of Protest Images","authors":"Hannah Fasnacht","doi":"10.30687/jolma/2723-9640/2021/01/013","DOIUrl":"https://doi.org/10.30687/jolma/2723-9640/2021/01/013","url":null,"abstract":"In this paper I argue that protest images have a certain aesthetics and a degree of transformative power. Crucial to this aesthetics is the images’ narrative structure, like the representation of goal-directed actions. On this basis, I show that there are more aspects that contribute to the storytelling capacity, like narrative characteristics and an aesthetics of dramatization. Using the example of climate change protests as a case study, I establish that these aspects can contribute to the transformative ability of protest images, if used effectively.","PeriodicalId":436202,"journal":{"name":"2 | 1 | 2021\n Image/Images: A Debate Between Philosophy and Visual Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125919711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}