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Custom, Law, and Monarchy. A Legal History of Early Modern France 习俗、法律和君主政体。法国近代早期法律史
IF 0.2 3区 历史学
French History Pub Date : 2023-06-15 DOI: 10.1093/fh/crad021
J. Swann
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引用次数: 1
Episcopal entries and urban liberties in late medieval and Renaissance France, c. 1200–c. 1600 中世纪晚期和文艺复兴时期法国的圣公会条目和城市自由,约1200-c。1600
IF 0.2 3区 历史学
French History Pub Date : 2023-06-06 DOI: 10.1093/fh/crad027
Neil Murphy
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引用次数: 0
SSFH Society News SSFH社讯
3区 历史学
French History Pub Date : 2023-06-01 DOI: 10.1093/fh/crad026
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引用次数: 0
Empires, ideas, and political strategies in nineteenth-century France 19世纪法国的帝国、思想和政治策略
3区 历史学
French History Pub Date : 2023-06-01 DOI: 10.1093/fh/crad023
Alex Middleton
{"title":"Empires, ideas, and political strategies in nineteenth-century France","authors":"Alex Middleton","doi":"10.1093/fh/crad023","DOIUrl":"https://doi.org/10.1093/fh/crad023","url":null,"abstract":"Journal Article Empires, ideas, and political strategies in nineteenth-century France Get access The Politics of Imperial Memory in France, 1850–1900. By Christina B. Carroll. Ithaca; London: Cornell University Press. 2022. xiii + 284 pp. £45. ISBN 978 1 501 76308 3.French Liberalism and Imperialism in the Age of Napoleon III: Empire at Home, Colonies Abroad. By Miquel de la Rosa. Cham: Palgrave Macmillan. 2022. xiii + 219 pp. £109.99. ISBN 978 3 030 95887 9.A Velvet Empire: French Informal Imperialism in the Nineteenth Century. By David Todd. Princeton; Oxford: Princeton; University Press. 2021. xi + 351 pp. £30. ISBN 978 0 691 17183 8. Alex Middleton Alex Middleton Alex Middleton is Fellow and Lecturer in Modern History at St Hugh’s College, Oxford, and can be contacted at alex.middleton@history.ox.ac.uk Search for other works by this author on: Oxford Academic Google Scholar French History, crad023, https://doi.org/10.1093/fh/crad023 Published: 15 July 2023","PeriodicalId":43617,"journal":{"name":"French History","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136281378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
One Hundred Years of History of the French Communist Party 《法国共产党百年历史》
IF 0.2 3区 历史学
French History Pub Date : 2023-05-23 DOI: 10.1093/fh/crad024
Xinli Chen, Yang Zhang
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引用次数: 0
Regional Dress: Between Tradition and Modernity 地域服饰:在传统与现代之间
IF 0.2 3区 历史学
French History Pub Date : 2023-05-23 DOI: 10.1093/fh/crad025
D. Hopkin
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引用次数: 0
From dissident to recognized belligerent? The Free French and the Red Cross Movement, 1940–1943 从持不同政见者到公认的好战者?自由法国和红十字运动,1940-1943
IF 0.2 3区 历史学
French History Pub Date : 2023-05-22 DOI: 10.1093/fh/crad018
Marie-Luce Desgrandchamps, L. Humbert
{"title":"From dissident to recognized belligerent? The Free French and the Red Cross Movement, 1940–1943","authors":"Marie-Luce Desgrandchamps, L. Humbert","doi":"10.1093/fh/crad018","DOIUrl":"https://doi.org/10.1093/fh/crad018","url":null,"abstract":"\u0000 This article explores how the Free French, who were obsessed with establishing legitimacy and obtaining resources on the international scene, sought to create links with the Red Cross Movement. Firstly, it highlights the significance attached to affiliation with the Red Cross by a political committee-in-exile operating outside the traditional diplomatic framework. Although de Gaulle was relatively successful in this quest and obtained a partial diplomatic recognition within the Red Cross apparatus in 1943, this only extended to the transmission of information about prisoners of war. Secondly, it expands and deepens the history of the Red Cross Movement by illustrating the complexity of Red Cross philanthropy and the plurality of its transnational networks on the ground. In the Free French ‘archipelago’, local Red Cross structures—often led by women—were complicated by their own unique dynamics, entangled both in the geopolitics of the time and the local politics of their respective spaces.","PeriodicalId":43617,"journal":{"name":"French History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48825723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrative, Catastrophe and Historicity in Eighteenth-century French Literature 18世纪法国文学中的叙事、灾难与历史性
IF 0.2 3区 历史学
French History Pub Date : 2023-05-22 DOI: 10.1093/fh/crad020
M. D’Auria
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引用次数: 0
From Servant to Savant: Musical Privilege, Property, and the French Revolution 从仆人到学者:音乐特权、财产和法国大革命
IF 0.2 3区 历史学
French History Pub Date : 2023-05-22 DOI: 10.1093/fh/crad022
James H. Johnson
{"title":"From Servant to Savant: Musical Privilege, Property, and the French Revolution","authors":"James H. Johnson","doi":"10.1093/fh/crad022","DOIUrl":"https://doi.org/10.1093/fh/crad022","url":null,"abstract":"At the heart of Rebecca Dowd Geoffroy-Schwinden’s From Servant to Savant is the radical, tantalizing proposition that the rise of musical romanticism constituted not merely an aesthetic shift, but also a political one, precipitated by cataclysmic changes in social and economic relations in the wake of the French Revolution. She argues that musicians and composers were among the most vocal proponents of socio-economic overhaul during this period, advocating such liberal reforms as the protection of private property, copyright law, state artistic subsidy and democratic nationhood. With this assertion, Geoffroy-Schwinden boldly wades into a number of overlapping, contentious debates in French Revolutionary historiography concerning the degree of continuity and change wrought by this unprecedented event. While Marxist historians of the early twentieth century viewed the French Revolution as the catalyst for the rise of industrial capitalism (see, for example, Georges Lefebvre, Quatre-vingt-neuf (Paris: Éditions sociales, 1970)), revisionist scholars have noted that the economic changes established by the Revolution were limited, and that many of the Revolution’s most radical reforms were almost immediately reversed – first by Napoleon and then under the Bourbon Restoration (see François Furet, Interpreting the French Revolution (Cambridge: Cambridge University Press, 1981)). Similarly, many musicologists believed that the rise of an increasingly chromatic genre of so-called ‘rescue opera’ in the 1790s was evidence that the events of the Revolution had prompted the rise of musical romanticism (see Winton Dean, ‘Opera under the French Revolution’, Proceedings of the Royal Musical Association 94/1 (1967– 1968), 77–96). However, others have since pointed to the persistence of more conservative musical trends (such as the revival of opéras-comiques from the 1750s and 1760s) as nuancing the idea that the French Revolution also ushered in a concurrent ‘revolution’ in musical taste (see Julia Doe, ‘Two Hunters, a Milkmaid, and the French “Revolutionary” Canon’, Eighteenth-Century Music 15/2 (2018), 177–205, and Mark Darlow, Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789–1794 (New York: Oxford University Press, 2012)). Geoffroy-Schwinden’s primary contribution to these debates is to suggest that the French Revolution, in abruptly ending the system of royal patronage and privilège that governed musical production under the ancien régime, oversaw shifts in the means of musical production based on three central principles: ‘the composer’s sovereignty, the work’s inviolability, and the nation’s supremacy’ (3). Public musical performance in ancien-régime France was kept under tight monarchical control in order to protect crown-funded monopolies. Following the mercantilist logic of Louis XIV’s finance minister, Jean-Baptiste Colbert, musicians or musical establishments required a special privilège in order to engage in public musical pro","PeriodicalId":43617,"journal":{"name":"French History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46682050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ceremonial Splendor: Performing Priesthood in Early Modern France 仪式性的辉煌:近代早期法国祭司的表演
IF 0.2 3区 历史学
French History Pub Date : 2023-05-13 DOI: 10.1093/fh/crad019
Hilary J Bernstein
{"title":"Ceremonial Splendor: Performing Priesthood in Early Modern France","authors":"Hilary J Bernstein","doi":"10.1093/fh/crad019","DOIUrl":"https://doi.org/10.1093/fh/crad019","url":null,"abstract":"","PeriodicalId":43617,"journal":{"name":"French History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47008479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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