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The Filipino National Anthem 菲律宾国歌
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-12-01 DOI: 10.1525/jpms.2023.35.4.4
Adrian De Leon
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引用次数: 0
Review: For the Culture: Hip-Hop and the Fight for Social Justice, edited by Lakeyta M. Bonnette-Bailey and Adolphus G. Belk, Jr. 回顾：为了文化：Lakeyta M. Bonnette-Bailey 和 Adolphus G. Belk, Jr.编辑的《嘻哈与争取社会正义》。
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-12-01 DOI: 10.1525/jpms.2023.35.4.140
Corey J. Miles
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引用次数: 0
Special Issue Introduction 特刊导言
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-12-01 DOI: 10.1525/jpms.2023.35.4.14
Morgan Bimm, Kate Galloway, Amy Skjerseth
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引用次数: 0
Review: The Politics of Vibration: Music as a Cosmopolitical Practice, by Marcus Boon 评论振动的政治学：音乐作为一种宇宙政治实践》，马库斯-布恩著
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-12-01 DOI: 10.1525/jpms.2023.35.4.130
Christine Capetola
{"title":"Review: The Politics of Vibration: Music as a Cosmopolitical Practice, by Marcus Boon","authors":"Christine Capetola","doi":"10.1525/jpms.2023.35.4.130","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.4.130","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":"42 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138626431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The spaceflight contrast sensitivity hypothesis and its role to investigate the pathophysiology of spaceflight-associated neuro-ocular syndrome. 太空飞行对比敏感性假说及其在研究太空飞行相关神经眼综合征病理生理学方面的作用。
3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-05 eCollection Date: 2023-01-01 DOI: 10.3389/fopht.2023.1229748
Ethan Waisberg, Joshua Ong, Nasif Zaman, Phani Paladugu, Sharif Amit Kamran, Alireza Tavakkoli, Andrew G Lee
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引用次数: 0
Review: Virtual Music: Sound, Music, and Image in the Digital Era, by Shara Rambarran 书评:《虚拟音乐:数字时代的声音、音乐和图像》，作者:Shara Rambarran
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-01 DOI: 10.1525/jpms.2023.35.3.138
Lucy March
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引用次数: 0
Review: Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture, by Mark R. Villegas 书评:《显性技术:嘻哈、帝国和有远见的菲裔美国人文化》，马克·r·维勒加斯著
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-01 DOI: 10.1525/jpms.2023.35.3.128
Anjeline de Dios
{"title":"Review: Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture, by Mark R. Villegas","authors":"Anjeline de Dios","doi":"10.1525/jpms.2023.35.3.128","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.3.128","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41424645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Sissy Style” “娘娘腔的风格”
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-01 DOI: 10.1525/jpms.2023.35.3.61
L. Kehrer
{"title":"“Sissy Style”","authors":"L. Kehrer","doi":"10.1525/jpms.2023.35.3.61","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.3.61","url":null,"abstract":"For the past decade, queer and trans rappers have been the dominant force in New Orleans bounce, a dance-centric hip hop genre specific to that city. Inspired by the language of bounce rappers themselves, such as Sissy Nobby, who self-identify as gay and reclaim a once pejorative term to openly express their sexual and gender identities through their performances, music journalist Alison Fensterstock coined the term “sissy bounce” to describe this current phenomenon. Since the genre first developed in the early 1990s, dancing, or “shaking” as it is called locally, has gone hand-in-hand with the music. More recently, bounce dance styles, including twerking, have drawn mainstream attention, fueled in part by controversial performances such as those by Miley Cyrus. “Twerking” is now part of the national vocabulary, but is largely misunderstood, especially its distinctly queer iterations.\u0000 Drawing on interviews and fieldwork conducted in New Orleans, this article illustrates the ways in which gendered shaking styles have been adapted among its queer and trans participants and its role as kinetic community response to trauma inflicted by Hurricane Katrina. It demonstrates that shaking is an example of both a racialized and gendered performance and a performative act in which gender and racial identity are co-constructed. Finally, it considers the implications of twerking’s exposure on a national stage and how New Orleans bounce artists have reacted. Bounce music and dance are interconnected forms of expression; considering them together helps us to better understand the relationship between sound and gesture in hip hop.","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42100802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Chronicling Stankonia: The Rise of the Hip Hop South, by Regina Bradley 书评:《斯坦科尼亚编年史:南方嘻哈的兴起》，作者:雷吉娜·布拉德利
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-01 DOI: 10.1525/jpms.2023.35.3.141
Marquese L. McFerguson
{"title":"Review: Chronicling Stankonia: The Rise of the Hip Hop South, by Regina Bradley","authors":"Marquese L. McFerguson","doi":"10.1525/jpms.2023.35.3.141","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.3.141","url":null,"abstract":"","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42928101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toward A Purple Aesthetic 走向紫色美学
IF 0.2 3区 艺术学
Journal of Popular Music Studies Pub Date : 2023-09-01 DOI: 10.1525/jpms.2023.35.3.82
D. Rasmussen
{"title":"Toward A Purple Aesthetic","authors":"D. Rasmussen","doi":"10.1525/jpms.2023.35.3.82","DOIUrl":"https://doi.org/10.1525/jpms.2023.35.3.82","url":null,"abstract":"As a popular musician, Prince broke racial, gender, and socio-economic barriers and contributed to a legacy of artistic expression that advocated for individual freedom and empowerment. Nowhere else is this more evident than in Purple Rain, where Prince played with images of androgyny and race. This is particularly evident in the album, the movie, and even in the behind-the-scenes production of both projects. These were questions that Generation X was grappling with at the time, and that generations today continue to grapple with, in the struggle against a rigid hierarchical power structure. Yet this was also the same power structure of social, political, and cultural institutions that had failed as moral leaders, with issues of systemic racism, dysfunctional families, Reaganomics, gender dynamics, divorce, and problematic social and moral institutions (school, parents, etc.) affecting society. Prince’s music developed within this social context and spoke directly to Generation X. Purple Rain hit upon a theme of generational malaise and tension that is reflected in today’s current political climate as well, making Purple Rain a deeply resonant album. To explore this idea, I will look at the cultural factors behind the making of the album and the racial and gender barriers Prince had to subvert in order to get the album and accompanying film made.","PeriodicalId":43525,"journal":{"name":"Journal of Popular Music Studies","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46340109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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