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OXFORD LITERARY REVIEW最新文献

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Luminous Snails, or ‘Something More Besides’ 发光的蜗牛，或者“更多的东西”
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0319
M. Holland
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引用次数: 0
The Uncanny: A Step-by-Step Guide 不可思议:一步一步的指南
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0314
Jemma Deer
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引用次数: 0
A ‘Shabby-looking School Master’ and ‘A Retired School Teacher in Galoshes’: Footnotes on Sigmund Freud and Charles Simic 一个“邋遢的校长”和“加罗什的退休教师”：西格蒙德·弗洛伊德和查尔斯·西米奇的脚注
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0302
Z. Allak
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引用次数: 0
Narcissism and the Aesthetics of ‘The Uncanny’ 自恋与“离奇”美学
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0309
G. Churchman
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引用次数: 0
A Ghost Environmental Politics 幽灵般的环境政治
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0310
Timothy Clark
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引用次数: 0
When Nature Calls: Uncanny Teletechnologies from Aristotle to Heidegger and Derrida 当自然呼唤：从亚里士多德到海德格尔和德里达的神秘远程技术
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0331
Michael Naas
{"title":"When Nature Calls: Uncanny Teletechnologies from Aristotle to Heidegger and Derrida","authors":"Michael Naas","doi":"10.3366/olr.2020.0331","DOIUrl":"https://doi.org/10.3366/olr.2020.0331","url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"256-259"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46519796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De-posing the Uncanny 取消Uncanny的造型
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0344
Dominik Zechner
{"title":"De-posing the Uncanny","authors":"Dominik Zechner","doi":"10.3366/olr.2020.0344","DOIUrl":"https://doi.org/10.3366/olr.2020.0344","url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"314-318"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42570071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Is Uncanny, This Is Uncanny: Beckett's Foreign Language 什么是不可思议，这是不可思议:贝克特的外语
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0337
R. Sellars
{"title":"What Is Uncanny, This Is Uncanny: Beckett's Foreign Language","authors":"R. Sellars","doi":"10.3366/olr.2020.0337","DOIUrl":"https://doi.org/10.3366/olr.2020.0337","url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"283-286"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46613434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Uncanny Animal Writing Uncanny动物写作
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0336
Marta Segarra
{"title":"Uncanny Animal Writing","authors":"Marta Segarra","doi":"10.3366/olr.2020.0336","DOIUrl":"https://doi.org/10.3366/olr.2020.0336","url":null,"abstract":"","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"279-282"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48985180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Freud's Uncanny and Speculative Elegy 弗洛伊德的《神秘与思辨的挽歌
4区 文学
OXFORD LITERARY REVIEW Pub Date : 2020-12-01 DOI: 10.3366/olr.2020.0313
A. Curtis
{"title":"Freud's Uncanny and Speculative Elegy","authors":"A. Curtis","doi":"10.3366/olr.2020.0313","DOIUrl":"https://doi.org/10.3366/olr.2020.0313","url":null,"abstract":"In ‘The Dark Ecology of Elegy’ (2010) Timothy Morton suggests a radical notion of incomplete mourning for the planet. That we must mourn, and do mourn, through our literature, before the full loss of environment, a human home becoming increasingly ‘unhomely’. He says, ‘The really difficult elegiac work would consist in bringing into full consciousness the reality of human and nonhuman interdependence, in a manner that threatens the comfortable way in which humans appear in the foreground and everything else in the background.’ (256) In this piece, I aim to explore how this idea can be illuminated by the notion in Freud’s ‘Uncanny’ (1919) that the uncanny impression can be created by an unexpected shift in position, (‘in which one does not know where one is’) in this case the position of the reader or writer in relation by the power of a ‘speculative’ fiction to evoke mourning. I will also draw on the work of Nicolas Abraham and Maria Torok (1994) in their work on mourning and melancholia and the concepts of ‘introjection’ and ‘incorporation’. I want to propose the term ‘speculative elegy’ in relation to certain kinds of climate change or environmental fictions, including the one briefly mentioned by Freud himself in his essay, the short story ‘Inexplicable’ by L. G. Moberly (1917). Such fictions uncannily project and mourn for a natural world not yet passed and disrupt the comfortable and fantastic separation between human and ‘nature’.","PeriodicalId":43403,"journal":{"name":"OXFORD LITERARY REVIEW","volume":"42 1","pages":"175-178"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43303873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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