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Degree Inflection of #4＾and ♭7＾ Shown in Janáček’s Late Works #4^和# 7^在Janáček的晚期作品中出现
Music Theory Forum Pub Date : 2018-06-30 DOI: 10.15571/MTF.2018.25.1.105
Se-Ra Song, So-Yung Ahn
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引用次数: 0
Zemlinsky's Clarinet Trio D-Minor op. 3: Crossing Brahms and Schoenberg 泽姆林斯基的单簧管三重奏d小调作品3:跨越勃拉姆斯和勋伯格
Music Theory Forum Pub Date : 2018-06-30 DOI: 10.15571/mtf.2018.25.1.33
Soondo Hwang
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引用次数: 0
Revisiting a Korean Film Assassination through Juan Chattah’s Metaphoric Models: Focusing on Scenes Adopting Dvorak’s Humoresque and New World and Schumann’s Traumerei 从胡安·查塔的隐喻模式重新审视韩国电影《暗杀》——以德沃夏克的《幽默与新世界》和舒曼的《创伤》为中心
Music Theory Forum Pub Date : 2018-06-30 DOI: 10.15571/MTF.2018.25.1.137
S. Ahn
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引用次数: 0
Anti-Judaism and the Turba Choruses in John Passion: Re-reading John and Luther 《约翰受难记》中的反犹太教和Turba合唱:重新解读约翰和路德
Music Theory Forum Pub Date : 2018-06-30 DOI: 10.15571/MTF.2018.25.1.9
Kayoung Lee
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引用次数: 0
Approaching C.P.E Bach’s Keyboard Sonata in A Major, W. 55/4: Its Form, Content, and Schemata C.P.E巴赫A大调键盘奏鸣曲，W. 55/4:形式、内容与图式
Music Theory Forum Pub Date : 1900-01-01 DOI: 10.16940/ymr.2019.26.1.71
Jiyoung Park
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引用次数: 0
An Analysis and Suggestions for Music College Curriculum: Focused on the Atonal Music Education 音乐院校课程设置分析与建议:以无调性音乐教育为重点
Music Theory Forum Pub Date : 1900-01-01 DOI: 10.16940/ymr.2019.26.1.161
Yeajin Kim
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引用次数: 0
Significance of Secular Oratorio Creation in the Late 20th Century From the Perspective of Henze's 'Das Floß der Medusa' 从亨泽的《美丽杜莎》看20世纪后期世俗清唱剧创作的意义
Music Theory Forum Pub Date : 1900-01-01 DOI: 10.16940/ymr.2019.26.1.99
S. M. Han
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引用次数: 0
Beyond Weimar: Bach’s Ritornello and Cantata 208
Music Theory Forum Pub Date : 1900-01-01 DOI: 10.16940/ymr.2019.26.1.43
Kayoung Lee
{"title":"Beyond Weimar: Bach’s Ritornello and Cantata 208","authors":"Kayoung Lee","doi":"10.16940/ymr.2019.26.1.43","DOIUrl":"https://doi.org/10.16940/ymr.2019.26.1.43","url":null,"abstract":"","PeriodicalId":433504,"journal":{"name":"Music Theory Forum","volume":" 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120832120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reconsidering the Locus of Film Music: Diegesis, Non-Diegesis, and In-between Spaces 重新思考电影音乐的轨迹:叙事、非叙事与中间空间
Music Theory Forum Pub Date : 1900-01-01 DOI: 10.16940/ymr.2019.26.1.197
Ahn Soo Hwan
{"title":"Reconsidering the Locus of Film Music: Diegesis, Non-Diegesis, and In-between Spaces","authors":"Ahn Soo Hwan","doi":"10.16940/ymr.2019.26.1.197","DOIUrl":"https://doi.org/10.16940/ymr.2019.26.1.197","url":null,"abstract":"","PeriodicalId":433504,"journal":{"name":"Music Theory Forum","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133944115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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