Twentieth-Century Music最新文献

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A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project 现代弗洛雷斯坦:费德里奥在罗本岛和南非早期民主计划
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2023-02-01 DOI: 10.1017/S1478572222000500
J. Pistorius
{"title":"A Modern-Day Florestan: Fidelio on Robben Island and South Africa's Early Democratic Project","authors":"J. Pistorius","doi":"10.1017/S1478572222000500","DOIUrl":"https://doi.org/10.1017/S1478572222000500","url":null,"abstract":"Abstract In 2004, Cape Town Opera mounted a production of Beethoven's Fidelio at the former apartheid prison on Robben Island. Sponsored by Den Norske Opera, and endorsed by the South African government, the production was presented as a celebration of the country's tenth year of democracy. This article investigates the vision of democracy performed by Fidelio on Robben Island and asks how it interacts with the founding principles of the new South African political order. Situating the production within the context of contemporaneous debates about cultural identity and representation in a democratic South Africa, I argue that Fidelio on Robben Island performed a legitimizing function designed to endorse the validity of the state and of opera as a democratic cultural form.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46184183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking Post-Authoritarian Chile through Its Popular Music 从流行音乐看后独裁时代的智利
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2023-02-01 DOI: 10.1017/S1478572222000494
Daniel Party
{"title":"Rethinking Post-Authoritarian Chile through Its Popular Music","authors":"Daniel Party","doi":"10.1017/S1478572222000494","DOIUrl":"https://doi.org/10.1017/S1478572222000494","url":null,"abstract":"Abstract This article is a study of Chilean popular music produced during the 1990s, the first decade following the end of the Pinochet dictatorship. The return of democracy and a period of strong economic growth contributed to a boom in the Chilean music industry. A wealth of music was recorded and the opportunities for listening to live music multiplied. The article's main objectives are to illuminate the ways in which Chilean popular music addressed democracy's inspiring promises and frustrating limits and to consider how Chileans used popular music to foster new post-authoritarian identities. First, it argues that music was used to reclaim national symbols that had been coopted by the dictatorship. Second, it considers the music of two generations of musicians who returned to the country after living in exile. Finally, it focuses on punk and hip-hop, the styles that produced the most significant examples of protest music in the post-authoritarian period.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41630312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TCM volume 19 issue 3 Cover and Front matter 《中医》第19卷第3期封面和封面
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/s1478572222000342
{"title":"TCM volume 19 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s1478572222000342","DOIUrl":"https://doi.org/10.1017/s1478572222000342","url":null,"abstract":"","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42394045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media 在社交媒体的声音环境中感知、分享和聆听音乐动物
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000251
Kate Galloway
{"title":"Sensing, Sharing, and Listening to Musicking Animals across the Sonic Environments of Social Media","authors":"Kate Galloway","doi":"10.1017/S1478572222000251","DOIUrl":"https://doi.org/10.1017/S1478572222000251","url":null,"abstract":"Abstract This article explores the strategies employed by user-creators as they listen to, sense, make, and share digital audiovisual memes of musicking non-human animals on social media. Memes, reels, and other forms of audiovisual social media posts are a form of cultural expression that reveals the varied ways humans relate to, connect with, and represent non-human animals – especially their pets – through sound, music, and the moving image. By listening to the plurality of musicking animals circulating on social media platforms and networks, I argue that user-creators conspicuously use music and performance to express alternative ideas of what it means to be musical, to feel closer to and connect with the important animals in their lives, and to explore the ways they can represent non-human animals using sound and music to explore musical concepts. Using a varied selection of viral musicking animal memes shared across social media platforms such as TikTok, Instagram, and Twitter, I frame musicking animal participatory media as a creative space for exploring different approaches to listening, performing with, and scoring sound and music to the behaviour, movement, and acoustic communication of the non-human animal. Non-human animal musicking takes a variety of forms across this particular kind of participatory media making by online user-creators.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41840115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
All Songs Considered: The Persuasive Listening of Music Podcasts 考虑所有歌曲:音乐播客的说服性聆听
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000275
Byrd Mcdaniel
{"title":"All Songs Considered: The Persuasive Listening of Music Podcasts","authors":"Byrd Mcdaniel","doi":"10.1017/S1478572222000275","DOIUrl":"https://doi.org/10.1017/S1478572222000275","url":null,"abstract":"Abstract Music podcasts have proliferated as public discourse about popular music. A significant part of the expanding podcast industry, music podcasts include titles such as All Songs Considered, Switched on Pop, Song Exploder, Sound Opinions, New York Times Popcast, and Lost Notes. These podcasts often feature a combination of conversation and musical selections, which highlight aspects of the music for podcast listeners. In this article, I argue that we should think of music podcasts as persuasive demonstrations of music consumption. Music podcasts present music as a subject for discussion and also implicitly model listening techniques, convincing podcast listeners to adopt specific approaches to music recordings. I explore three podcasts: All Songs Considered, Switched on Pop, and Disability Visibility. I examine how these podcasts present music as their subject, while advancing particular theories of listening that can serve or subvert privileged modes of music reception.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43022330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’ “用古巴交换100万YouTube浏览量”:技术不稳定性、线下病毒式传播和“爱国主义”
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000305
Michael Levine
{"title":"‘Exchanging Cuba for 1 Million YouTube Views’: Technological Precarity, Offline Virality, and ‘Patria y vida’","authors":"Michael Levine","doi":"10.1017/S1478572222000305","DOIUrl":"https://doi.org/10.1017/S1478572222000305","url":null,"abstract":"Abstract For many Cubans, the internet remains an inaccessible destination. The residents of repartimiento districts – Black Cuban residents from outlying districts across Havana – manage the situation through custom solutions that bridge gaps of technological precarity. Utilizing USB drives to share content with one another, artists and music fans have constructed a complex, alternative internet that allows for the peer-to-peer trade of movies, music, and other media. Pirate digital networks such as el paquete semanal and Zapya, for instance, circulate music across the island without the need to rely on costly and unreliable internet infrastructure. Utilizing interviews, physical and digital ethnographies, and theories of viral musicking, I argue that Black Cuban artists and music fans, despite internet scarcity, use alternative networks to generate viral events. In particular, Cubans in 2021 joined in a transnational expression of sonic protest through the popularity of the politically subversive song ‘Patria y vida’, a song that circulated widely through underground, USB-based networks. In this article, I discuss the song's construction, circulation, and role in sounding the J-11 Cuban protests to demonstrate how Black Cuban artists and fans share music through USB-based networks not only to solve gaps in technologically precarious situations, but also to generate powerful moments of viral musicking.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44341094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium 自动播放,取消静音,出席:(重新)格式化21世纪的数字感官
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000287
Paula Harper
{"title":"Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium","authors":"Paula Harper","doi":"10.1017/S1478572222000287","DOIUrl":"https://doi.org/10.1017/S1478572222000287","url":null,"abstract":"Abstract In this article, I analyse the implications of autoplaying video as a driver of ‘audile techniques’ in the 2010s digital ecosystem – in particular, techniques that respond to the realities of the separability of image and sound, even in media that contain both elements. I then examine a number of strategies through which this audio/visual split has been negotiated, monetized, and creatively bridged by consumers, creators, and corporate personnel – from the creation of new audiovisual genres and aesthetics, to the rise of particular platform pricing models, to the adoption (and, potentially, exploitation) of accessibility features. Ultimately, I seek to show how negotiations of sound and listening factor deeply into contemporary attempts to harness and monetize ‘attention’ as a commodity in a digital economy of platforms, advertisements, and data.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44351155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone 音乐信息:WhatsApp在拉丁美洲南锥体足球文化中的社会和反社会启示
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000329
Luis Achondo
{"title":"Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone","authors":"Luis Achondo","doi":"10.1017/S1478572222000329","DOIUrl":"https://doi.org/10.1017/S1478572222000329","url":null,"abstract":"Abstract Argentine, Chilean, and Uruguayan hinchas (soccer or football supporters) cheer for their teams primarily through contrafacta of popular music. Until recently, chants were mainly composed in stadiums and other physical spaces of fan socialization. However, the increasing dominance of the messaging app WhatsApp has altered these sociomusical relations. Drawing on ethnographic work, I argue that the messaging app has fostered both sociality and anti-sociality within and between fanbases. Hinchas employ its creative affordances to digitally decentre creativity from individuals through the distribution of inventive tasks between different people. However, WhatsApp also contributes to football violence by intimately spreading hate memes, aggressive chants, and videos of torture, among other forms of violent media. In illustrating that the messaging app can immerse and infect subjects in both productive and destructive relationalities, this article ultimately underscores the social and anti-social potentialities of viral media and digital technologies.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41248814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
TCM volume 19 issue 3 Cover and Back matter 中医第19卷第3期封面和封底
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/s1478572222000354
{"title":"TCM volume 19 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1478572222000354","DOIUrl":"https://doi.org/10.1017/s1478572222000354","url":null,"abstract":"","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44856029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India 参与的基础设施:音乐美学与YouTube在印度的兴起
IF 0.4 2区 艺术学
Twentieth-Century Music Pub Date : 2022-10-01 DOI: 10.1017/S1478572222000299
Anaar DESAI-STEPHENS
{"title":"The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India","authors":"Anaar DESAI-STEPHENS","doi":"10.1017/S1478572222000299","DOIUrl":"https://doi.org/10.1017/S1478572222000299","url":null,"abstract":"Abstract This article analyses the rise of YouTube in India between 2008 and 2018 by focusing on two central themes: first, shifts in digital infrastructure that enabled the widespread consumption of streaming media; and second, the importance of music-media aesthetics in supporting the platform's predominance. Drawing on ethnographic fieldwork and close readings of videos by significant early Indian YouTube performers, I trace how an ‘aesthetics of intimacy’ facilitated the practices of ‘engagement’ that drove YouTube's expansion and monetization. The article thus highlights the infrastructuralizing capacities of musical aesthetics as they have allowed YouTube to become the predominant online platform for the circulation of videos and attention in India and beyond. Ultimately, I suggest that scholars of digital music cultures must attend to the intertwining of aesthetics and infrastructure to gain insight into the corporate industry imaginaries that guide platform expansion in emerging digital markets.","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45206746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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