Literatūra最新文献_第9页

Harbin and Parisian “Notes”: the Originality of Sound 哈尔滨与巴黎的“音符”:声音的原创性

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.1

E. Proskurina

{"title":"Harbin and Parisian “Notes”: the Originality of Sound","authors":"E. Proskurina","doi":"10.15388/litera.2021.63.2.1","DOIUrl":"https://doi.org/10.15388/litera.2021.63.2.1","url":null,"abstract":"The article is an attempt at a comparative analysis of two emigrant “notes”. Both of them have already been studied separately in detail by literary scholars. However, a comparison of these two phenomena has not yet received sufficient coverage in science. This work presents the socio-historical context of each of the “notes”. It shows the influence of this context on the creative consciousness of authors, poetics, literary correlates. While one of the characteristic features of the “Parisian note” is the scarcity of literary authorities, the poetry of the “Harbin note”, on the contrary, is distinguished by its receptive breadth. The relationship of Russian Parisians with European culture is a failed dialogue. In addition to the focus on lyrical documentary, initiated by the theorist of the “note” G. Adamovich, this became one of the reasons for the asceticism of his poetics. “Harbin note” was created in a different socio-cultural atmosphere. Unlike Paris, China has become a second home for the Russian Harbinians. This explains vital poetic colors in the poetry of the “Harbin note”. Paris is most often painted by the representatives of the “Parisian note” in the colors of death. The poetry of China occupies a special place among the poetic attractions of the “Harbin note”. This was reflected in the linguistic wealth of the Harbin poets. Thus, in contrast to the “Parisian note”, the “Harbin note” demonstrates the literary transfer that took place with the country of residence.","PeriodicalId":432201,"journal":{"name":"Literatūra","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127655227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mire’s Interpretation of the Tragic and Paradoxical World of Oscar Wilde 米尔对奥斯卡·王尔德悲剧与矛盾世界的解读

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.5

M. Mikhailova, S. Kudritskaya

引用次数: 0

Woman at the Ball. “Anna in the Neck” by Anton Chekhov and “The Psychology of a Husband from Syros” by Emmanuel Roidis: An Attempt of Comparison 舞会上的女人。契诃夫的《脖子上的安娜》和伊曼纽尔·罗伊迪斯的《来自西罗斯的丈夫的心理学》:一种比较的尝试

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.4

F. Eloeva

引用次数: 0

Alexander Blok in the Russian Environment of Interwar Wilno 亚历山大·布洛克在两次世界大战之间的俄国环境威尔诺

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.2

Pavel Lavrinec

引用次数: 0

Virgo-Death: from The Little Show-Booth by Alexander Blok to The Mistress of Death and The Lover of Death by Boris Akunin 处女座-死亡:从亚历山大·布洛克的《小展览馆》到鲍里斯·阿库宁的《死亡的情妇》和《死亡的情人》

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.9

O. Fedunina

{"title":"Virgo-Death: from The Little Show-Booth by Alexander Blok to The Mistress of Death and The Lover of Death by Boris Akunin","authors":"O. Fedunina","doi":"10.15388/litera.2021.63.2.9","DOIUrl":"https://doi.org/10.15388/litera.2021.63.2.9","url":null,"abstract":"The image of Death, embodied in the image of a beautiful maiden, is considered in the article through the analysis of references in the novel diptych by B. Akunin The Mistress of Death and The Lover of Death (the Erast Fandorin series) to one of the most important primary sources, the drama by A. Blok The Little Show-Booth. The study shows that Akunin's method of deformation was replaced by a postmodern deconstruction with a splitting into two images, of Columbine and of Maiden-Death, each of which is dominated by one of the hypostases of the heroine of The Little Show-Booth. These transformations appeal in their development to the opposition in Akunin’s novels of two points of view on fate, dialectically interacting, which correlate with the adventurous exposition and with the inevitability of personal destiny idea, oriented towards the “classical” tradition. The result of the analysis is a new formula of the genre of Akunin's novels, since their poetics goes out of the ordinary framework of criminal literature, as a transgressive phenomenon in the field of mass literature, as postmodern novel, in which the uncertain intertextuality accentuates, align with plot details, the problem of heroes’ self-identity.","PeriodicalId":432201,"journal":{"name":"Literatūra","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133436199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Meaning of Memory in Bunin and Hippius 布宁与希比乌斯论记忆的意义

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.3

Svetozar Poštič

引用次数: 0

In Memory of Emilia Kondiurina (Eleonora Safronova)

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.18

Eleonora Safronova

引用次数: 0

The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova 斯坦卡·拉辛和波斯公主的故事:叶夫根尼·扎米亚京和安娜·巴尔科娃

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.6

V. Zuseva-Özkan

{"title":"The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova","authors":"V. Zuseva-Özkan","doi":"10.15388/litera.2021.63.2.6","DOIUrl":"https://doi.org/10.15388/litera.2021.63.2.6","url":null,"abstract":"The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one hand, and in the play by A. Barkova Nastasya Kostyor (1923), on the other hand. The direct and inverse projections of Razin’s plot are represented: in Zamyatin’s case the roles of Razin and the princess are distributed in the traditional way, as they are typical for the long history of this plot in Russian culture – both in folklore and in literature, and in Barkova’s case these roles are reversed in the gender aspect. This peculiarity is considered as connected to Barkova’s interest toward “woman question”, the problem of female emancipation, women’s equality. The plot of Stenka Razin and the Persian princess is analyzed in the article together with another one – the plot featuring the woman warrior, since they are closely interrelated in Russian literature of the 1920s. The hypothesis is that this relationship is due to the active demolition of the old gender order during this period.","PeriodicalId":432201,"journal":{"name":"Literatūra","volume":"97 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132511306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Image of the Trickster in the Novel by Vladimir Makanin The Underground, or the Hero of Our Time 弗拉基米尔·马卡宁小说中的骗子形象《地下》，还是我们时代的英雄

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2021.63.2.11

N. Kovtun

{"title":"The Image of the Trickster in the Novel by Vladimir Makanin The Underground, or the Hero of Our Time","authors":"N. Kovtun","doi":"10.15388/litera.2021.63.2.11","DOIUrl":"https://doi.org/10.15388/litera.2021.63.2.11","url":null,"abstract":"The article is devoted to the study of the image of the trickster – one of the key ones in modern Russian culture and literature. The article analyzes the specifics of the functioning and attribution of the trickster figure in V. Makanin‘s novel The Underground, or the Hero of Our Time (1998). This is a soliloquium novel. It is shown how the appearance of the trickster hero, who is aware of his connection with the myth, helps to solve the tragic issues facing the consciousness of the turn of the XX-XXI centuries. The life – affirming, vital potential of the image of the main character of the novel – Petrovich is considered, the inherent possibilities, means of awareness and representation of the tragic are revealed. The paper examines the intertextual field of the character’s image, including the archetypes of “naked man”, “little man”, “extra man” and “underground man”, who made up the canon of Russian classics. The reinterpretation of archetypes is the realization of the author’s attempt, his hero, to “push” Russia into the next century, free from the dictates of the literary canon, opening up the prospect of finding one’s own Word as a self-determination of an individual in the new century.","PeriodicalId":432201,"journal":{"name":"Literatūra","volume":"110 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132529582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

II Interregional Forum “The Aksakovs – the Pride of the Motherland” (Samara, November 10–12, 2020) (Andrei Rastiagaev) 第二届“祖国的骄傲——阿克萨科夫家族”区域间论坛(2020年11月10日至12日，萨马拉)(安德烈·拉斯蒂加耶夫)

Literatūra Pub Date : 2021-11-22 DOI: 10.15388/litera.2022.63.2.17

Andrei Rastiagaev

引用次数: 0