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Framework-The Journal of Cinema and Media最新文献

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Paradoxes and Parapraxes: On (the Limits of) Cinematic Representation in Post-Conflict Situations 悖论与佯谬:论冲突后情境下电影表现的局限性
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-05-22 DOI: 10.1057/978-1-137-43955-0_2
T. Elsaesser
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引用次数: 0
Sigmar Polke: Films 西格玛·波尔克:电影
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-05-22 DOI: 10.13110/FRAMEWORK.60.1.0053
T. Elsaesser
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引用次数: 0
Is a Factory a Museum? 工厂是博物馆吗?
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-05-22 DOI: 10.13110/FRAMEWORK.60.1.0042
T. Elsaesser
{"title":"Is a Factory a Museum?","authors":"T. Elsaesser","doi":"10.13110/FRAMEWORK.60.1.0042","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.60.1.0042","url":null,"abstract":"I read Hito Steyerl’s essay “Is a Museum a Factory?” with great interest. Not only because she quotes me and announces in the most aff able—if nonetheless unmistakable—way her doubts about my remarks, but because she touches on subjects I have been thinking about for some time and that are relevant for a broader audience. Th e basic argument of “Is a Museum a Factory?” could be summed up as follows: Now, because more and more factories are being converted into museums, it is about time to ask what these two seemingly diametrically opposed institutions have in common that makes it so easy to transition from one to the other. And if that is the case, what consequences does this transition have for (a) the concept of production in art and society, (b) the experience of space and time, (c) the relationship of the masses and the individual, and, fi nally—here I add my own point—(d) the formatting or programming of the human senses and body? All of this is focused on the question of the fate of the socially committed fi lm and political cinema that once was shown in factories as well and now leads a hybrid and confl icted existence as installation art in museums, exhibitions, and galleries. Th e areas of tension cannot be discussed in detail here, so let me just try and extend Hito Steyerl’s essay to include a further thesis: At one time people did","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79466667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Fashion and Fearlessness in the Wharton Studio's Silent Film Serials, 1914–1918 华顿工作室无声电影系列中的时尚与无畏，1914-1918
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-05-22 DOI: 10.13110/FRAMEWORK.60.1.0083
D. Green
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引用次数: 0
Touch and Gesture: On the Borders of Intimacy 触摸和手势:在亲密的边界
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-04-01 DOI: 10.13110/FRAMEWORK.60.1.0009
T. Elsaesser
{"title":"Touch and Gesture: On the Borders of Intimacy","authors":"T. Elsaesser","doi":"10.13110/FRAMEWORK.60.1.0009","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.60.1.0009","url":null,"abstract":"If the Internet might well claim to be the medium of public intimacy par excellence, with humans exposing their most intimate moments to legions of strangers and oft en receiving such warm and welcoming response that it feels like one really could be close to half of the world, then my own interest in the subject of intimacy is less “intimate.” Partly symptomatic and partly generic, it situates itself more on the meta-level of the discipline of fi lm studies and does not attempt to explore intimacy in the context of family, domestic space, and the inner life. Instead, I want to probe the intricate relationship between the cinema of intimacy and the intimacy of cinema.","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89130230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Turning Away from the Fire: A New Look at Films of Kore-eda Hirokazu 远离火焰:是枝裕和电影的新视角
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-04-01 DOI: 10.13110/FRAMEWORK.60.1.0116
Linda C. Ehrlich
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引用次数: 1
Ousmane Sembene's Moolaadé: People's Rights vs. Human Rights Ousmane Sembene的moolaad<s:1>:人民权利vs.人权
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-03-01 DOI: 10.2307/j.ctv9hvrjz.12
S. Gadjigo
{"title":"Ousmane Sembene's Moolaadé: People's Rights vs. Human Rights","authors":"S. Gadjigo","doi":"10.2307/j.ctv9hvrjz.12","DOIUrl":"https://doi.org/10.2307/j.ctv9hvrjz.12","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76886368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hustlers & Empires 《骗子与帝国
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-01-05 DOI: 10.13110/framework.59.2.0159
Michelle Handelman
{"title":"Hustlers & Empires","authors":"Michelle Handelman","doi":"10.13110/framework.59.2.0159","DOIUrl":"https://doi.org/10.13110/framework.59.2.0159","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80323570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Grandmaster: Socio-Political Plurality in Contemporary Hong Kong 一代宗师:当代香港的社会政治多元性
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-01-05 DOI: 10.13110/FRAMEWORK.59.2.0101
T. Cunliffe
{"title":"The Grandmaster: Socio-Political Plurality in Contemporary Hong Kong","authors":"T. Cunliffe","doi":"10.13110/FRAMEWORK.59.2.0101","DOIUrl":"https://doi.org/10.13110/FRAMEWORK.59.2.0101","url":null,"abstract":"","PeriodicalId":43199,"journal":{"name":"Framework-The Journal of Cinema and Media","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78091423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Back Matter 回到问题
IF 0.2
Framework-The Journal of Cinema and Media Pub Date : 2019-01-01 DOI: 10.13110/framework.60.1.bm
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引用次数: 0
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