JOURNAL OF FILM AND VIDEO最新文献

筛选
英文 中文
Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge by Becky Aikman (review) 贝基·艾克曼的《悬崖外:塞尔玛和路易丝的制作如何将好莱坞推向边缘》(评论)
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0104
Lucas Cuny
{"title":"Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge by Becky Aikman (review)","authors":"Lucas Cuny","doi":"10.5406/jfilmvideo.72.1-2.0104","DOIUrl":"https://doi.org/10.5406/jfilmvideo.72.1-2.0104","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"72 1","pages":"104 - 105"},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49595760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines (review) 粉红佳人:无声电影行业的女性发生了什么?Jane M.Gaines(评论)
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0094
R. M. Alvin
{"title":"Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines (review)","authors":"R. M. Alvin","doi":"10.5406/jfilmvideo.72.1-2.0094","DOIUrl":"https://doi.org/10.5406/jfilmvideo.72.1-2.0094","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"72 1","pages":"94 - 95"},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44851636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA Avant Doc:前卫电影院的交叉点
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0109
Shara K. Lange
{"title":"AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA","authors":"Shara K. Lange","doi":"10.5406/jfilmvideo.72.1-2.0109","DOIUrl":"https://doi.org/10.5406/jfilmvideo.72.1-2.0109","url":null,"abstract":"©2020 by the board of trustees of the university of illinois a productive metaphor for understanding Hollywood itself. In Hudson’s words, “Hollywood comes to resemble a vampire that shifts shape, moves at unnatural speeds, and multiplies. Like a vampire, Hollywood mutates and migrates, sometimes escaping recognition. Like a vampire, Hollywood has an insatiable appetite and will likely also never die” (3). These parallels emphasize for Hudson that Hollywood needs to be understood as a transnational system, varying from studios to independent productions and from TV networks, cable, and streaming platforms to media conglomerates. Like vampire stories, Hollywood modes of production and distribution are deeply transnational, through outsourced and runaway production, absorption of foreign styles and talent, and the targeting of international markets. Hudson’s book draws on the previous multidisciplinary scholarship to offer three major contributions: first, conceptualization of Hollywood as transnational, as exemplified in the production of vampire film, television, and Web series and their distribution and transmission; second, an approach to vampire film and media as transgenre and transmedia, investigating not only their visual and narrative tropes across genres but also their political meanings; and finally, through reading vampire films for critical pleasure, an analysis that establishes race as a mutable yet ever-present category, constitutive of the fabric of daily life and national history in the United States. Thus, unusually for a book about vampire film and television, Hudson makes a contribution to the literature on race and race relations, as well as to literature about Hollywood and its transnational iterations.","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47982585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back Matter 回到问题
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-01-01 DOI: 10.5406/jfilmvideo.72.3-4.bm
{"title":"Back Matter","authors":"","doi":"10.5406/jfilmvideo.72.3-4.bm","DOIUrl":"https://doi.org/10.5406/jfilmvideo.72.3-4.bm","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70768974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Challenging Ontological Order: Walls and Historical Space in Narrative Films 挑战本体论秩序:叙事电影中的墙与历史空间
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-01-01 DOI: 10.5406/JFILMVIDEO.72.3-4.0032
Raz
{"title":"Challenging Ontological Order: Walls and Historical Space in Narrative Films","authors":"Raz","doi":"10.5406/JFILMVIDEO.72.3-4.0032","DOIUrl":"https://doi.org/10.5406/JFILMVIDEO.72.3-4.0032","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"72 1","pages":"32"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70769261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back Matter 回到问题
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2020-01-01 DOI: 10.5406/jfilmvideo.72.1-2.bm
{"title":"Back Matter","authors":"","doi":"10.5406/jfilmvideo.72.1-2.bm","DOIUrl":"https://doi.org/10.5406/jfilmvideo.72.1-2.bm","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70769164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Documentary Filmmaking and US Public TV's Independent Television Service, 1989–2017 纪录片制作和美国公共电视台的独立电视服务,1989–2017
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2019-12-04 DOI: 10.5406/jfilmvideo.71.4.0003
P. Aufderheide
{"title":"Documentary Filmmaking and US Public TV's Independent Television Service, 1989–2017","authors":"P. Aufderheide","doi":"10.5406/jfilmvideo.71.4.0003","DOIUrl":"https://doi.org/10.5406/jfilmvideo.71.4.0003","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"71 1","pages":"14 - 3"},"PeriodicalIF":0.1,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41965857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"It's Like Waking": Making Meaning in and of Christopher Nolan's Memento “就像醒来”:克里斯托弗·诺兰回忆录的意义
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2019-12-04 DOI: 10.5406/jfilmvideo.71.4.0029
P. Novak
{"title":"\"It's Like Waking\": Making Meaning in and of Christopher Nolan's Memento","authors":"P. Novak","doi":"10.5406/jfilmvideo.71.4.0029","DOIUrl":"https://doi.org/10.5406/jfilmvideo.71.4.0029","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"71 1","pages":"29 - 50"},"PeriodicalIF":0.1,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49423890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Waning Queerscape: The Hong Kong Lesbian and Gay Film Festival 迷人的风景:香港男女同性恋电影节
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2019-12-04 DOI: 10.5406/JFILMVIDEO.71.3.0035
Qin Qin
{"title":"A Waning Queerscape: The Hong Kong Lesbian and Gay Film Festival","authors":"Qin Qin","doi":"10.5406/JFILMVIDEO.71.3.0035","DOIUrl":"https://doi.org/10.5406/JFILMVIDEO.71.3.0035","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"71 1","pages":"35 - 49"},"PeriodicalIF":0.1,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44270145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Songs of Cinephilic Life: Peter Bogdanovich’s They All Laughed and The Thing Called Love 电影生活之歌:彼得·博格达诺维奇的《他们都笑了》和《爱的东西》
IF 0.1 3区 艺术学
JOURNAL OF FILM AND VIDEO Pub Date : 2019-12-04 DOI: 10.5406/JFILMVIDEO.71.3.0018
Steven Rybin
{"title":"Songs of Cinephilic Life: Peter Bogdanovich’s They All Laughed and The Thing Called Love","authors":"Steven Rybin","doi":"10.5406/JFILMVIDEO.71.3.0018","DOIUrl":"https://doi.org/10.5406/JFILMVIDEO.71.3.0018","url":null,"abstract":"","PeriodicalId":43116,"journal":{"name":"JOURNAL OF FILM AND VIDEO","volume":"71 1","pages":"18 - 34"},"PeriodicalIF":0.1,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45739393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信