Intersectional Perspectives: Identity, Culture, and Society最新文献

Identity, Creativity and Performance Spaces in Wales and Southwest England 威尔士和英格兰西南部的身份、创造力和表演空间

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2024-07-12 DOI: 10.18573/ipics.132

Pip Fincher, John McLoughlin, Morgan Lee, Gifty Andoh Appiah

{"title":"Identity, Creativity and Performance Spaces in Wales and Southwest England","authors":"Pip Fincher, John McLoughlin, Morgan Lee, Gifty Andoh Appiah","doi":"10.18573/ipics.132","DOIUrl":"https://doi.org/10.18573/ipics.132","url":null,"abstract":"Globally, performative spaces and venues of artistic creativity are governed by sets of conventions which impact the creative process. In this article, we discuss the experiences of four different creatives, operating in four different creative spaces. A poet and football player, a theatre producer and script writer, a gallery curator, and a ballet dancer have all shared their experiences of how traditionally white and heteronormative discourses regulate their respective creative spaces, the ways they conform to or transgress these norms, and the ways their interactions with their chosen creative spaces affect their creativity. These creatives have identities which are somehow ‘marked’, somehow ‘different’ from the ‘norms’ Wales and South-West England. Whether members of the LGBTQ+ community, migrants to Wales from European and Caribbean countries, or being a different race to many around them, the creatives all have complicated interactions with the norms of their creative spaces within Wales and South-West England. These creative’s identities often clash with an entrenched lack of diversity and the broader expectations of British society. Despite, or perhaps, because of, these conflicts and tensions, each of the creatives discussed here found immense joy in the relationship between their identity/ies and their creative spaces and discovered how their own identity/ies are a central driving force for their creativity. Regardless of the differences of their mediums, each creative interviewed sought to centre their identity, to help them create art which can challenge dominant white and heteronormative discourses in wider British society.","PeriodicalId":429920,"journal":{"name":"Intersectional Perspectives: Identity, Culture, and Society","volume":"229 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141834357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Spectrality and the Plural Body: A Comparative Study of the Works of Apichatpong Weerasethakul and Korakrit Arunanondchai 幽灵与复数身体：阿彼察邦-韦拉斯哈古（Apichatpong Weerasethakul）和科拉克里特-阿鲁纳农差（Korakrit Arunanondchai）作品比较研究

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2024-05-20 DOI: 10.18573/ipics.124

Yana Naidenov

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Reaffirming the Queer Traumatized Self through Home: An Analysis of the Potential of Traumascapes in John Elizabeth Stintzi’s Vanishing Monuments (2021). 通过 "家 "重申受创伤的同性恋自我：约翰-伊丽莎白-斯汀齐（John Elizabeth Stintzi）《消失的纪念碑》（2021 年）中的创伤景观潜力分析。

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2024-04-15 DOI: 10.18573/ipics.123

Navalón-Guzmán, Corpus Navalón-Guzmán

{"title":"Reaffirming the Queer Traumatized Self through Home: An Analysis of the Potential of Traumascapes in John Elizabeth Stintzi’s Vanishing Monuments (2021). \u0000 ","authors":"Navalón-Guzmán, Corpus Navalón-Guzmán","doi":"10.18573/ipics.123","DOIUrl":"https://doi.org/10.18573/ipics.123","url":null,"abstract":"This article examines John Elizabeth Stintzi’s novel Vanishing Monuments (2021) applying the views of trauma, queer theory, and the potential discussions around the notion of place. The main issue in Vanishing Monuments is how returning home implies grappling with a non-linear account of haunted memories related to identity and trauma. Drawing on Maria Tumarkin’s concept of traumascapes and connecting it to Cvetkovich’s notion of “queer trauma,” this article aims at disclosing the potentialities that physical spaces can have for the traumatized queer subject. Firstly, this paper’s analysis will draw a connection between trauma and place to examine the function that the protagonist’s house has in the enactment of their trauma. Secondly, I will explore how the main character’s trauma is embodied in the narrative through a link between the concept of traumascapes and Ann Cvetkovich’s notion of queer trauma. This article concludes by evaluating the role that traumascapes might have for the queer subject to productively respond to trauma outside pathological boundaries.","PeriodicalId":429920,"journal":{"name":"Intersectional Perspectives: Identity, Culture, and Society","volume":"24 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140699478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Trans Times: Que(e)rying Normative Logics of Temporality, Gender, and Sexuality in Virginia Woolf's Orlando 跨时代：在弗吉尼亚-伍尔夫的《奥兰多》中争论时间性、性别和性的规范逻辑

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2024-02-14 DOI: 10.18573/ipics.112

Jessica Seidel

{"title":"Trans Times: Que(e)rying Normative Logics of Temporality, Gender, and Sexuality in Virginia Woolf's Orlando","authors":"Jessica Seidel","doi":"10.18573/ipics.112","DOIUrl":"https://doi.org/10.18573/ipics.112","url":null,"abstract":"Prefiguring contemporary inquiries into queer and trans temporality, Virginia Woolf’s Orlando: A Biography explores temporal politics of sexual and gendered identity amidst socio-historical developments in modernism. In her critique of prevailing nineteenth-century presumptions about human experience and related biologically determined, chronologically structured lifetimes, Woolf creates an untimely, gender-variant character resistant to normative order. To conceptualize Orlando’s non-normative temporality and gender identifications, this article draws from the threefold framework developed in Fisher, Phillips, and Katri’s (2017) research on trans temporalities: ‘the construction, deconstruction, and resistant reconstruction of trans subjects’. Spanning from the sixteenth to the twentieth century, Orlando’s queer reality serves as dual resistance to norms of both time and gender; a confluence of constructed male past and deconstructed present as trans woman substantiates the gender variance and future reconstructions of the trans self within what this article introduces as a continuum. In consideration of modernist interactions with time and genderqueer life along with current theorizations of queer and trans temporalities, this article seeks to argue how the trans self modeled by Woolf emerges as asynchronous and ever-evolving. This article then offers, in the vein of Orlando’s transgender subjectivity, an exemplification of the potential to resist and subvert hetero- and chrononormativity in introducing alternative modes of lived reality that endorse unscheduled lifetimes and divergent relations to time, gender, and sexuality.","PeriodicalId":429920,"journal":{"name":"Intersectional Perspectives: Identity, Culture, and Society","volume":"98 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140456426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Starved Rock to Cancer Alley: Simulated Violence and Representational Collapse in the American West 从饥饿摇滚到癌症巷:美国西部的模拟暴力和代表性崩溃

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2023-08-15 DOI: 10.18573/ipics.97

Steffen Wöll

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Opening editorial: Intersectional Approaches, Inclusivity, and Interdisciplinarity 前言:交叉方法、包容性和跨学科性

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2023-01-20 DOI: 10.18573/ipics.127

Arwa Al-Mubaddel

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Review of Women, Performance and the Material of Memory: The Archival Tourist, 1780-1915 by Laura Engel (Basingstoke: Palgrave MacMillan, 2019) 《女性、表演和记忆材料的回顾:档案游客，1780-1915》，劳拉·恩格尔著(贝辛斯托克:帕尔格雷夫·麦克米伦出版社，2019年)

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2023-01-15 DOI: 10.18573/ipics.119

Dyuti Chakravarty

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It’s Not About the Burqa: Transversing Heterotopia and Hypomnemata in Muslim Women’s Life Narratives 这不是关于罩袍:跨越穆斯林女性生活叙事中的异托邦和低梦

Intersectional Perspectives: Identity, Culture, and Society Pub Date : 2023-01-10 DOI: 10.18573/ipics.118

Aswathi Moncy Joseph

{"title":"It’s Not About the Burqa: Transversing Heterotopia and Hypomnemata in Muslim Women’s Life Narratives","authors":"Aswathi Moncy Joseph","doi":"10.18573/ipics.118","DOIUrl":"https://doi.org/10.18573/ipics.118","url":null,"abstract":"Muslim women who are forcibly displaced from their homophobic parent culture are further oppressed within the structures of Islamophobia in the host culture. Discursive re-imaginations based on their Islamic authenticity have skewed them as either veiled or unveiled women from other homogeneous ethnic cultures. Such cursory representations have cemented perceptions about them as outsiders and so a source of constant threat. Therefore, the main objective of this article is to aid discursive reconfigurations of partial representations affecting transculturally or forcibly displaced Muslim women at the intersections of racial, gender or religious persecutions. \u0000 Through a reading of the life-narratives by similarly displaced Muslim women in the anthology It’s Not About the Burqa, this article examines two key questions: 1) How do these women negate discursive conceptions of single stories? 2) How do they reach a unique discourse that addresses such partial representations? The article proposes heterotopia and hypomnemata as two transversal possibilities. Heterotopias are worlds within worlds which mirror what is outside. They can contain differences and undesirable bodies. Whereas hypomnemata refers to personal notes used for later reading and meditation. There has been little work bringing together the transcultural and the transversal. While the transcultural is a system of thought that conceives of cultures as an ongoing flux of confluences,[1] transversality endorses plural possibilities. It offers tools to deterritorialize closed logics.[2] This article therefore calls for revisiting the collaborative dynamics of these concepts as contested through the life-narratives of displaced Muslim women. \u0000 \u0000[1] Arianna Dagnino, ‘Manifesto for a Transcultural Humanism’, (2014) \u0000[Accessed 27 May, 2022]. \u0000[2] Gary Genosko, Felix Guattari: An Aberrant Introduction (London: Continuum, 2002), p.55.","PeriodicalId":429920,"journal":{"name":"Intersectional Perspectives: Identity, Culture, and Society","volume":"250 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133045850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0